• The Journal of the Korea Contents Association
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• v.7 no.2
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• pp.237-245
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• 2007

When reviewing animation based on a mythical motive, the mythical imaginary power has been dependent only on audio visual senses thereby resorting to a fantasy nature regardless of reality, or there has been too much emphasis on an educational message and animation has been utilized as a conflicting composition between good and evil. Therefore, this thesis reviewed 1) whether the author's consciousness was reflected in animation according to the contemporary interpretation of mythical imaginary power and 2) whether the author included an internal meaning of a universal subject by having a short animation that was produced by actively utilizing a mythical motive as a text. Also, based on the analysis, the study deduced the conclusion that the most important thing in animation based on a mythical motive is the author's consciousness that reinterprets the theme of 'universality' from a contemporary perspective before expressing the mythical objects through the senses such as by a brilliant image and sound. The products of such an analysis are supposed to solve the problem over how mythical factors need to be applied and utilized in creating animation.

• The Journal of the Korea Contents Association
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• v.21 no.7
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• pp.448-458
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• 2021

As the fourth industrial revolution accelerates, universities have made great efforts to develop and reform creative convergence courses for improving the students' creative convergence capabilities. Although various subjects such as "Capstone" and "Design Thinking" to the improvement of students' creative convergence competences, many courses focus on creativity education in the direction of creating new products or outputs such as engineering, design, and art, so there is still a lack of systematic education and subjects on creative convergence capabilities from a humanities and sociological perspective. In order to overcome their limitations of creative courses, "H" University developed a 'Imaginative Innovators' class with the purpose of solving creative problems on social issues related to sciences, culture, politics, economics, and so on. In this study, we introduced the purpose, methodology, students' best practices etc. of the "Imaginative innovator" course. In addition, we discussed the limitations and complements as well as the advantages and possibilities of the course. These findings are expected to contribute to the development and expansion of creativity education.

• Sijohaknonchong
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• v.25
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• pp.75-100
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• 2006

This treatise puts with ecology that important topic is becoming in Multimedia age today. Is appearing to some meaning that symbol that. Is nature friendship and nature assimilation in korean verse and modern novel. And is the purpose to draw diachronic and synthetic thought between age and genre is forming by ecological imagination how. Our korean verse thinks of nature as residing space, and is singing life that is nature friendship and nature assimilation in relation of indivisibility sto of human and nature. And nature space of metaphor or symbol is forming by ecological imagination in the modern novel. Therefore, these two genres see that traffic is available in diachronic synthetic relation. First, must escape resolutely in ideas that literature is basing in actuality and search the literature-ecological imagination. Therefore, forward literature may have to look for the literature-ecological imagination with many interests to green literature ecology and show image that move constantly. And must approach appearing common view of nature and the literature-ecological imagination in principle of integration of expropriation and production now all round to our literary productions. Therefore, must do so that can be nature friendship and become practical education model that expropriation of ecological literary productions and production activity foster literary sensibility and imagination. Also, lively research and groping about each genre of a Korean literature are to premised in diachronic and synthetic veins I will. Method groping that adapt on New Age as defending peculiar special quality that founder is keeping korean verse with opened thinking may have to be spread more hard. Therefore, genre of novel can may ready the one clue to grope confrontation method naturally to secure new identity in new literature environment of digital age.

• Vending industry
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• v.8 no.3
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• pp.66-69
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• 2008

