• Journal of the Korea Academia-Industrial cooperation Society
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• v.20 no.4
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• pp.242-249
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• 2019

This study examined the wounds and healing of the character as a woman in Samuel Beckett's play, Happy Days, through a microscopic approach by focusing on her inner I, and to study how she tries to heal her wounds. Winnie in Happy Days spends hard times not recognizing her internal wounds and pains. By facing her wounds and pains, however, she starts the process of self-healing, mainly through communicating and sharing her sorrows with her past inner child. Winnie's positive and optimistic character appears to change Willie's behaviors, which may be a positive sign that her wounds and pains will possibly be healed. In conclusion, Winnie has a chance to face her inner wounds and pains while interacting and communicating with her husband Willie, and she is slowly heading for healing her wounded inner I.

• Proceedings of the Korea Multimedia Society Conference
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• 2001.11a
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• pp.80-83
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• 2001

주차 관리원에 의한 주차요금 징수체계가 경영효율이 낮고 부조리의 발생요인이 높아 기계화설비의 도입에 의한 주차요금징수 자동화시스템으로의 변환이 요구되고 있다. 본 논문에서는 무선 단문 서비스(SMS ,Wireless Short Message Service)와 개인 휴대 정보 단말기(PDA : Personal Digital Assistant)를 이용하여 광역에 걸쳐 설치되어 있는 주차 관제용 기계화 설비를 원격으로 관리하며 최소의 주차 관리요원으로 넓은 주차시설의 효율적인 관리를 가능하게 하는 기계화설비에 대한 원격관리 시스템을 설계 및 구현하였다.

• 월간 기계설비
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• no.8 s.193
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• pp.31-33
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• 2006

건설교통부는 지난 7월 24일 일반 · 전문건설업간 겸업제한 제도를 폐지하고, 하수급인과 건설근로자에 대한 보호강화 등 건설산업의 경쟁력 강화와 건전한 발전에 필요한 제도적 기반을 구축하기 위한 건설산업기본법개정안을 입법예고 했다. 개정안의 주요 내용은 △일반 · 전문건설업간 겸업제한 폐지△시공참여자제도 개선△ 건설업체 부도시 하도급 대금을 발주처에서 직접 지급△건설산업 부조리 해소를 위한 규정 보완△ 발주자에게 하도급계획서 제출 등이다. 건교부는 그동안 "기업 · 학계 · 연구원 · 정부"합동으로 포럼을 구성하여 10여 차례 토의하였고, 공청회, 관련업계 간담회 등을 통하여 폭넓은 의견수렴을 거쳤으며, 입법 예고를 통한 추가적인 의견수렴(7.25~8.14)과 규제심사등 정부입법과정을 거쳐 금년 10월중 국회에 제출할 예정이다.

• 월간 기계설비
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• no.10 s.207
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• pp.35-38
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• 2007

건교부는 일반.전문건설업간 겸업을 허용한 건설산업기본법 개정의 후속조치로 마련한 건산법 시행령 및 시행규칙 개정안을 지난 9월 5일 입법예고하고 9월 27일까지 의견수렴 기간을 거쳐 본격 개정에 들어가 내년부터 적용할 계획이다. 개정안은 겸업제한에 관한 특례에 따라 기계설비의 설치와 관련된 업종은 4년간 유예하는 내용을 포함하여 내년부터 일반.전문건설업간 겸업이 허용됨에 따라 본격화될 교차 진출 때 과거 공사실적의 인정기준이다. 또한 2009년 7월 시행이 예정도니 단순복합공사의 원도급 허용범위와 지난 8월 발표된 건설업 등록 때 기능인력 보유 의무조항 등과 함께 내년에 별도의 입법을 통해 추진된다. 이와 함께 개정안에는 건설공사 부실, 부조리에 대한 제재 강화 조항도 포함됐다. 이 중 기계설비공사업과 관련된 내용만 발췌하여 게재한다.

• Fire Science and Engineering
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• v.20 no.4 s.64
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• pp.42-57
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• 2006

This study suggests improvement plans : safety check system security through combination in stages, unification of fire inspection, enterprising security of prevention work, enforcement of certificate of qualification for safety, activation of civil partner-ship of fire disaster prevention through contrast prevention work of administrative service with civil mind and an in-depth analysis : dispersed and duplicated management current safety check service, improper commission collection, immorality diffusion of involved, potential irregularities causes, deficit of professionalism security.

• Proceedings of the Korea Information Processing Society Conference
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• 2021.11a
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• pp.341-343
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• 2021

현재 웹툰 시장이 크게 성장하고 있는 가운데, 과도한 매출 수수료 및 불공정 계약 등 부조리한 수익분배 문제가 불거지고 있다. 본 논문은 웹툰 플랫폼의 수익모델을 보완하는 NFT 기반 웹툰거래 및 수익분배 시스템을 소개하고자 한다. NFT 는 고유한 값을 가진 토큰으로, 디지털 자산에 대한 소유권 인증에 용이하며 블록체인 네트워크 상에서 구매 이력 등의 데이터 위변조가 어렵다는 특징이 있다. 또한 암호화폐처럼 손쉽게 거래할 수 있고 재판매가 가능하다는 장점 때문에 예술 분야에서 각광받고 있다. 이에 웹툰에 NFT 를 발행하여 웹툰을 소장 및 거래하고, NFT 소장 비율에 따라 해당 웹툰의 열람 수익을 나눠 가질 수 있는 시스템을 개발하여 제안한다.

