• Title/Summary/Keyword: 비디오 합성

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A Real-Time Video Stitching Algorithm in H.264/AVC Compressed Domain (실시간 H.264/AVC 압축 영역에서의 영상 합성 알고리즘)

  • Gankhuyag, Ganzorig;Hong, Eun Gi;Kim, Giyeol;Kim, Younghwan;Choe, Yoonsik
    • The Journal of Korean Institute of Communications and Information Sciences
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    • v.39C no.6
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    • pp.503-511
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    • 2014
  • In this paper, a novel, real-time video stitching algorithm in an H.264/AVC compressed domain is proposed. This enables viewers to watch multiple video contents using a single device. The basic concept of this paper is that the server is asked to combine multiple streams into one bit-stream based in a compressed domain. In other words, this paper presents a new compressed domain combiner that works in boundary macroblocks of input videos with re-calculating intra prediction mode, intra prediction MVD, a re-allocation of the coefficient table, and border extension methods. The rest of the macroblocks of the input video data are achieved simply by copying them. Simulation experiments have demonstrated the possibility and effectiveness of the proposed algorithm by showing that it is able to generate more than 103 frames per second, stitching four 480p-sized images into each frame.

Composition of Foreground and Background Images using Optical Flow and Weighted Border Blending (옵티컬 플로우와 가중치 경계 블렌딩을 이용한 전경 및 배경 이미지의 합성)

  • Gebreyohannes, Dawit;Choi, Jung-Ju
    • Journal of the Korea Computer Graphics Society
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    • v.20 no.3
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    • pp.1-8
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    • 2014
  • We propose a method to compose a foreground object into a background image, where the foreground object is a part (or a region) of an image taken by a front-facing camera and the background image is a whole image taken by a back-facing camera in a smart phone at the same time. Recent high-end cell-phones have two cameras and provide users with preview video before taking photos. We extract the foreground object that is moving along with the front-facing camera using the optical flow during the preview. We compose the extracted foreground object into a background image using a simple image composition technique. For better-looking result in the composed image, we apply a border smoothing technique using a weighted-border mask to blend transparency from background to foreground. Since constructing and grouping pixel-level dense optical flow are quite slow even in high-end cell-phones, we compute a mask to extract the foreground object in low-resolution image, which reduces the computational cost greatly. Experimental result shows the effectiveness of our extraction and composition techniques, with much less computational time in extracting the foreground object and better composition quality compared with Poisson image editing technique which is widely used in image composition. The proposed method can improve limitedly the color bleeding artifacts observed in Poisson image editing using weighted-border blending.

A Study on the Trend Analysis St Environment of Motion Graphic. -Focused on Historical Backgrounds of Motion Graphic Appearance- (모션그래픽의 환경과 경향분석에 관한 연구 -모션그래픽 출현의 역사적 배경을 중심으로 -)

  • Kim, Jae-Myoung
    • Archives of design research
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    • v.18 no.2 s.60
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    • pp.5-14
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    • 2005
  • Graphic Design is being developed as a unique genre and widely applied to movie, TV broadcasting, music video, computer an, web design, animation, and game. Some university added motion graphics in their curriculum recently. However Motion Graphic has not been defined clearly and pedagogy of motion graphics was not studied enough. Motion Graphic is not merely moving picture. Its typical purpose and concept are evolving because of the diversified application. Meta-synthesis between media and hybrid development based on diverse approach and composite presentational methods are also changing Motion Graphic. Various technology such as photograph, analytical engine, hypermedia, multimedia, digital composite picture, network and interface should be studied to understand Motion Graphic. This study reviews the historic background of Motion Graphic mainly related to its advent. A fundamental definition of Motion Graphic including the space and time is suggested and the international trend is introduced. Future Motion Graphic and possible development was also predicted.

