• Proceedings of the Korea Contents Association Conference
• /
• 2018.05a
• /
• pp.469-470
• /
• 2018

• Digital Contents
• /
• no.1 s.32
• /
• pp.82-84
• /
• 1996

국가 지정 주요 무형문화재 94종이 설명과 함께 각종 사진, 음향, 동화상을 통해 일목요연하게 파악할 수 있도록 멀티미디어 데이터베이스로 제작돼

• The Journal of the Korea Contents Association
• /
• v.14 no.3
• /
• pp.103-112
• /
• 2014

Oh, hein-kuhn is a representative portrait photographer in Korea. His works, , , , which treated portraits of women are a bit different from those of the past that described the appearance of characters. The artist expressed the figure of inner side that conflicts and feels uneasy between 'family and society' and 'child and woman' along with the look of character. That is, he included specific aura which the whole of aunts and girls' group radiates by showing similar photos repeatedly, that we can be aware of 'aunt' and 'girl' by seeing them. The important technique of Oh, hein-kuhn's Portrait Photograph is 'repetition' of image. The artist delivers the meaning of the photo by looking at the character upright in the front and showing photos with similar frame repeatedly. Such form and content of the work as this might feel a bit boring, since it's very simple just like identification picture. However, the photos in the frames which do not move in the fixed position can deliver the meaning of work more clearly rather than the image which expresses flowing time and moving space, we can grasp the message that the artist intends to deliver rather quickly. In the environment of photograph production mainly with image transformation, Oh, hein-kuhn's works of authentic original work method definitely stand forth. Through the portraits of aunts and girls, the artist tells an aspect of our society and we reconfirm the reality through the portraits made by him.

• The Journal of the Korea Contents Association
• /
• v.17 no.11
• /
• pp.501-514
• /
• 2017

The 1920s 'cinema-novel' is composed of various media effects based on cinematic imagination, and it is designed to constantly evoke the image of the film during the reading process. This article focuses on 'cinema-novel' as an example of an unprecedented genre experiment. It is because the process of formation and development of this unique genre is filled with contemporary characteristics of the 1920s art that strived to create a content suitable for the modern art medium.

• Proceedings of the Korean Society of Computer Information Conference
• /
• 2016.07a
• /
• pp.247-248
• /
• 2016

본 논문에서는 비디오카메라로 촬영한 영상이나 스마트폰 카메라로 촬영한 비디오 영상 혹은 사진들을 영상 편집 기법으로 카툰 형식으로 표현하여 콘텐츠를 제작한다. 카툰 형식의 콘텐츠는 기존 일반 비디오 영상과는 다른 시각화를 나타내고, 카툰 장르의 특성을 가지고 콘텐츠를 표현한다. 카툰은 하나의 칸이나 선을 구성하여 그 영역으로 카툰 고유의 특성을 표현한다. 이러한 카툰은 카툰의 특성을 갖고, 정보나 내용을 일반 영상과 다른 친밀감을 가지고 표현한다. 또한 본 연구에서는 비디오 콘텐츠를 카툰 고유의 특성과 3D 비디오 효과를 적용하여 콘텐츠를 제작하여 활용하도록 한다. 이렇게 콘텐츠를 제작함으로써 2D 콘텐츠 보다 더 입체감과 사실감을 표현하여 콘텐츠에 대한 흥미와 관심으로 콘텐츠의 효과를 극대화 할 수 있다고 사료한다.

• The Journal of the Korea Contents Association
• /
• v.9 no.4
• /
• pp.189-197
• /
• 2009

A digital image usually has 8 bits of depth basically representing pixel intensity ranging for [0 255]. These pixel range allow 256 step levels of pixel values in the image. Thus the greyscale value for a given image is an integer. When we carry out interpolation of a given image for resizing we have to round the interpolated value to integer which can result in loss of quality on perceived color values. This paper proposes a new method for recovering this loss of information during interpolation process. By using the proposed method the pixels tend to regain more original values which yields better looking images on resizing.

