• Title/Summary/Keyword: 불교건축

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Environment as an Indicator in the Buddhist Art of Asia (아시아 불교미술에서 지표로서의 환경)

  • Lee, Jung-Hee
    • Journal of Science of Art and Design
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    • v.13 no.1
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    • pp.61-86
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    • 2008
  • Buddhism and Buddhist art originated in India, but when they were introduced to different countries, they created an international environment. Buddhism was introduced as cultural package, with written texts, visual images, rituals, and the organization of monasteries. Buddhist art originated in India during the reign of King Asoka and then was developed under the political, intellectual, artistic, religious, social and natural environments of the regions. The stupa and the chaitya halls create monastic environment. The natural environment of the trade routes and caravans in the Central Asian deserts preserved brilliant-colored murals and helped spread tram India to China. When Buddhism and Buddhist art were introduced to China, Korea, and Japan, Buddhism became a part of government institution and social organization. Gigantic statues were carved in caves in mountains for political purposes. The Chinese transformed the stupa into a square pillar and created pagodas with tiled roofs in tower forms. Koreans not only transmitted the Buddhist art from China to Japan, but it also changed it with originality in the iconography of the pensive bodhisattva images and in the architecture of Seoggulam. The official ideology of Neo Confucian philosophy brought the rise of Chan Buddhism. Zen monasteries in Japan created unique environments by establishing the Zen Buddhist garden. to prompt believers to meditate. An important development in Buddhist art is the Esoteric Buddhist art in China and Tibet. This category belongs to the intellectual, religious as well as artistic environments. The Tibetan deities with consorts in their embrace symbolize the union of the god and the devotees. Buddhist art created a unique environment that was spread out to many nations and changed greatly over time.

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On the Characteristics of Buddhist Temples with Korean National cultural properties in Kum Kang(Kum-river) Area (금강지역의 불교건축특징)

  • Chae, Hoon Gwan;Kim, Nak Choon
    • Journal of the Korean Institute of Rural Architecture
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    • v.4 no.3
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    • pp.1-11
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    • 2002
  • The aim of this research is to find-out the characteristics of Buddhist temples with relevant to Korean National cultural properties in Kum Kang(Kum-river) area. This analysis is accomplished by setting up the speciflc viewpoints where the charateristics can be perceived, and by measuring the form and angle from these points to the buddist culture ; 124 items were selected and analyzed by the comparative method. The most Important research finding is that both Traditonal Korean Temple and Kum Kang(Kum-river) Area site conceptualized and used a certain geometrical Feng-shui(geomancy) order in the disposition of mountain and river side according to the principles of human cognition. The conclusions are as follows ; Buddhist culture and the Characteristics of Buddhist temples in Kum Kang(Kum-river) Area having accumulated from the past and are the cultural complex and mixture of 7 elements. They also reflect cultural situations of each time period. The temples are a result of Korean traditional thought and spirit, as well as, regarding tradition as an important factor.

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Perceptions and Practice on the Buildings of Defensive Barriers : A Study of Belief Systems in Ancient Cities of Myanmar (방어 장벽 구조물의 실제적 인식: 미얀마 고대 도시의 신앙체계 연구)

  • Hmun, Nanda
    • SUVANNABHUMI
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    • v.2 no.2
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    • pp.69-82
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    • 2010
  • 이 글은 미얀마의 고대 도시에서 축조된 방어장벽의 건축물에 나타나는 신앙문화에 관한 연구이며, 여러 고대 도시, 특히 쀼족(Pyu)의 도시였던 베잇따노(Beikthano), 하링(Halin), 떠예킷떠야(Thayehkittaya, Srikshetra) 등지에서 발굴된 유물, 유적을 분석하였다. 이와 함께, 미얀마의 고대 도시에 형성된 전통적 신앙세계를 해명하는데 중점을 두고자 한다. 미얀마에서는 성문, 성벽, 요새, 또는 파고다를 건축할 때에 신앙적 요소가 반드시 개입되었다. 건축물의 축조 토지의 선택에 있어서나 건축물 용도에 따른 재앙의 예방의 목적을 구현하기 위하여 신앙체계가 적용되었다. 특히, 방어 장벽(예를 들어, 성벽, 성문 등)에서 나타나는 불교경전이나 쇠못이 박힌 철판 및 각종 힌두신과 낫(정령)의 조상(彫像)은 그러한 신앙적 차원에서 도입되었던 것이다. 결론적으로 미얀마의 고대 도시에 있어서 방어 장벽의 구조물에서도 전통신앙과 힌두교 및 불교가 혼합된 신앙체계가 엿보이며, 나아가 쀼 왕국에 형성된 여러 고대 도시에서 서로 유사한 물질문화와 신앙체계가 널리 존재하고 있음이 밝혀졌다.

