• Cartoon and Animation Studies
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• s.5
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• pp.493-497
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• 2001

2001년 10월 안동에 위치한 한국국학진흥원의 개소식에 맞추어 타 관련기관과 이미지 차별화를 통한 국학의 세계화, 전문화 실현 및, 국학의 특성에 부응하는 시각적 동질성 확립으로 한국국학진흥원을 국학연구 전문기관으로 표현할 수 있는 C.I.P 개발에 그 목적을 두고 디자인을 하였다. 연구내용으로는 기본편과 응용편으로 나누어 한국국학진흥원의 시각요소로서 필요한 매체에 적용할 수 있는 모든 아이템을 개발하였다. 특히 심볼 로고와 함께 안동지역이 유교문화권으로서, 국학진흥원의 홍보수단으로서 뿐만 아니라 관련 분야에 다양하게 활용할 수 있도록 그 목적을 두고 캐릭터를 개발하였다. 매뉴얼에 제작된 내용으로 실제의 각 요소에 접목 활용함으로써 한국국학진흥원을 상징하는 모든 매체에 이미지통일화를 확립하여 위상정립과 홍보의 효율성을 높이는데 기여할 수 있을 것이다.

• The Journal of the Convergence on Culture Technology
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• v.2 no.1
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• pp.53-70
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• 2016

There has been many researchs about "朱子家禮" providing the basic mannerism in Josun Dynasty era and influencing rituals to communicate ancestors. However, the arrangement of ritual has not been researched and understood as formality. In this study, the Yin, Yang and the five element theory was researched in the perspective of understanding in the universe order and ancient astronomy that provided the academic basic and idea in the era to understand the arrangement of the ritual, and based on this, the arrangement in "朱子家禮" was analysed. As a result, it was confirmed that the arrangement in ritual was made by the structure of symbol of Yin, Yang and five elements, which is the logic of order in universe people understood at that time. Through this, by understanding the meaning of the arrangement in ritual, the ritual culture would be properly understood and passed to next generation despite of changes in culture.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.28 no.1
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• pp.38-48
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• 2010

The Gwanghalu garden which has a pond of approximately $6,000m^2$ around the pavilion at Namwon City, used as official uses consists of the various imaginary environmental elements such as moon palace as an immortal world, miniatured cosmology and law of nature. This study has focused on the interpretation of the imaginary environmental elements at 1) the name of garden structures, 2) the paintings on the structures, 3) the poems on the garden, and then emphasized on the values of imaginary environments at the historic sites which have been abandoned because of the Westernized scientific attitude in landscape design. Imaginary environment is the 3rd one above the natural and built environment which was a long traditional culture. Accordingly education on landscape architecture might pay attention to this lost environment, imaginary to give the people dream.

• Journal of Digital Convergence
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• v.20 no.4
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• pp.607-615
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• 2022

Animation is a popular art in the form of enlightenment that intimately approaches people of various ages and makes them reconsider the social problems they have ignored. Therefore, this paper analyzes how the character setting and formative symbolism in "The Willoughbys" raise awareness of social agendas. The previous studies found that the modern society needs to be aware of child abuse and various types of family, and examined that color and formativeness of animation induce psychological and behavior change from the audience. The work shows emotional abuse and neglect as characters, and presents the subdivided form of the family. The rainbow symbolizes diverse family members. The agents with visual characteristics express the modern principle-based secondary perpetrator along with apathetic neighbors to urge a change in audience perception. This paper insists the value of animation when it is essential to raise public awareness prior to the construction of a welfare society and support system.

• Digital Contents
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• no.11 s.150
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• pp.42-46
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• 2005

‘ www’는인터넷의상징과도같다. 지금처럼인터넷이폭넓게보급될수있었던이유중하나는어려운숫자도메인(IP Address)을간단한영문으로바꿔입력할수 있는시스템이등장했기때문이다. 이를기반으로몇몇얼리어댑터혹은전문가급유저만의전유물처럼여겨지던인터넷이대중화되기시작했다. 국내에서도이와 유사한움직임이나타나고있다. 영문에익숙하지않은어린이, 노인등의계층도쉽게인터넷을접하고이용할수있도록한글키워드서비스가시작된것. 한글키워 드서비스보급의선봉에우뚝선넷피아닷컴과디지털네임즈를분석했다.