• The Journal of the Korea Contents Association
• /
• v.12 no.8
• /
• pp.87-95
• /
• 2012

We propose that a subjective image quality assessment based on objective image quality factors in order to evaluate objectively preference of consumers. In other words, we define objective image quality factors which are easy to accept by manufacturers and they are composed of subjective image quality assessment questionnaires. Also, portrait image is selected by stimulus in order to persue easiness of evaluation for the general subjects. Throughout a subjective image quality assessment model, we evaluate recognition of image quality by consumers and analyze the effectiveness of correlation in terms of the final image quality preference. Analyzing the relationship between image quality factors, we can figure out the preferable image quality and confirm the positive effects on consumers' recognition of image quality. In the results, there are strong relationship between preference and color reproduction, dynamic range, noise, and resolution respectively. especially, the characteristic of portrait, there is high correlation between color reproduction and preference.

• The Journal of the Korea Contents Association
• /
• v.10 no.8
• /
• pp.186-197
• /
• 2010

Recent changes show that the goals of reproduction devices have changed from accurately reproducing scenes to improving user preference. It implies that the directions in developing cameras, the most common reproduction devices, are moving from performance-centered to quality-centered, from developers to users. Accepting such changes demand new standards in evaluating reproduction devices. This paper suggests a new method to evaluate the quality of images, based on cognitive properties of users. The quality of an image is a result oriented from the interaction of various attributes, therefore some functional tests are not enough to evaluate total quality of an image. In this respect, an evaluation model which integrates various physical attributes of an image is needed, that enables a third observer to subjectively evaluate the total quality of an image. In this paper, the experiment was carried out to 127 subjects, with the 84 test stimuli and 11 evaluation factors, followed by an factor analysis. The evaluation factors to assess the quality of images in this paper includes the results by cognitions of users and the properties of reproduction, the factors not only evaluate the quality but suggest how to improve them.

• The Journal of the Korea Contents Association
• /
• v.18 no.3
• /
• pp.330-341
• /
• 2018

In recent years, a number of Chinese artists are interested in 'Chinese-style'. 'Chinese-style' can be understood as an art form in which Chinese elements are combined with modernized sensibilities. This paper analyzed how Chinese traditional elements can be effectively implemented in fashion photography, focusing on Chen Man, a leading fashion photographer in China. Our research shows that Chen Man looks to the traditions and history of China to inspire her modern work, which makes her unique as a Chinese fashion photographer. She tried not to repetitively express typical images of Chinese elements but to visualize the symbolic meaning of traditional elements as new images of modern China. Through this practice, she were able to effectively communicate the images of products and brands promoted in fashion photos. Furthermore, her works are being recognized by not only the fashion industry but also the international art elite as they contribute to building and promoting Chinese fashion identity. Research on Chen Man's work is significant in providing a new way for 'Chinese-style' fashion photographers to reinterpret Chinese traditional elements without following Chinese tradition.

• The Journal of the Korea Contents Association
• /
• v.18 no.9
• /
• pp.34-43
• /
• 2018

The purpose of this study is to develop measurement program model for a human being-oriented product through the between the evaluation factors of portrait and general preferences of portraits. We added new items that are essential to the image evaluation by analysing previous studies. In this study, We identified the facial focus for the first step, and the portraits were evaluated by dividing it into objective and subjective image quality evaluation items. RSC Contrast and Dynamic Range were selected as the Objective evaluation items, and the numerical values of each image could be evaluation items, and the numerical values of each image could be evaluated by statistical analysis method. Facial Exposure, Composition, Position, Ratio, Out of focus, and Emotions and Color tone of image were selected as the Subjective evaluation items. In addition, a new face recognition algorithm is applied to judge the emotions, the manufacturer can get the information that they can analyze the people's emotion. The program developed to quantitatively and qualitatively compiles the evaluation items when evaluating portraits. The program that I developed through this study can be used an analysis program that produce the data for developing the evaluation model of the product more suitable to general users of imaging systems.