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Beginning and Characteristics of Stone pagoda in Jeonnam Region (전남지역 석탑의 출현과 특성)

  • Cheon, Deuk Youm
    • Journal of architectural history
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    • v.23 no.1
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    • pp.33-50
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    • 2014
  • Formative and structural characteristics of stone pagoda in Jeonnam area are known in largely two flows. One is that characteristic of stone pagoda in Jeonnam area of the Unified Silla is shown in eastern Jeonnam and some southern Jeonnam. But it is not shown in surroundings of Yeongsan river. Another is that besides stone pagoda in Silla style where social aspects of Goryeo are reflected, stone pagoda in Baekje style appeared. On the other hand, stone brick pagoda and non-typical stone pagoda appeared. These stone pagodas were developed mainly in north and west of Jeonnam, and could be classified in pure Baekje style and a cross style according to formative and structural characteristics. Stone brick pagoda is extant in Wolnamsa site and Woonjusa in Chungcheong and Jella areas which are old places of Baekje.

Changes in the Religious Topography of the Great Gwanghaegun: Policies towards Buddhism and the Affected Buddhist Community (광해군 대(代)의 종교지형 변동 - 불교정책과 불교계의 양상을 중심으로 -)

  • Lee, Jong-woo
    • Journal of the Daesoon Academy of Sciences
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    • v.36
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    • pp.227-266
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    • 2020
  • The purpose of this paper is to review the representative Buddhist policies enforced during the reign of Gwanghaegun (光海君), the 15th king of the Joseon Dynasty, and the aspects of the Buddhist community affected by them. Through this, the influence and dynamism of Buddhism during the reign of Gwanghaegun will be revealed. Some of the findings will run contrary to what is popularly known about Joseon Buddhism and the policy of Sungyueokbul (崇儒抑佛), 'Revering Confucianism and Supressing Buddhism.' During the Joseon Dynasty, Neo-Confucianism was taken as an ideological background, and consequently, Buddhism was ostracized by the ruling class who advocated the exclusion of heretical views. This also characterized King Gwanghaegun's reign during the Mid-Joseon Dynasty. In reality though, the ruling class held mixed opinions about Buddhism, and this influenced the Buddhist community in the Gwanghaegun Period. The military might of Japan demonstrated during the Japanese Invasion of Korea in 1592, led the ruling class to recognize Buddhism, and as a result, the status of Buddhism rose to a certain extent. Based on its elevated status and the aftermath of the Japanese Invasion of Korea, the Buddhist community engaged in social welfare activities inspired by the notion of requiting favors, and the Buddhist community gained recognition for providing relief services. As a result, the number of monks increased, and the economic situation improved as land ownership was granted to temples and monks. This is the means by which the Japanese Invasion of Korea influenced the Buddhist policies of the Gwanghaegun Period and changed the religious topography of Buddhism. During the reign of King Gwanghaegun, the ruling class regarded Buddhism as heretical, but offered posthumous titles to monks who engaged in meritorious services during the Japanese invasions of 1592~1598. Favorable and/or preferential treatment was also granted to some Buddhist monks. In addition, monks began to perform labor projects that demanded organizational and physical strength, such as those which related to national defense and architecture. However, throughout the Gwanghaegun Period, the monks were paid a certain amount of compensation for their labor, and the monks' responsibility for labor increased. This can be understood as a partial reconciliation with Buddhism or an acceptance of Buddhism rather than the suppression of Buddhism often presented by historians. As for policies which affected Buddhism, the Buddhist community showed signs of cooperation with the ruling class, the creation and reconstruction of temples, and the production of Buddhist art. Through close ties with the ruling class, Buddhism during the Gwanghaegun Period saw the Buddhist community actively responded policies that impacted Buddhism, and this allowed their religious orders to be maintained. In this way, it was also confirmed that the monk, Buhyu Seonsu (浮休 善修) and his disciple Byeogam Gakseong (碧巖 覺性), took up leadership roles in their Buddhist community. The Buddhist-aimed policies of Gwanghaegun were implemented against the backdrop of the Buddhist community, wherein the ruling class held mixed opinions regarding Buddhism. As such, both improvements and set backs for Buddhism could be observed during that time period. The ruling class actively utilized the organizational power of Buddhism for national defense and civil engineering after the Japanese invasions of 1592~1598. Out of gratitude, they implemented appropriate compensation for the Buddhists involved. The Buddhist community also responded to policies that affected them through exchanges with the ruling class. They succeeded in securing funds and support to repair and produce Buddhist temples and artworks. A thoughtful inspection of the policies towards and responses to Buddhism during the Gwanghaegun Period, shows that Buddhism actually enjoyed considerable organizational power and influence. This flies in the face of the general description of Joseon Buddhism as "Sungyueokbul (revering Confucianism and supressing Buddhism)."