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Intermediate View Synthesis Method using Kinect Depth Camera (Kinect 깊이 카메라를 이용한 가상시점 영상생성 기술)

  • Lee, Sang-Beom;Ho, Yo-Sung
    • Smart Media Journal
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    • v.1 no.3
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    • pp.29-35
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    • 2012
  • A depth image-based rendering (DIBR) technique is one of the rendering processes of virtual views with a color image and the corresponding depth map. The most important issue of DIBR is that the virtual view has no information at newly exposed areas, so called dis-occlusion. In this paper, we propose an intermediate view generation algorithm using the Kinect depth camera that utilizes the infrared structured light. After we capture a color image and its corresponding depth map, we pre-process the depth map. The pre-processed depth map is warped to the virtual viewpoint and filtered by median filtering to reduce the truncation error. Then, the color image is back-projected to the virtual viewpoint using the warped depth map. In order to fill out the remaining holes caused by dis-occlusion, we perform a background-based image in-painting operation. Finally, we obtain the synthesized image without any dis-occlusion. From experimental results, we have shown that the proposed algorithm generated very natural images in real-time.

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UHD Video Stitching Method for Enhanced User Experience (사용자 경험을 극대화한 UHD 영상 합성 기술)

  • Gankhuyag, Ganzorig;Hong, Eun Gi;Kim, Giyeol;Choe, Yoonsik
    • The Journal of Korean Institute of Communications and Information Sciences
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    • v.40 no.7
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    • pp.1387-1394
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    • 2015
  • Along with the development of network transmission technology, the IPTV market is growing in fast pace. Additionally the UHD resolution broadcasting system along with user experience (UX) that provides better service to user has attracted attention recently since there are not enough research has been done with differentiated the UX that can enhance the UX yet. Therefore we proposed a low complexity syntax level image stitching implementation technique that run with multi-view services, which makes possibility to view multiple channel or video contents on the screen at the same time. Simulation results have demonstrated the liability and effectiveness of the proposed algorithm by showing that capability of generating more than 80 frames per second by stitching four Full-HD size videos into UHD frame.

Depth Boundary Sharpening for Improved 3D View Synthesis (3차원 합성영상의 화질 개선을 위한 깊이 경계 선명화)

  • Song, Yunseok;Lee, Cheon;Ho, Yo-Sung
    • The Journal of Korean Institute of Communications and Information Sciences
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    • v.37A no.9
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    • pp.786-791
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    • 2012
  • This paper presents a depth boundary sharpening method for improved view synthesis in 3D video. In depth coding, distortion occurs around object boundaries, degrading the quality of synthesized images. In order to encounter this problem, the proposed method estimates an edge map for each frame to filter only the boundary regions. In particular, a window-based filter is employed to choose the most reliable pixel as the replacement considering three factors: frequency, similarity and closeness. The proposed method was implemented as post-processing of the deblocking filter in JMVC 8.3.Compared to the conventional methods, the proposed method generated 0.49 dB PSNR increase and 16.58% bitrate decrease on average. The improved portions were subjectively confirmed as well.

Low Power and Low Area Degign of Coeff_token block for CAVLC decoder of H.264/AVC (H.264/AVC의 CAVLC 디코더를 위한 Coeff_Token 블록의 저면적 저전력 설계)

  • Jeong, Dae-Jin;Yi, Kang
    • Proceedings of the Korean Information Science Society Conference
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    • 2008.06b
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    • pp.464-468
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    • 2008
  • 본 논문은, H,264/AVC 비디오 코덱의 저전력용 CAVLC 디코더를 위한 coeff_token 회로의 면적을 최적화 한 설계를 제시한다. CAVLC 디코더의 전력 소비를 줄이기 위해서 coeff_token 회로에서의 메모리 참조 빈도수를 줄이는 여러 가지 방법이 제안되어 왔다. 본 논문에서는 기존의 저전력용으로 개발된 coeff_token 회로 중 가장 전력 소비가 낮은 방식의 메모리 구조와 수식 계산 회로를 변형시켜서 전력 소비를 같은 수준으로 유지하면서도 면적을 더욱 줄이는 방법을 제안한다. 본 연구결과를 삼성 0.18 um 공정을 대상으로 합성한 결과 기존 방식에 비해서 1.1% 면적이 줄어드는 성과를 거두었다.