• Cartoon and Animation Studies
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• s.44
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• pp.143-161
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• 2016

This study was conducted focusing on the role of auteurism animation. The purpose of auteurism animation is to criticize irregularities of a society in witty and fierce way through satires from the sharp perspectives of a animator that is not bound by tastes of people or the interests or standpoints of specific groups, and thus to induce positive changes in a society as a purifier. In the context, this study investigated satires shown in by Jan Svankmajer and by Norman Mclaren among the animators who utilize animation as a tool to produce social meaning. As a result, the following characteristics and meanings were found. First, Dimensions of Dialogue is an animation that satires absurdity and irregularities of a human society in symbolic and exceptional way through directing by segmentations of images and omnibus structures. The satire carries the lesson of improvement in the hidden part of cynical attack to history, society, and human beings. It also maximizes absolute reality and engagement of images of Jan Svankmajer through unique and grotesque images of the animator such as alienated world, confusing shapes, and amusement of irregularities. Second, the movie, is an exemplary animation that applied core concept of animation through pixilation techniques based on an event story structure by causal relationship. It satires the changing process of a good man to violent madness through confrontation and conflicts for material desires, with exaggerated slipstick movements and humors as a black comedy. The satire methods of both animation works are delivered through unique image styles and symbolic wordage of the animators who triggered ironical laughter in attacking humanism and moral insensitivity that might be felt seriously otherwise. That is, the animators try to show the positive will for changing the society to a sound one through the form of negativity in terms of moral perspective in animation rather than destruction against the target. As such, the satires in both works worked as an auteurism allegory that maximizes social functions and artistic influence of animation.

• Fashion & Textile Research Journal
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• v.14 no.2
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• pp.193-202
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• 2012

With entering the 21st century, modern people's dark inside and panic are emerging as the talking point on the theater stage. Even in the field of stage costume, the necessity of a research is being demanded through analyzing on psychological anguish and structure of characters. Accordingly, this study aims to allow the stage costume design to be expressed a human being's Doppelg$\ddot{a}$nger Image, which was elicited through analyzing a work of the play titled Le Grand C$\acute{e}$r$\acute{e}$monial by a playwriter Fernando Arrabal, who draws the conflictory and contradictory duplicity, which positions in a human being's deep inside by having chaos as catalyst. A research subject is 'Le Grand C$\acute{e}$r$\acute{e}$monial,' which was staged as the winter performance in commemoration of the 50th anniversary for the foundation of Dept. of Theater, Chung-Ang Univ. in November 2009. Psychology of characters in a play, which varies dimensionally, could be delivered, as nonverbal element called costume, by applying costume design of Cavanoza, Syl, Nice to Doppelg$\ddot{a}$nger Image such as Innocence vs Cruelty, Purity vs Superficiality and Restraint vs Freedom, which were elicited through analyzing characters. Through this study, the costume, which was expressed by visualizing a human being's Doppelg$\ddot{a}$nger Image, could be known to function as important dramatic factor of allowing character's psychology to be understood through costume as well as functioning as visual and sensible language, which is important for communication with the audience. A research on costume design, which reflects a character's complex inside, is expected to be likely continued through in-depth analysis on a playwriter's intention and on the appearing characters at the current point of time when an active research is being performed on stage costume in the wake of this study.

• Iberoamérica
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• v.22 no.2
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• pp.25-57
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• 2020

Eduardo Galeano is a left-wing intellectual who led the criticism and accusations of dictatorship and social absurdity in Latin America. It digs into the truth of hidden history that has not been revealed in official history. He values the memory of history to stop repetition of the unfortunate history of the past. The main research topic of this study, 『The Book of Embraces』, is also an extension of such work. Most of the stories in this work depend on the writer's memory. There is no coherence or integration in the content of the story, and the length of the text is not constant, so it is extremely informal and fragmented. This is a strategy to formally reveal the illogical and irrational reality of Latin America. He analyzes the problems of the separation system prevalent in Latin American society from various perspectives. It separates me and the others as well as the past and the present. It makes the memory of history void and paralyzes the consciousness of history. These systems are fixed for convenient governance. In this situation, the pattern of violence becomes more explicit and broad. The anxiety and fear of the Latin American public become commonplace. It is a reality of enduring daily life without hope. Galeano finds this enduring force in historical memory. He believes that when the past and the present meet and embrace, a new history of the future can be encountered. Galeano does not just criticize reality or cynical attitude but also suggests hope for the future.