• 한국실내디자인학회논문집
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• 제14권1호
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• pp.160-167
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• 2005

The paper raises a question in argument about the method of creating space depending on accidental creation by computer as the method of describing movement pattern, and emphasizes the role of the mathematics which may change the shape into the image or reflection, that is, data which human may understand and expect. If the mathematics could be the method of describing movement pattern, it may play a important role on the analysis of architectural space based on the idea of post-constructionism, which is likely to consider the modern architectural space recognized as the sequential frames containing movement, as the suspended state of the moving object. And then, this infinite series, 'the sum' of the suspended state, is not studied mathematically and scientifically, but is able to be shaped by reviewing the validity in mathematics about the nonlinear space. This is, therefore, the fundamental research in order to define the role of the mathematics in formation of space of contemporary architecture.

• 복식
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• 제60권5호
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• pp.117-127
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• 2010

In this study, hyperspace is a result of imagination created by means of facts and fiction, represents a transfer to determination and indetermination, and means an extension to an open form. In other words, hyperspace is a high dimensional space expanded to imagination through the combination of the viewpoint on facts in this dimension and fiction. When the 2D plane surface or 3D symmetry is destroyed, or when the frame is twisted or entangled, the non-Euclidean geometry is created eventually. And when the twisting leads to transmutation and the destruction of the form reaches the extreme; this in turn became the twisting like Mbius band. Likewise, the non-Euclidean geometry is co-related to the asymmetry of the Higgs mechanism. When the 'destruction of symmetry' is considered, symmetric theory and asymmetric world can be connected. The asymmetry in turn can maintain balance by arranging the uneven weights at different distances from the shaft. Moreover, at this the concept of the upper, lower, left and right, which was included in the original form, may be crumbled down. The destruction of the symmetry is essential in order to present forecast that coincides with the phenomenon of the real world. Non-Euclidean geometry characteristic is expressed by asymmetry, twists, and deconstruction and its representative characteristic is ambiguity. The boundary between the front, back, upper, lower, inner and outer is unclear, and it is difficult and vague to pinpoint specific location. The design that does not clearly define or determine the direction of wearing costume is indeed the non-oriented design that can be worn without getting restricted by specific direction such as front and back. Non-Euclidean geometry characteristic of hyperspace have been applied to create new shapes through the modification of the substance from traditional clothing of the eastern world to modern fashion. The way of thinking in the 'hyperspace' that used to be expressed in the costumes of the east and the west in the past became the forum for unlimited creation.

• 대한수학교육학회지:학교수학
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• 제15권4호
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• pp.957-973
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• 2013

본 연구에서는 중학교 3학년 수학영재 학생들이 비유클리드 쌍곡원반모형에서 정삼각형 테셀레이션을 구성하는 활동을 하면서 나타나는 사고과정을 분석하였다. 역동적 기하환경인 poincare disk. gsp 파일에서 테셀레이션을 구성하기 위해 쌍곡평면에서 도형과 변환에 대한 학습을 하였다. 쌍곡선분의 특징을 탐구하고 도형인 정삼각형의 작도와 반전 변환을 학습 한 후 작도 과정을 반복한 후 쌍곡평면에서 테셀레이션이 가능하게 되는 조건을 탐구하는 과제를 해결하였다. 학생들은 이러한 과제를 해결하며 다양한 전략적 사고과정이 나타났고, 비유클리드 기하체계를 인지하는 경험을 할 수 있었다.