"자판기는 왜 네모나기만 하지?" "자판기는 왜 단순 물품판매 기능만 있는 거지? 다른 기능들이 있어도 좋을 텐데..." 단지 호기심어린 동심의 시각만이 아니더라도 이런 궁금증 한번 가져 봤을 법하다. "왜? 왜"하며 고개를 갸우뚱하게 만든다는 것은 그만큼 '블루오션'의 영역도 넓다는 얘기이다. 자판기의 경우 누구도 한계영역을 규정지어 놓은 것도 아닌데 '단순 물품판매 기능'에다 '획일적인 디자인'에 묶여 있는 게 보통이다. 새로운 시각으로 자판기를 다기능화하려는 선각자적인 시도들은 무모한 도전으로 규정지어지기 일 수이고, 이런 환경에서 자판기는 자기 복제만 되풀이 할 뿐 별다른 발전이 없게되는 상황에 이른다. 무궁무진한 아이디어 지향적이라는 특성을 장점으로 하는 자판기가 '단순 획일화'의 벽을 뛰어 넘지 못하는 게 안타깝다. 해법은 자판기 상상력이 충분히 발현될 수 있는 시장환경이 조성되어야 한다는 점이다. 지금 당장만 중시하는 단기적 시장논리로 자판기 가능성의 싹을 죽여 버리는 토양에서 혁신이 일어나기란 정말 힘들다. 이런 점에서 볼 때 금호에 소개하는 지문인식 광고 커피자판기가 시사하는 바가 크다. 핵심은 이제 이런 제품에 대한 관심이 높아졌으면 하는 점이다. 허무맹랑하다고? 사업리스크가 크다고? 이런 선입견을 가지고 새로운 가치를 원천적으로 차단해 버린다면 자판기는 항상 '그 모양 그 꼴' 일수밖에 없다. 새로운 시장을 만들고 발전시키는 것은 항상 무모할 것 같은 도전에서 나온다. 이번에 소개되는 지문인식 광고 커피자판기는 현재 한 개인의 사업모델이기는 하지만 새로운 미래형 자판기 트랜드가 될 수 있다는 점을 주목했다. 단지 개인의 발명차원의 사업모델을 소개하는 이유가 여기에 있다. 자판기의 새로운 가치를 찾고 영역을 확대한다는 측면에서 한번 머리를 '릴렉스'하게 해보자. 자판기 분야에 전혀 경험도 없지만 뜨거운 열정으로 지문인식 광고자판기를 특허 출원한 벤처 청년 황고연이 제시하는 "자판기 상상력"의 세계를 따라가 봤다.

• The Journal of the Korea Contents Association
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• v.6 no.11
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• pp.56-64
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• 2006

It seems that there has been a tendency of faction film which reveals imagination of state/nation. As typical examples, & would show the relationship between some factional imagination and the project of blockbuster. In this regard, I've researched the tradition of cinematic representation of state/nation and some historical aspects which reveal the being of official films ruled by oppressive political intention. As a kind of discourse dealing with state/nation, & have specific strategy of representation. The analysis about that process might enable us to understand what is nationalism and what is the nature of ideological discourse consumed by faction-related products.

• Journal of Popular Narrative
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• v.25 no.4
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• pp.73-108
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• 2019

This paper is an attempt to discuss the history and the current state of 'SF theaters.' SF theater is still an unfamiliar genre to the public, and may surprise some, given that the stage is perceived as an insufficient space for stretching the scientific imagination. Since 2010 works that bring the scientific imagination into the theater have frequently been performed, and a recognition of SF theaters began to be established. Producers came to be absorbed in human psychology, and our isolation amidst the progress in technology, as well as in the absurdities of the world, while giving up the ideal of realistic descriptions. This became the foundation for SF theaters in South Korea today. Starting from the research history and the conceptual change in SF theaters, this study examined the status of SF dramas going back to the colonial period for SF theaters. Through inquiring into the history of SF theaters, we were able to derive the following implications and problems. Firstly, as they are based on future society or technical improvement without consideration of scientific probability or rationality, the scientific imagination is too absent for the work to be named 'SF theater.' Secondly, while being highly evaluated as an attempt to integrate science and stage in an era that emphasizes convergence, when we delve into the creativity of a material it is noticeable that the view of the world is still regressive. Thirdly, there are many cases in which scripts lean on SF classics or Japanese original works. Nevertheless, if young creators' diverse attempts in a genre can breathe with the contemporary audience desiring a new material, the foundation of a Korean-style SF theater may be expanded to include more significant work.

• Proceedings of the KHMA Conference
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• 2012.05a
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• pp.3-27
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• 2012

• 주류산업
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• v.19 no.4
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• pp.61-72
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• 1999

• The Science & Technology
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• s.529
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• pp.25-28
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• 2013

• The Korean Publising Journal, Monthly
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• s.305
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• pp.34-34
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• 2001