• Title/Summary/Keyword: 사실주의

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Introducing the Another Viewpoint of Dir. Kim, giduk's Auterism in the Allegory (김기덕 감독의 알레고리적 영화작가정신 고찰)

  • Kim, Sunam
    • The Journal of the Korea Contents Association
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    • v.14 no.2
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    • pp.94-102
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    • 2014
  • Dir. Kim, Giduk's first work is (1996) which was created a new character and episode which disregard the main trand movie. His emotion in his film is over the reallife and common sense. His emotion is attached to the primitive feeling. He is called the tererist of Korean film culture. This thesis studys on the allegory of kim, Giduk's film world by Kim, Sunam's 'Korean auterism' which discusses dir.'s film work on the base of the background of filmmaker and his view of life. And also to represent film image he used space, water, color, repeated same meaning oposition by the usual image of rhetoric.

The Paradoxes of Confirmation Revisited (입증의 역설 다시 보기)

  • Choi, Wonbae
    • Korean Journal of Logic
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    • v.20 no.3
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    • pp.367-390
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    • 2017
  • Much of literature on the paradoxes of confirmation has been focused on the problems raised by the fact that a nonblack nonraven confirms the hypothesis that every raven is black. In this paper I would like to emphasize that more interesting problems are still waiting to be explained, if we notice that a black nonraven confirms the raven hypothesis as well. For this I examine what Hempel exactly means by the paradoxes of confirmation, and show that the previous discussions on the paradoxes were at most partial solutions. Then I argue that Hempel presupposes the so-called 'converse consequence condition' regarding confirmational evidence. Finally I discuss what impact is made on the Bayesian solution to the paradoxes, if we accept a more faithful interpretation to Hempel.

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A Study on the Requirements for Exercise of the Right of Hot Pursuit in the UNCLOS - With Respect to the M/V Saiga Case and the Unidentified Ship Case - (UN해양법협약상 추적권 행사의 요건에 관한 고찰 - 상선 사이가(M/V Saiga)호 및 불심선 사실과 관련하여 -)

  • Kim, Jong-Goo
    • Journal of the Korean Society of Marine Environment & Safety
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    • v.14 no.2
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    • pp.149-156
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    • 2008
  • The right of hot pursuit is an exception to the general rule that a ship on the high seas is subject to the jurisdiction of the state whose flag she flies. The right of hot pursuit is provided in the United Nations Convention on the Law of the Sea. This paper discusses the requirements for the right of hot pursuit. The use of force should be avoided during hot pursuit. When force is unavoidable, it should not be used beyond what is reasomable and necessary in the circumstances.

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뉴캣슬병 예방을 위한 올바른 분무 접종

  • 신인호
    • KOREAN POULTRY JOURNAL
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    • v.36 no.5 s.415
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    • pp.115-119
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    • 2004
  • 최근 야외에서 ND가 간간히 발생하고 있다는 소식이 들려오고 있다. 우리나라의 경우 ND 발생의 경우 독특한 양상을 띠고 있다. 첫째는 $2\~3$년의 주기로 발생이 되고 있으며 둘째는 $4\~6$월 사이에 발생이 집중 된다는 점이다. 고병원성 가금 인플루엔자(HPAI)를 겪은 우리에게 혹 긴장감이 느슨해지면서 농장의 차단 방역과 방역에 소홀해짐으로 올 봄 ND 대유행의 홍역을 치르는 것은 아닌지 다시 한번 경각심을 가져 보게 되면서 농장에서 관심을 갖고 있는 ND 분무 접종에 대해 이야기해보고자 한다. $5\~6$년 전까지만 해도 분무 백신에 대한 관심이 별로 없었던 게 사실이다. 그전 같았으면 음수 백신으로 백신 방법을 대치하고 말았을 것을 분무 백신을 해야 하는지? 또 어떻게 해야 하는지? 주의해야 할 점은 무엇인지? 등 여러 가지 질문을 받게 된다. 농장 부화장으로부터 분무기에 대한 관심도 부쩍 높아졌고, 이제는 대부분의 농가들이 분무 백신의 효능과 안전성에 대해 확신을 갖고서 꾸준히 실시하고 있는 것을 알 수가 있다. 대부분 많은 시행착오를 거쳐 나름대로의 기술력을 갖추게 되었고 많은 효과를 보고 있다고 말할 수가 있다. 그러나 아직 일부 농가들은 분무 백신 후 방어력과 후유증 즉, 안전성에 대해 많은 의심을 갖고 있으면서 시간과 노동력이 많이 소요되는 점안 백신을 하는 경우도 종종 보고있다. 이에 수년간의 경험을 통해 필자가 보는 견지에서 분무 백신을 하는데 있어 여러 가지 고려해야 할 사항, 주의 사항, 효과를 최대한 높이기 위한 방법 등을 알아보고자 한다.