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Implementation of DMIF & BIFS Parser in Java3D-based MPEG4 System (Java3D 기반 MPEG-4 시스템의 DMIF 및 BIFS 파서 구현)

  • 최정단;장병태;오광만;이민석;곽진석
    • Proceedings of the Korea Multimedia Society Conference
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    • 2001.11a
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    • pp.253-259
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    • 2001
  • 인터넷을 통해 멀티미디어 데이터의 접근이 보편화됨에 따라 다양한 형태의 데이터와 사용자 인터렉션이 요구되었고, 또한 유선 및 무선등과 같은 다양한 통신 선로에서 Desktop-PC, PDA, Hand-Held PC등과 같은 다양한 단말기를 통해 멀티미디어 데이터 서비스를 받으려는 사용자의 요구가 증가되고 있다. 따라서 이런 요구를 효율적으로 지원할 수 있는 멀티미디어 시스템에 대한 개발이 요구되었고, 이를 위해 MPEG4 표준이 등장하게 되었다. MPEG-4(ISO/IEC 국제표준 14496)는 오디오, 비디오, 합성 오디오, 그리고 그래픽스 요소(material)를 포함하는 멀티미디어 데이터로 구성된 복잡한 씬(scene)을 구성하고, 이를 통신라인을 통해 사용자와 상호작용이 가능한 멀티미디어 시스템을 정의하는 표준규약을 말한다. 본 논문에서는 Java와 Java3D기반의 MPEG-4 표준 규약에 충실한 MPEG-4 시스템 구현에 대하여 기술한다.

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Implementation of The Audio for HiMCS System (지능형 고품질 서비스를 위한 오디오 개발)

  • 송재종;이석필;장세진
    • Proceedings of the IEEK Conference
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    • 2003.11a
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    • pp.77-80
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    • 2003
  • 본 논문에서는 디지털방송과 인터넷의 융합에 따른 MPEG-2/4/7 방송 및 인터넷 콘텐츠를 비롯한 게임등과 같은 다양한 멀티미디어 서비스를 제공하기 위한 차세대 지능형 고품질 홈 엔터테인먼트 시스템 Platform 개발에서 사용될 MPEG-4 오디오를 개발한다. 인터넷 상에서의 스트리밍 서비스를 위해서는 저 전송률과 고 품질의 비디오/오디오 알고리즘이 필요하다. 이러한 서비스를 제공하기 위하여 MPEG-4 오디오는 음성에서 고품질의 다중 채널의 오디오까지, 그리고 자연음(Natural Sound)에서 합성음에 이르기까지 다양한 알고리즘을 제공한다. 본 논문에서는 지능형 고품질 미디어 에이전트 시스템에 적합한 MPEG-4 AAC, MPEG-1 Layer-3인 MP3, G.723.1을 구현하고, 이 시스템에 알맞은 7㎑ 대역폭을 가지는 광대역(Wideband) 음성신호를 16kbps로 압축하는 음성 압축기를 제안 및 개발한다.

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FPGA/GPU-based Autostereoscopic 3D Video Generation System (FPGA/GPU 기반 다시점 영상 생성 시스템)

  • Shin, Hong-Chang;Um, Gi-Mun;Kim, Chan;Cheong, Won-Sik;Hur, Namho
    • Proceedings of the Korean Society of Broadcast Engineers Conference
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    • 2012.11a
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    • pp.220-223
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    • 2012
  • 본 논문에서는 스테레오 영상으로부터 무안경 3D 디스플레이를 위한 다시점 영상을 생성하는 시스템을 제안한다. 제안한 시스템에서는 먼저 비디오 캡쳐 카드를 통해 입력되는 스테레오 영상으로부터 FPGA 상에서 구현된 Trellis 동적 프로그래밍 기법에 의해 좌우 변이 영상을 실시간으로 추출한다. 이 변이 영상을 기반으로 좌우 영상 사이에서 중간 시점 영상을 생성한다. 이렇게 추출된 좌우 변이 영상과 좌우 스테레오 영상은 각각 USB 3.0 과 PCI-express 인터페이스를 통해 GPU 로 전송되고, GPU 에서는 이들 데이터를 사용하여 변이 기반 영상 합성 방법을 통해 다시점 영상을 생성한다. 생성된 다시점 영상은 다시점 3 차원 디스플레이 규격에 맞게 재배치되어 재생된다.

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