• Journal of the Daesoon Academy of Sciences
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• v.19
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• pp.47-80
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• 2005

고구려는 지리적인 조건으로 말미암아 삼국 가운데 가장 먼저 불교를 수용할 수 있었으며 5세기부터 7세기사이에 고구려의 불교문화가 백제, 신라와 고대 일본에 전해져 동아시아 전체에 보급되었다. 불교 전래 당시부터 고구려 왕실이 열성적으로 불교를 신봉한 일은 충분히 주목할 가치가 있는데, 왜냐하면 중앙 집권적 국가로 전환을 시도하던 때 마침 불교의 사회적 정치적 가치를 인식하게 되었기 때문이다. 불교와 왕권이 상호 관계를 강화하는 쪽으로 힘을 결집시켰는데, 왕실은 불교에 대해서 후한 지원을 아끼지 않았으며, 불교는 전륜성왕, 혹은 우주를 지배하는 자, 미륵 그리고 보살 등 모티브의 상징적 중요성을 통치자에게까지 확대시킴으로써 통치자의 지위를 신성시하는 이념적 기틀을 제공하였던 것이다. 이런 맥락에서 볼 때 불교를 받아들인 후에 세워진 비문들이 왕명 앞에 성(聖) 자를 붙여 왕의 지위를 신성화하는 의미를 나타내고 있다는 점은 우연의 일치가 아니다. 4세기말 국가 차원에서 불교를 수용한 고구려와 6세기초 법흥왕 당시의 신라는 시대적인 차이가 있으나, 국가 발전의 같은 단계에 서있었기 때문에 이 두 나라의 초기 불교 정책에 많은 유사점을 찾을 수 있다 고구려에서 거칠부와 더불어 신라로 넘어 온 혜량법사가 진흥왕 12년에 처음 개최된 백고좌강회는 《인왕경》에 입각한 것이며, 이 법회가 신라인의 사상적 통합과 진흥왕의 위업을 향상하는 데 기여하였다고 여겨진다. 그리고 진흥왕이 말년에 승복을 입고 법운이라는 법호를 택했는데 여기서 주목할만한 것은 법운(法雲)이 《십지경》에서 말하는 보살의 수행 최종 단계 그것에서 따온 것이며, 《십지경》은 이미 고구려에 익히 알려졌을 것이었다.신라 화랑이 미륵의 현현으로 여겨졌다 함은 일찍부터 지적되어 온 것입니다만 이 논문에서, 그것은 북중국에서 5·6세기경 유행한 그리고 소미륵으로 간주된 월광동자 (月光童子)신앙이 고구려를 통해 남하여 화랑의 사상적인 바탕이 됐다는 것으로 이해하였다. 그 증거로 《수라비구월광동자경》에 나타난 용어와 고대 한반도의 지명을 들 수 있는데 이 경은 고구려의 선인(仙人) 사상 및 신라의 화랑을 간접적으로 직결시킨다는 점도 염두 할 필요가 있다.

• Journal of Korean Philosophical Society
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• v.117
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• pp.191-222
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• 2011

Traditionally, the origin of the Han River has been thought as Utongsu(于筒水) and Geumgangyeon(金剛淵). As both of these places are located in Odaesan(五臺山) the $Ma{\tilde{n}}ju{\acute{s}}ri$(文殊) Holy Place, we can well assume the possibility of Buddhist influence on them. In the Buddhist understanding on the origin of the Han River, what we should first notice are 'the recognition on the water of Buddhism' and 'the recognition on the river in Indian culture.' With the reviews, we may come to see by what standpoint these could become existed, if there were Buddhist influences on the recognition of Han River's origin. Based on these Buddhist and Indo-cultural view points, the author tries to make more dearly the definition of Utongsu and Geumgangyeon that are recognized as the origin of the Han River. Through it, we can check the relation of Buddhism and Indian culture in their influence on the concepts of Utongsu and Geumgangyeon. In Indian culture, what is noticed in relation with the origin of the river is Anavatapta, in which the sacredness of the water named the 8 virtuous waters is recorded. It is the materialistic sacredness which can be compared with the sacred feature of Utongsu that "its color and taste are far greater than other waters, and so is its weight. ${\cdots}$ Its color and taste do not change even after it flows into the Han River." Furthermore, both of Anavatapta and Utongsu have the same symbolism of dragon that the highest dragon king and a divine dragon were told to live in respective lakes. This similar structure found in the recognition of two rivers' origin may become an evidence of Buddhist influence on the recognition of the Han River's origin. The recognition of the Han River's origin is based on the traditional culture. Therefore, it may be natural that there is the Buddhist culture in it. At the same time, some viewpoints of Chinese culture can be found in it. So, the traditional recognition on the Han River's origin comprises diversity and complexity of Indian and Chinese cultures together.