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A Study on the Seizure and Search Problems of Smart Phone Digital Evidence and Improvement measures (스마트폰 디지털증거의 압수·수색 문제점과 개선방안)

  • Yoon, Hyun-Seok
    • Proceedings of the Korean Society of Computer Information Conference
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    • 2020.07a
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    • pp.187-188
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    • 2020
  • 형사소송법 제106조에서 '범위를 정하여 출력 또는 복제하는 방법이 불가능하거나 압수의 목적을 달성하기에 현저히 곤란하다고 인정되는 때에는 정보저장매체 등을 압수할 수 있다'의 규정과 제122조에서 '급속을 요하는 때'의 예외 규정을 근거로 스마트폰 압수·수색과정에서 범죄혐의와 관련성에 대한 구분 없이 정보가 무분별하게 탐색 복제되는 등 기본권을 침해하고 있으며, 영장주의 원칙에 반하는 위법한 집행이 되고 있는 실정이다. 이에 본 연구에서는 긴급압수 후 사후영장 발부 전에 별건의 범죄혐의를 확인하거나 증거로 활용한다면 위법한 압수에 해당할 수 있는 디지털증거 압수·수색 원칙의 문제, 디지털정보의 검색과 추출과정에서 참여권 보장의 문제, 스마트폰 정보에 대한 무결성 확보 등을 문제점으로 도출하였다. 이러한 문제점을 개선하기 위해 사전영장 없는 범죄사실과 관련성이 없는 정보의 탐색이나 추출 금지, 정보검색이나 추출과정에서 피압수자의 참여권 보장 및 디지털증거 분야 전문가로부터 조력을 받을 권리 보장, 무결성 확보를 위한 절차적·실체적 적법절차 준수 등 개선방안을 제시하였다.

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Study on the Digital Character and Realism in the Digital Age -Focused on the CG Works of the ACM SIGGRAPH Asia- (디지털 시대: 디지털 캐릭터와 리얼리즘 -ACM 시그래프 아시아 출품작을 중심으로-)

  • Choo, Hye-Jin
    • Cartoon and Animation Studies
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    • s.37
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    • pp.439-461
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    • 2014
  • Art has evolved into remarkable changes in its art form maintaining a close link with the contemporary scientific technologies that gave birth to new tools of expression in each era. Animation is an art form in an inextricable connection with technological aspects because it was spawned by the technical background like movies. In this regard, animation is often viewed very strongly by technical advancements in terms of an aesthetic approach. John Whitney Sr., one of the pioneers in computer graphics arts, turned his attention to the new technology called computer graphics as a means to visualize images and movement. The advent of a new medium had a strong influence not only on tools and means for novel expression but also on the gradual shift in thinking about arts and even the audiences' taste. In the 1980s, animation was combined with computer technology and the rapid progress of computer graphic technology opened up the era of new visual aesthetics, Today, the development of digital technology presents a different dimension of realism, either advocating hyperrealism by digital actors or presenting new illusionism by classic cartoon characters emphasized in a distortion or metamorphosis from a real life in order to consolidate animation realism. Based on the two perspectives mentioned above, this study can identify methods of digital character appropriation focused on the works of the ACM SIGGRAPH Asia and find how the relationship between art and technology has changed the digital realism and evolved the digital character as the digital technology has developed.

Comparisons of Pattern Analysis in using the Four-digit Personal Identification Numbers according to Sensitivity -A University Case (민감도에 따른 네 자리 숫자 비밀번호 사용 형태 비교 연구-A대학 사례연구)

  • Moon, Soog-Kyung
    • Journal of the Korean Institute of Intelligent Systems
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    • v.25 no.3
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    • pp.229-235
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    • 2015
  • This study is investigated the effect of sensitivity upon pattern of the four-digit personal identification numbers(PINs) of A-university students. Under survey 2, PINs were collected after each student had information about his PINs were used in disclose his test scores, But Under survey 1, each student didn't have. Survey 2 is viewed more sensitive situation than survey 1 to students. The rate of occurrences of most common PINs which were created by the reason of easiness to remember or to use without caution, in survey 2 is five times less than survey 1 and using rate of girl students are considerably less than that of boys. By comparing frequencies of digits used at each position, it is found that significant differences exist between two surveys in the first, second and forth position except third. PINs are represented by the polygonal graph with that X-axis shows position and Y-axis shows digits from 0 to 9 used at each position. There are many different figures between two surveys. This study shows that students are more anxious about using the PINs in survey 2 which is viewed more sensitive than survey 1.

