• Proceedings of the Costume Culture Conference
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• 1996.08a
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• pp.38-39
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• 1996

• Proceedings of the Costume Culture Conference
• /
• 1996.08a
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• pp.41-45
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• 1996

• Proceedings of the Costume Culture Conference
• /
• 1996.08a
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• pp.46-48
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• 1996

• Proceedings of the Costume Culture Conference
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• 2002.06a
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• pp.58-58
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• 2002

• The Research Journal of the Costume Culture
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• v.9 no.5
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• pp.747-758
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• 2001

The purpose of this study was to make hip-hop clear as a comprehensive cultural factor, and to analyze how it was reflected and shown in the modern fashion. The fashion influenced by hip-hop consisted of music(mcing), dance(b-boying), art(graffiti), technology(djing), and clothing(hip-hop style) was as follows; 1. Each music, dance, and art factor was expressed as multiethnic style, a oversized sportive style, and a graffiti look. 2. Oversized-Sportive style was the most peculiarity in Old School's hip-hop fashion. 3. Sportive style was changed into Multiethnic-Baggy style in New School's hip-hop fashion.

• The Research Journal of the Costume Culture
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• v.1 no.2
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• pp.199-219
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• 1993

This paper analyzes how a social status is symbolized by clothing in Charles Dickens' novel 「The Tale of Two Cities」. The result shows that clothing symbols of he upper class people are splendid, perfect, good material, beautiful, younger looking, and fashionable. Meanwhile, those on the middle class people are neat, unpretentious, simple, practical, following fashion, and graceful. Finally, those on the lower class people are unfitted, disordered, careless, worn and shabby, unclean, disharmonious, coarse, and uniform.

• The Research Journal of the Costume Culture
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• v.1 no.2
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• pp.181-198
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• 1993

The study is to analyze modesty of clothing motive of western costume during the 6∼12 th and 17th pilgrim's revolution period by Flugel's theory. these society of tow period maintained the moral and ascetic life under he control christianity and pilgrim. This study utilized terms of Freud's theory on human personality in defining the characteristics of periods. Two periods is to define as Super-ego period.

• The Research Journal of the Costume Culture
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• v.2 no.2
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• pp.189-201
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• 1994

This study is an analysis of the costume terminologies of Silla nine costume terminologies were compared with other languages. The results of this study revealed that the costume terminologies of Sill were related to Semitic language group such s Hebrew, Aramaic, Arabic, and Assyrian as well as Persian, Turkish, Mongolic, Manchu, Gyliak and so on. The results of the analysis of this study imply that he people Silla had cultural contacts with the people of the Middle Est Asia and Near East Asia as well as their neibouring people such as Mongolians, Manchurians and Giyaks.

• The Research Journal of the Costume Culture
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• v.2 no.2
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• pp.307-316
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• 1994

This study is concerned with a comparative linguistic analysis of the Manchu costume terminologies. The Manchu costume terminologies revealed the elements Hebrew, Norweygian, English, Assyrian, Chinese, American Indian, Sanskrit, Tatar, Turkestan, Greek, Arabic, Indian, Kashmiri. The most influential elements of the Manchu costume terminologies were the Chinese costume terminologies. specifically, the elements of the Chinese costume terms were found in the terminologies of the fabrics, the gems and the precious stones. Also the influence of the Mongolic costume on the Manchu costume terminologies appeared in this study.

• The Research Journal of the Costume Culture
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• v.2 no.2
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• pp.297-306
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• 1994

This study is concerned with a comparative linguistic analysis of the Mongolian costume terminologies. It was found that the Mongolian costume terminologies were related to the costume terminologies of English, Indian, Chinese, Arabic Uigur, Tibetan, Persian, Turkish, Hebrew, Assyrian. The influence of the Chinese costume terminologies was fond in the terminologies of the fabrics and the precious stones of the Mongolians. Also, the influence of the Indian costume terminologies were shown in the Mongolian costume terminologies. A characteristic feature in the Mogolian costume terminologies of the fabrics and the precious stones showed the elements of the foreign terminologies. This factor amy be due to the fact that originally the Mongolians ere the nomades.