A Study on the Layout of Northern Wei Buddhist Temples in 『Luoyang Qielanji』 (『낙양가람기』에 나타난 북위 낙양 불교사원 배치에 관한 연구)

  • Hyun, Seung-Wook
    • Journal of architectural history
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    • v.23 no.3
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    • pp.35-42
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    • 2014
  • Luoyang Qielanji(洛陽伽藍記) is a document that describes Buddhist Temples in Luoyang, the capital of Northern Wei Dynasty. The purpose of this paper is to analyze the construction backgrounds, architectural elements and layout characteristics of Luoyang Temples in Northern Wei Dynasty. The results are as follows: The construction backgrounds of Luoyang Temples can be categorized into two types: the established-temple (創建型) and the converted-temple(捨宅爲寺型). The layout systems of Luoyang Temples can also be categorized into two main types: The front Pagoda-rear Buddhist Hall layout(前塔後殿), The front Buddhist Hall-rear Lecture Hall layout(前殿後堂). In Luoyang Temples, the pagoda was still an important element of the layout.

The Geomorphic Characteristics of Bulguksa-region and the Earthquake Resistant Structure of the Bulguksa Temple (불국사 지역의 지형특성과 불국사의 내진 구조)

  • Hwang, Sang-Ill
    • Journal of the Korean Geographical Society
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    • v.42 no.3 s.120
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    • pp.315-331
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    • 2007
  • Some reverse fault lines are passing through the alluvial fans and west hill slope of Bulguksa mountains including Mt. Toham in the directions of N-S and NW-SE. The study area is known as relatively unstable, because of active faults. Assuming on the record of Samguksagi about earthquakes, the architects in the construction of the Bulguksa Temple should have recognized the possibility of breakdown from the earthquakes and the need for an unique structure against at that time. Against earthquakes, Grengee technique, a stonework construction technique following wooden one and use of Chuduseok(Dongtleseok or Chumchaseok) were applied for the construction of the Bulguksa Temple. By designing the foundation stone with hole, a structure is prevented from modification that pillars secede from a foundation stone in spite of horizontal load of earthquake while wood construction is strong frame at earthquake. The Bulguksa Temple is usually evaluated to be a beautiful architecture from the appearances like the weight balanced structure with unique decoration. Impressive architectures are beautiful in balance and harmony coming from the important and specific rolls in its own way by each part of whole structure. This beauty comes from the science.

A Study on Sansinkak of Korean Temple (한국 사찰 산신각(山神閣)의 건축적 특성과 성격 연구)

  • Yang, Sang-Hyun;Kim, Yae-Joung
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.11 no.10
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    • pp.3982-3987
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    • 2010
  • `Sansinkak' is the building which contains the picture or statue of mountain god(=Sansin). It is also an expression of respect for the mountain god. This building is usually very small, so a few person can enter inside it. Because people pray to mountain god for personal purpose, sometime this wishes are exclusive and egoistic, so narrow space is more suitable. Sansin is not the original god of Buddhism, it is the god of folk belief of traditional Korea, so every Sansinkak is located in the back slope of the temples, away from Buddha's building, the center area. Sansinkak is not only the pathway of vital force from back mountains to the temple, but also the exit to the infinite nature as an extension of Buddhist belief.

A Study on the Layout of Early Chinese Buddhist Temples - Focusing on the Literature from the Eastern Han Dynasty to the Northern and Southern Dynasties - (중국 초기 불교사원 배치에 관한 연구 - 후한(後漢)부터 남북조(南北朝)까지의 문헌을 중심으로 -)

  • Hyun, Seung-Wook
    • Journal of architectural history
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    • v.22 no.1
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    • pp.29-39
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    • 2013
  • The purpose of this paper is to analyze the layout of Early Chinese Buddhist Temples from the Eastern Han Dynasty to the Northern and Southern Dynasties. The results are as follows: 1) In the Eastern Han Dynasty and Three Kingdoms Period, the layout of Temples was a pagoda-centered system which had one-courtyard. The layout of Temples in this period was still under the influence of Indian Temples. 2) In the Western and Eastern Jin Dynasties, the layout of Temples was still a pagoda-centered system. However, many buildings began to appear in Temples after the mid-4th century. In the Eastern Jin Dynasty, Twin pagodas started to appear in Temples. 3) In the Northern and Southern Dynasties, there were many layout types, but the main form was the layout of front Pagoda and rear Buddhist Hall. The layout of Temples in this period was in a transition stage, which evolved from a pagoda-centered Temple which had one-courtyard and after developed into a Buddhist Hall-centered Temple which had multi-courtyard.