A Study on Directionality in Modern Utilization of 『Natya sastra』 -Focused on Facial Expression Acting Techniques- (『나띠야 샤스뜨라』의 현대적 활용에 대한 방향성 고찰 -표정연기술을 중심으로-)

  • Ahn, Jae-Beom
    • The Journal of the Korea Contents Association
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    • v.17 no.12
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    • pp.408-416
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    • 2017
  • This researcher looked at the characteristics of "$N\bar{a}tya$ $\acute{s}\bar{a}stra$" acting techniques focused on body expressions and sought to utilize it as training method for modern actors. 'Body postponement as a symbol' is a key characteristic of "$N\bar{a}tya$ $\acute{s}\bar{a}stra$" acting techniques, and each facial expression, gesture, and movement performed by an actor has a specific meaning. Therefore, the study on "$N\bar{a}tya$ $\acute{s}\bar{a}stra$" has been treated as a major study mainly in the non-realistic expression style or the body-centered acting theory. Therefore, a study on "$N\bar{a}tya$ $\acute{s}\bar{a}stra$" acting techniques was mainly dealt with as a major research subject in the nonrealistic expression style or body-centered acting theory. This study, on the other hand, emphasized the importance of research on the utilization plan of actor training, which can be usually used in realistic plays as well as non-realistic plays. According to psychologists such as Damasio and Eckman, internal impulses can also be triggered through expressions and actions associated with emotions. In addition, not only acting through the actor's inner impulse, but also expression of the actor's faithful external emotion can trigger the emotion of the audience. Such a case can be a psychological basis that "$N\bar{a}tya$ $\acute{s}\bar{a}stra$" acting techniques, which defines rasa and expresses it physically, can be used as a methodology to enhance inner truth. Therefore, the study on the actor training utilizing ing "$N\bar{a}tya$ $\acute{s}\bar{a}stra$" can be applied as an effective approach in the study of contemporary acting theory which intends to integrate inner impulse and external expression.

The Uncontested Principle and Wonbae Choi's Objections (논란 없는 원리와 최원배 교수의 반론)

  • Lee, Byeong-Deok
    • Korean Journal of Logic
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    • v.15 no.2
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    • pp.273-294
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    • 2012
  • In my previous article "An Inferentialist Account of Indicative Conditionals" and "An Inferentialist Account of Indicative Conditionals and Hasuk Song's Objections", I argued that the so-called Uncontested Principle is not uncontestable. According to the Uncontested Principle, an indicative conditional '$A{\rightarrow}C$' logically implies a material conditional '$A{\supset}C$'. In his recent paper "On the Recent Controversies surrounding the Uncontested Principle" Wonbae Choi presents three objections to my claim. First, my denial of the Uncontested Principle implies rejecting modus ponens. Second, my denial of the Uncontested Principle is tantamount to taking the truth-conditions of an indicative conditional as weaker than those of a material conditional, which are usually taken to be the weakest among conditionals. Third, my view that we can warrantedly assert '$A{\rightarrow}C$' even when 'A ${\therefore}$ C' is inductively justified is based on a misunderstanding of the way in which indicative conditionals are justified. In this paper I argue that Choi's objections are all based on misunderstandings of my view. First, I do not deny the validity of modus ponens (as a form of deductive reasoning). Second, the fact that the inductive warrantability of 'A ${\therefore}$ C' does not imply the truth of '$A{\supset}C$' does not show that the truth-conditions of an indicative conditional is weaker than those of a material conditional. Third, Choi's claim that a contingent conditional '$A{\rightarrow}C$' is true only when 'C' can be deductively derived from 'A' in conjunction with a hidden premiss is not well grounded, nor does it fit the facts.

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China, the United States and Japan's animation film creation style of comparative study (중·미·일 애니메이션영화 창작스타일 비교연구)

  • Yang, jian-hua
    • The Journal of Korean Philosophical History
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    • no.39
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    • pp.221-235
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    • 2013
  • Through the comparative analysisand inductive research on main creation styles of Chinese, American and Japanese animation films, a conclusion can be given out, which means that the animation film style of each country can hardly be formed without their own traditional painting art, aesthetics habits and ways of thinking. It is these characteristics that form their unique animation film style. America emphasizes realism art, development and utilization of new technology, Japan pays sepcial attention totraditional painting art and comic stories. In business aspect, they bring about different business models relying on the experience of satisfying the diverse needs of domestic and global entertainment markets. When it comes to the content field, they carry forward universal values and meet the individualistic heroismso that a variety of business animation films and art animation films find their ways into the global market and acquire great popularity among audiences from all over the world. Through the comparasion of American and Japanese animation films, a new view to analyze the animation films of China is created. Animation creation is largely based on the need of socialist ideology from 50s to 80s. Even though the purposes of animation film creations returned to satisfying the diverse requirements of commercial markets and audiences, the consequences, such as the break gap of creations and talents, the lack of diverse creative styles and commercial market operation mechanism, sitll affect China's animation films today. Japan found thier position from the American model and became successful. Nowadays, China need find our own creative style and position from American model and Japanese model. And the systematic reformings that are detailed in the government managements, industry standards, internationalized talents cultivation and accumulation are the essential point.