• Korean Journal of Heritage: History & Science
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• v.52 no.2
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• pp.196-219
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• 2019

According to the Samguk Yusa, the nine-story wooden pagoda at Hwangnyongsa Temple was built by a Baekje artisan named Abiji in 645. Until the temple was burnt down completely during the Mongol invasion of Korea in 1238, it was the greatest symbol of the spiritual culture of the Korean people at that time and played an important role in the development of Buddhist thought in the country for about 700 years. At present, the only remaining features of Hwangnyongsa Temple, which is now in ruins, are the pagoda's stylobate and several foundation stones. In the past, many researchers made diverse inferences concerning the restoration of the original structure and the overall architecture of the wooden pagoda at Hwangnyongsa Temple, based on written records and excavation data. However, this information, together with the remaining external structure of the pagoda site and the assumption that it was a simple wooden structure, actually suggest that it was a rectangular-shaped nine-story pagoda. It is assumed that such ideas were suggested at a time when there was a lack of relevant data and limited knowledge on the subject, as well as insufficient information about the technical lineage of the wooden pagoda at Hwangnyongsa Temple; therefore, these ideas should be revised in respect of the discovery of new data and an improved level of awareness about the structural features of large ancient Buddhist pagodas. This study focused on the necessity of raising awareness of the lineage and structure of the wooden pagoda at Hwangnyongsa Temple and gaining a broader understanding of the structural system of ancient Buddhist pagodas in East Asia. The study is based on a reanalysis of data about the site of the wooden pagoda obtained through research on the restoration of Hwangnyongsa Temple, which has been ongoing since 2005. It is estimated that the wooden pagoda underwent at least two large-scale repairs between the Unified Silla and Goryeo periods, during which the size of the stylobate and the floor plan were changed and, accordingly, the upper structure was modified to a significant degree. Judging by the features discovered during excavation and investigation, traces relating to the nine-story wooden pagoda built during the Three Kingdoms Period include the earth on which the stylobate was built and the central pillar's supporting stone, which had been reinstalled using the rammed earth technique, as well as other foundation stones and stylobate stone materials that most probably date back to the ninth century or earlier. It seems that the foundation stones and stylobate stone materials were new when the reliquaries were enshrined again in the pagoda after the Unified Silla period, so the first story and upper structure would have been of a markedly different size to those of the original wooden pagoda. In addition, during the Goryeo period, these foundation stones were rearranged, and the cover stone was newly installed; therefore, the pagoda would seem to have undergone significant changes in size and structure compared to previous periods. Consequently, the actual structure of the original wooden pagoda at Hwangnyongsa Temple should be understood in terms of the changes in large Buddhist pagodas built in East Asia at that time, and the technical lineage should start with the large Buddhist pagodas of the Baekje dynasty, which were influenced by the Northern dynasty of China. Furthermore, based on the archeological data obtained from the analysis of the images of the nine-story rock-carved pagoda depicted on the Rock-carved Buddhas in Tapgok Valley at Namsan Mountain in Gyeongju, and the gilt-bronze rail fragments excavated from the lecture hall at the site of Hwangnyongsa Temple, the wooden pagoda would appear to have originally been an octagonal nine-story pagoda with a dual structure, rather than a simple rectangular wooden structure.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.33 no.4
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• pp.52-64
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• 2015

This study was carried out investigation of characteristics palace gardens representing historical background, political and cultural identity in Korea, China, and Japan. It had been done a comparative analysis in formation, location and site layout, site composition, landscape elements and planning, landscape technique and vista for palace gardens in East asia's three countries. In order to process this study, Changdeokgung Palace in Korea, Summer Palace in China and Sento Imperial Palace in Japan were selected based on similar status. therefore it provide theoretical foundation to investigate the identity of palace gardens in three countries. Furthermore the study determined homogeneity(similarity) and heterogeneity(differentiation) of the characteristics between palace gardens in three countries through the in-depth comparative analysis in order to investigate identity of palace gardens in three countries and to present the value of Korean palace garden. Homogeneity and heterogeneity between palace gardens in three countries deducted from the study were summarized as follows; First, it shows indigenous style of Korean garden throughout adapting natural terrain without natural destruction. Second, various symbolic elements which ie reflected East asian ideologies present in the gardens. Chinese thoughts and technique were influenced in the development of palace garden in Korea and implemented in similar ways of China. Homogeneity of utilizing waterscape could be found in three countries. Lastly, Palace garden in Changdeokgung had played a role as cultural place with taste for the arts rather than representing authority of the throne. It appears to be similar in China and Japan. The reason how Korea, China and Japan established their own independent style is that each palace garden had been developed to embrace indigenous culture with introduced elements even though they were closely bound up with culture.

