• Trans-
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• v.3
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• pp.137-162
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• 2017

This is a study about the arts as political tools by absolute royal authority in time of Louis X IV through the movie Le Roi danse(2000). The King, Louis X IV was an enthusiast of Arts. During the during the reign of Louis X IV, French Baroque art was blossomed exuberantly. the movie shows how the King uses the arts as a tool of his absolute authority. there are artists, Jean Baptiste Lully and Moliere, and while the movies shows how these artists could get the King's confidence and the king manipulate the arts for strengthen his authority as an absolute royalty.

• Proceedings of the Korea Contents Association Conference
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• 2013.05a
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• pp.329-330
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• 2013

초기의 영화는 그 당시에 현실을 있는 그대로 보여주는 도구로서, 인간의 현실을 표현하고자 했던 많은 도구들 중에서 유일했던 것이다. 하지만 시간이 지나고 TV의 발달과 더 나아가 케이블TV, 현재에는 인터넷과 개인 스마트모바일 디스플레이의 등장으로 그 기능이 상쇄되어 갔고, 이에 따른 영화 자체의 생존전략을 찾아가기 위해 공간적 측면에서는 '새로운 스크린'을, 구현하는 방식과 현실을 재현하는 측면에서는 영상처리의 '신기술'을 과거에서부터 현재까지 계속 이어진다. 하지만 현재 영화와 비슷한 기능을 하는 매체들이 많은 가운데, 이러한 신기술들이 공유하고자 하는 매체들도 늘어나게 되었고, 이제는 하나의 신기술을 누가 먼저 시현, 선점하느냐가 큰 관건인 상태에서 '영화'가 선택할 수 있는 향후 10년 후 기술들은 현재 진화하고 있는 디스플레이 측면에서 'UD(Ultra-Definition)'와 영상기술 측면에서는 'Head Tracking 3D' 일 것이다. 본 연구는 이 두 가지 기술에 의해 영화산업의 미래를 기능적, 경제적인 측면으로 전망해 보았다.

• The Journal of the Korea Contents Association
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• v.14 no.5
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• pp.74-84
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• 2014

The places of the movie are not a just backdrop, are discribed by the character. Imagetelling movie is a character movie by itself. One of the famous korean director which made a imagetelling movie is a Kim-kiduk. Most of his movies are the lonely people who lives a insulated locale like a island. The is also lonely people who lives in insulated area in Seoul, Korea. The is the best movie of all his film life. This Thesis will explain how to make a narrative using a chunggye industrial tools center more effectively and define the power of the locale in the movie.

• Journal of Korea Entertainment Industry Association
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• v.13 no.6
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• pp.87-94
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• 2019

South Korean films narrate exquisitely, express emotions implicitly and employ magnificent images, exemplifying unique oriental aesthetics. This paper takes Along with the Gods: The Two Worlds (2017) as an example to analyze the meaning of oriental aesthetics in South Korean films using the Film Narrative Theory. It is a fantasy blockbuster depicting family kinship stories. It structures with the familiar karma and reincarnation of Asian Buddhism with the core of family kinship. Perfectly interpreting the fantasy world of hell with stunning movie effects, it shows the family kinship of families under the main plot line of a horror film.

• Journal of the Korean Academy of Child and Adolescent Psychiatry
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• v.13 no.1
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• pp.30-37
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• 2002

The authors reviewed the child and adolescent's traumatic experiences expressed in movies through late 1950s to year 2002. The movies are roughly classified by 3 categories based on the methods that used to express protagonist's experience and to uncover the meaning that is implied, that is, an important motive of growth, a metaphor of socio-political issues, or merely an event to develop a drama. Movie is a product of repetition compulsion and an activity like symbolic play between creator and spectators through screen, which enables a kind of corrective emotional experience. The curative elements in movies were also reviewed. The authors suggest the importance of mutual communications between movie creators and psychiatrists because media images about psychiatric issues can make internal stereotypes in conscious and unconscious mind of spectators.

• 발명특허
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• v.31 no.1 s.355
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• pp.52-56
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• 2006

우리가 많든 적든 관련이 있는 거의 대부분의 일들이 컴퓨터 없인 제대로 완성될 수 없는 것처럼 컴퓨터는 우리 일상에서 뗄레야 뗄 수 없는 필수품이 되었다. 불과 몇 년 전까지만 해도 SF 영화에서나 보던, 지하철에서 혹은 버스 안에서도 게임을 하거나 영화를 보는 모습이 이제 그리 낯설지 않으니 말이다. 데스크탑에 저장해 놓은 어마어마한 용량의 자료들을 큰 외장하드에 넣고 옮겨 다니는, 혹은 급히 필요한 정보를 찾지 못해 전전긍긍하는 그런 수고는 더 이상 필요 없다. 일반 운전자들에게는 물론이거니와 주 5일제가 시행되고 자가운전자들이 늘어나면서 주말을 이용해 여행을 다니는 사람들이 늘어나며 더욱 유용하게 활용하고 있는 네비게이션의 경우, 단순 길 안내의 기능 뿐만 아니라 영화나 T V를 보고, 음악을 듣고, 개인P D A로도 활용하는 등 다양한 기능이 요구되고 있다.

• The Korean Publising Journal, Monthly
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• s.139
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• pp.18-19
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• 1993

영화 '서편제'의 흥행에 힘입어 '서편제 신드롬'이라는 문화현사이 거리에서 일어나고 있다. 또한 이 영화는 '판소리'를 중앙으로 불러들이는 역할을 수행했다. 학문적인 이론서뿐만 아니라 소리꾼들의 삶과 예술세계를 밝혀주고 있는 책들이 출간되고 있는 현상도 판소리의 대중화현상을 직접적으로 보여주는 증거물이다.

• 가정의 벗
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• v.37 no.7 s.431
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• pp.30-31
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• 2004

• Social Workers
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• no.11 s.55
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• pp.52-53
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• 2006

• Journal of the Korean Institute of Landscape Architecture
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• v.41 no.2
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• pp.1-10
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• 2013

This paper aims to make an aesthetic inquiry into representing modes of wilderness in western films. The western film was the first genre in earnest about natural landscape, covering vast areas of America from the East to the West. It adopted representative modes suited to physical characteristics of landscapes which produced aesthetic characteristics. In western films, wilderness was represented at a distance from the camera lens as a setting and an object of contemplation. In eastern forest landscapes, western films adopted the visual model of Hudson River School's landscape painting which expressed the transcendental sublime. The western semiarid region reproduced the warrior's gaze shot from a high angle, and, in this visual mode, wilderness was expressed as a demonic landscape derived from Burke's definition of the sublime. On one hand, the western desert was represented as a place of hardship shot at a low angle which expressed the vastness, unevenness and limitlessness of the desert owing to the absence of horizon. On the other hand, the mesas of Monument Valley have sublime characteristics of size and time. In western films, they play the role of an emblem by rising from the limitless desert on the horizon. The prospect-refuge relationship, the desire to see without being seen, is discovered in the representative mode of wilderness in western films. In this context, this study hopes to discover the archetype of landscape representation.