• KAPE Magazine
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• s.160
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• pp.8-9
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• 2009

경남 김해시 생림면은 김해시의 명산인 무척산 아래 산수가 좋고 넓은 평야지대와 낙동강을 끼고 있는 전통적으로 한우 사육을 많이 하는 곳으로 유명하다. 부산경남은 한우 암소 거래가 많은 지역으로 현재도 도매시장 2곳에서 전국의 한우암소 시장을 주도하고 있는 곳으로 '생림 맛보우' 브랜드는 암소 브랜드로서 한우의 상징성을 가지고 있기도 하다. 이런 환경 속에서 조차환 대표는 1980년도에 현 부지인 경남 김해시 생림면 생철리에서 한우에 대한 애착과 사랑으로 한우사육을 시작하게 되었다.

• Digital Contents
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• no.6 s.133
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• pp.62-65
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• 2004

디지털콘텐츠 업계의 상징적인 기업과 인물은 NHN과 김택진, 디지털콘텐츠 종사자의 전형적인 모습은 전문대졸 이상의 학력에 경력 2~5년차, 그리고 1,800만~2,500만원의 연봉인 것으로 나타났다. 월간 <디지털콘텐츠>가 창간 11주년을 맞아 디지털콘텐츠 종사자들을 대상으로 실시한 설문조사에서는 디지털콘텐츠 하면 떠오르는 기업과 인물로 각각 NHN과 김택진 엔씨소프트 사장이 뽑혔다. 이밖에 디지털콘텐츠 종사자들은 현 직장을 대체로 만족스럽다고 평가했으나, 불합리한 조직체계와 급여가 가장 큰 불만거리였다.

• The Journal of the Korea Contents Association
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• v.11 no.6
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• pp.385-396
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• 2011

Internet web pages can be classified by three major types such as texts only, images with texts and videos with texts. The purpose of this paper is to analyze how customers recognize and respond perspective of perceived risk and media richness with regard to design patterns of internet web pages. Additionally, we will examine the extent to which aforementioned factors affect customer satisfaction. Analyses with perceived risks revealed that customers feel less personal risks including performance, psychology and time/convenience when used web pages of text-images and text-videos, compared to text only based web pages. However, customers feel that web pages consisting of image-text or video-text have higher points in terms of symbolism and social presence in media richness, compared to text only based web pages. Finally, we showed that personal risk and text-based Web page negatively affect but symbolism and social presence positively impact on customer satisfaction. Therefore, this study suggests a clue that why video-based Web content did not grow different from many people's expectation.

• Industry Promotion Research
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• v.9 no.2
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• pp.127-135
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• 2024

This study is an instrumental case study based on a theoretical proposition on animal phobia as a single case, Six categories were derived for the purpose of psychological analysis of the father of a female research participant suffering from the earthworm phobia. They are 'a fearful existence', 'problems with the woman who is always by her father's side', 'secret adultery and shock', 'fear of punishment', 'symbol for earthworm and fear displacement', and 'earthworm phobia'. Anxiety about punishment from a fearful father was the cause of the phobia. For the study participant, the earthworm phobia was the displacement of her father's fear of earthworm, and the earthworm phobia was interpreted as a substitute for her father. In other words, earthworm phobia should be understood as an escape and defense process as it replaces the re-emergence of long-repressed fearful feeling toward her father, and its symbolism can be seen as a metaphorical transformation of the pathological family atmosphere.

• The Journal of the Korea Contents Association
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• v.21 no.6
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• pp.435-444
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• 2021

This paper discusses the geometrical interpretation of the Taegeuk Shapes of Kameun Temple through the geometric analysis of mathematics. Based on the literature, This paper attempted to clarify that the origin of Gameunsa's founding of the spirit of patriotism may coincide with historical records through historical literature and geometric meaning. First, the background of the founding of Kameun temple, geographical location located near the East Sea, especially the history of the ancient Chinese mathematics at the time, And that mathematical knowledge influenced all fields such as agriculture, architecture, and art. Secondly, it is related to the historical record as the space of about 60 centimeters, which is uniquely underground, was identified as the structure of the excavated space. It is thought that there is a strong correlation with the origin that the King Munmu changed into a dragon, and set up the temple to be able to stay. Based on these, the clues of the interpretation of the taegeuk and the triangular pattern were searched in the samcheon yanggi(參天兩地) of the Oriental and circumference of the Western. The taegeuk and triangular patterns represent the symbols of yin-yang harmony, which correspond to the origin of its creation. the Korean people regarded the mysterious dragon as a symbol of yinyang harmony. In conclusion the Shapes of Kameun temple's stone is consistent with the contents mentioned in the historical record.