• Korean Journal of Heritage: History & Science
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• v.52 no.2
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• pp.62-79
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• 2019

This study examined the background of Gyeongju Seochulji Pond (world heritage, historic site No. 138), a historic pond in Sam-guk-yu-sa (三國遺事), and its landscaping period when it served as the garden of the Pungcheon Lim clan (豊川 任氏) in the middle of the Joseon dynasty. For this study, a literature review of poetry, prose, and a personal anthology, and a field survey were conducted. Changes in the landscape were analyzed by comparing the landscape appearing in the literature of the Joseon period with past photographs. The results were as follows: First, even though the function and landscape at that time cannot be guessed as the objective ground from Silla to the early part of the Joseon dynasty is insufficient, it has been managed as a Byeolseo (別墅) garden as Pungcheon Lim's family resided in the area of Eastern-Namsan Mountain during the Joseon dynasty. At that time, Seochulji Pond was recognized as a historic place. It functioned as the garden of Pungcheon Lim's family as Lim Jeok (任勣, 1612~1672) built the Yiyodang pavilion (二樂堂). Second, in the literature, the Yiyodang pavilion has been called Gaekdang (客堂), Jeongsa (精舍), Byeolgak (別閣) and Byeolseo, etc. It can be seen as Nu and Jeong (樓亭), utilized for various uses. Because of this, the name Bingheoru Pavilion (憑虛樓) has mostly been in common use. Third, Seochulji Pond was positioned where the scenery is beautiful, with Gyeongju Mt. Namsan (Mt. Geumo) in the background and with a wide field and the Namcheon River flowing in the front. This was typical of Byeolseo gardens of the Joseon dynasty, combining human environments with natural environments. Fourth, the relationship with the Byeolseo garden disappeared as the head of Pungcheon Lim's family added a temple, lotus flowers, pine trees, and a bamboo forest as described in the old poetry and prose. Currently, the landscape does not appear to be significantly different from that as development has not occurred in the area of Seochulji Pond. Also, crape myrtle (Lagerstroemia indica), which now symbolizes the Seochulji Pond, was not identified in the old poetry or past photographs and is not old enough to confirm whether it was prominent at the time. Through this study, it is necessary to reconsider the spatial meanings of the gardens of the Joseon dynasty period and not to highlight the area of Seochulji Pond as a place in the legend. This is a cultural asset in the area of Eastern-Namsan Mountain and has an important meaning in terms of garden history.

• The Journal of Engineering Geology
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• v.19 no.3
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• pp.373-387
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• 2009

Many cultural heritages with various periods including the 'Three Kingdoms Period' were discovered in Chulmamyeon, Busan. Detailed geomorphological and geological investigation was performed due to archaeological importance of the study area. Aerial photographic analysis for geomorphology and analysis of vertical sedimentary sections to interpret the sedimentary characteristics were carried out. Many pebbles with specific features were discovered during the investigation. The characteristics and origin of the pebbles are analysed based on their size, rock type and shape. The study area is located in a relatively low and gentle slope compared with neighboring regions. The strong N-S trending lineaments may influence the topographic features and the distribution of wells discovered in this area. The exposed sections during excavation are divided into several layers depending on colors and materials included. Some of the layers may be developed not by nature but by human activities. The similarity of the pebbles indicates that these pebbles may artificially be collected or produced for a specific purpose. This study shows that geomorphology and geology can be important in location and development of archaeological sites. The analysis and interpretation for the origin of the pebbles indicates that geological studies can be helpful to interpretation of archaeological studies.

• Journal of Conservation Science
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• v.29 no.3
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• pp.279-286
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• 2013

It is characterized and classified as the type of red brown glass beads to compare the chemical composition and manufacturing technique on the 141 samples in 12 sites of the Three Kingdom Period analyzed until now. It can be divided into three types according to the chemical composition of stabilizers(CaO & $Al_2O_3$) and soda raw materials(MgO & $K_2O$) on the red brown glass beads except one sample. Type I of high alumina glass is identified as the most common types that is 78.6 % of the distribution ratio at analytical samples and is excavated the most from ruin sites. In contrast, type II, 13.6 % of distribution ratio at analytical samples, is about 5 % CaO and $Al_2O_3$, MgO and $K_2O$ at around 1.5 % is similar to the composition of plant ash glass. Type III is that the content of CaO is higher than $Al_2O_3$ and the content of MgO and $K_2O$ is below 1.5 %. It is the same as the composition of natron glass and its share is the lowest as 7.9 %. Of these, type III is divided into two types according to the content of MgO and $K_2O$. It is identified that manufacturing technique of type I and II is drawing and type III is casting method with microscopic investigations. Type II and III is estimated that raw materials is different because is confirmed in the majority of ruins in spite of the fact that distribution ratio is very low. So, red brown glass beads distributed in Korea Peninsula are divided into three types of glass culture.

• Journal of the Korean Geographical Society
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• v.42 no.6
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• pp.879-897
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• 2007

The Royal District in Gyeungju-city was placed in lower surface of alluvial fan that was formed during the Last Glacial Age. During the Holocene, Bukcheon-river was reached in the dynamic equilibrium status and the form of river channel was similar or same to the present. The cases of dying people and carrying houses away by flood for ancient history in Gyeongju were six times, in 131, 160, 350, 496, 657 and 703. Like this big flood was happened at interval of $150{\sim}200$years. A period of big flood appearance in Bukcheon-river was extremely long. Therefore the people who had lived in Gyeongju for ancient history perceived that most part of riverbed of Bukcheon-river was a safety place from flood damages. Not only private houses. In east part of Bunhwangsa temple, that is, west side of Bukcheon-river where the river energy is maximum, a pillow block was built to prevent a lateral erosion but any artificial riverbank was not. In spite of high flood possibility in Bukcheon-river, there was no facility to prevent floods in this section. Also, deposits of flood are not identified. This point is very suggestive that Bukcheon-river did not flood for ancient history.

• Korean Journal of Heritage: History & Science
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• v.45 no.1
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• pp.102-121
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• 2012

The purpose of this study is to verify homoteneity of soil and earthenwares and identify firing temperature of earthenwares excavated from Yeoncheon Hapsuri: two earthenwares of the New Stone Age(YCP-1, YCP-2); two of the Bronze Age(YCP-3, YCP-4); and four of the Three States Age(YCP-4~8). The comparative analysis of soil (YCRM) and the earthenwares displays that soil geochemical patterns were similar to YCP-1, YCP-3, YCP-5, YCP-6, YCP-7 and YCP-8. On the other hand, YCP-2 and YCP-4 did not show the similarity to the one of soil because they had been enriched with MgO by contained talc and chlorite. Based on the absorption rate, specific gravity, structural characteristics and XRD analysis, firing temperature has been estimated: for YCP-7 and YCP-8 was $870^{\circ}C$ or over; for YCP-2 and YCP-4 $800^{\circ}C$ or below; and for YCP-1, YCP-3, YCP-5 and YCP-6 between 800 and $870^{\circ}C$. Mineralogical analysis displays that the geochemical pattern of the soil is coincide with the one around Yeoncheon Hapsuri site, which also shows similarity to the one of earthenwares. Such result persuades that the excavated earthenwares were produced with the soils within the precinct of the archaeological sites.

• Economic and Environmental Geology
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• v.56 no.2
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• pp.201-215
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• 2023

In the stone-lined tombs from Cheongyang Rokpyeong-ri site, several stone-lined tombs corresponding to the Three Kingdoms Period, Unified Silla Period and Goryeo Dynasty were excavated. In this study, the stone properties of petrological, mineralogical and geochemical characteristics from 15 stone-lined tombs were analyzed, the rock species and occupation rate were reviewed, also the provenance area was interpreted. There are five types of rocks used as members of the tombs, including black sandstone, greywacke, slate, conglomerate and gneiss. As a result of magnetic susceptibilities, the rocks of the tombs and presumed provenance are all shown in the same range, and the similarity between the tombs and the source area is high in geochemical behavior characteristics. The stone properties of the tombs are the same as the presumed provenance rocks and is distributed within a 500m around the bedrock of the tombs in the excavation site, so it seems that self-sufficiency was possible on the site without a special procurement system. These stones are interpreted to have been constructed through some trimming without any special technique, but some stone tombs have been confirmed to used homogeneous black sandstone at the bottom of the tombs, so it is believed that there were artificial selection of stones.