• Proceedings of the Korea Contents Association Conference
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• 2018.05a
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• pp.95-96
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• 2018

높은 시청률을 기록하여 종영한 드라마는 드라마 자체뿐만 아니라 부가적으로 파생된 상품에서도 그 원인을 찾아볼 수 있다. 그 중에서 드라마에 삽입된 드라마 OST의 역할이 크게 작용하고 있다. 새롭게 한류드라마의 한 획을 근 "별에서 온 그대"에서 다양한 방법의 드라마 OST의 사용방법이 나타났는데 첫 번째로 가창곡보다 BGM의 사용이 많으면서, 삽입된 빈도수는 많고 시간은 짧았다. 두 번째로는 출연배우의 대표작을 활용한 장면연출과 작품에 나온 대표곡을 삽입하였다. 이는 전체적인 BGM 사용 형태를 유지하며 앞서 언급한 OST의 사용이 시청자들에게 드라마를 감상하는 새로운 방법으로 작용할 수 있음을 제시한다.

• The tire
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• s.46
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• pp.7-12
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• 1973

자동차타어어가 상품인이상 경제효율을 도외시 하고선 만들수가 없다. 그래서 더욱 성능이 높은 타이어를 어떻게 해서 싸게 만들수 있느냐 가 큰문제로 된다. 한때는 가장 손이 많이드는 성형부문의 합리화가 타이어 매스푸로화에의 큰 과제이였다. 그것이 잇따라서 가류부문에도 파급했다. 여기에 등장하는것이 자동성형기 이기도 하고 백오마틱푸래쓰이 기도 했으나 그것들이 오늘날의 타이어제조의 전부는 아니다. 3류배우적 이기는 하나 가류촉진제의 이룩한 쳑할의 중요성도 잊어서는 안된다고 생각한다. 그래서 금번은 타이어 약품의 대상인 화학회사 가우화학(주)에 부탁해서 가류촉진제와 노화방지제를 중심으로 각종의 해설을 구했다. 이에 의하면 가류촉진제가 발견되어서 70년 그 진보에는 현저한것이 있었으나 챠알스 굳이어가 133년전에 발견한 류황을 사용해서의 가류법이 상금사용되고 있는 한 금후특히 괄목할 타이어 약품의 출현도 곤란할 것 같다고 하고 있다. 따라서 약품매이커어로서는 더욱 고도화에의 노력은 해도 고무 그 자체를 다르게 한다거나 타이어의 제조법을 근본적으로 개조하지 않는 한에 있어서는 말이다.

• The Korean Journal of Applied Statistics
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• v.32 no.4
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• pp.485-502
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• 2019

Theoretical statistics is a calculus based course. However, there are limitations to learn theoretical statistics when students do not know enough calculus techniques. Mathematical softwares (computer algebra systems) that enable calculus manipulations help students understand statistical concepts, by avoiding the difficulties of calculus. In this paper, we introduce mathematical software such as Maxima and Wolfram Alpha. To foster statistical concepts in theoretical statistics education, we present three examples that consist of mathematical derivations using wxMaxima and statistical simulations using R.

• Journal of Internet of Things and Convergence
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• v.5 no.2
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• pp.89-94
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• 2019

The purpose of this study was to empirically analyze the motivation of university lifelong education and the factors that are important in selecting it. In the motivation for participation of adult learners, learning new knowledge and skills in the first place and learning new things in the second place were good, so that they could learn together in the third place. Active school investment in faculty and staff will be needed to increase program diversity and quality through professionalism. Adult learners are getting information from the system they are interacting with, and furthermore, they learn the information from the public relations of university professors. Since they are acquiring paths and information through acquaintances, it is necessary to continuously promote the curriculum to unspecified adult learners. Advertisement should take advantage of various convergence strategies such as hanging banners in the area, publicity of the subway, local newspapers, word of mouth, SNS, and the Internet.

• The Journal of the Korea Contents Association
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• v.8 no.11
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• pp.103-114
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• 2008

The purpose of this study is to find the theatrical style in Dogville, which was the film directed by Las Von Trier. There are a lot of Brecht Epic theatre styles in plot and mise en scĿne in the film. This study try to divide into three parts of them. First of all, the film uses the defined space as a theatrical stage in the one act play. Secondly, there are some apparatuses which was presented as a stagy style in the film. From these apparatuses, the audiences can get the human's life dialectically collided against a sense of alienation. Finally, the film shows up the mime and non-diegetic sound to get an epical stream of Brecht's style. By using these elements to construct all of the film structure, the audiences can establish their one subjecthood against the idealogical empathy.

• Korean Journal of Plant Tissue Culture
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• v.27 no.3
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• pp.219-226
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• 2000

Lycopersicon peruvianum has a gametophytic self-incompatibility (GSI) mechanism controlled by a single genetic locus (S locus) with multiple alleles. S RNases, an allelic series of abundant stylar proteins, are products of the S locus in L. peruvianum and other Solanaceous plants. The $S_{11}$ RNase gene from L. peruvianum was introduced into a self-compatible (SC) species (Lycopersicon esculentum) to examine whether the expression pattern in the heterologous host mimics that in L. peruvianum. The resultant transgenic L. esculentum plants expressed the introduced gene highly in their styles, which is similar manner to the expresion in L. peruvianum. The $S_{11}$ RNase gene was expressed in the syle at a similar stage of flower development in both transgenic plants of L. esculentum and L. peruvianum without any morphological changes.

• Journal of Korea Entertainment Industry Association
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• v.14 no.6
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• pp.43-52
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• 2020

This paper is a study of Gustav Deutsch's film (2013). The film transformed the painting of Edward Hopper into an homage film. So it gives the impression that the picture is moving. In this regard, it raises the issue of 'remediation' between film and pictures. In this study, We ask how (2013) dealt with the movement in turning Hopper's paintings into movies. To that end, To this end, we look at two aspects of movement: the actor's movement and the screen's movement. The concepts of "tableau vivant," Agamben's gesture and mediation were used in the process. The actor's movement in the film is not an act of making and developing events. It is a gesture that moves a person's body and expression itself. It is not a story-oriented acting, but a gesture that Giorgio Agamben said. Editing and camera movements are used while maintaining frontality. This suggests that the movement of the screen is the eye of the audience. At first glance, it embodies the voyeuristic gaze of the original work. However, But the audience isn't looking at the image unilaterally, as in mainstream fiction films, but they are also being seen by that image. Also, the camera's movement to take a closer look at the details of the screen shows the movement itself rather than the means to reveal the details. The 'vision of reality' in a film is made through movement. The film questions the vision of reality between painting and film, between words and images. The move is a means of mediating reality, but the film is regaining the "lost gesture" that Giorgio Agamben once said by revealing its mediated nature. This tells us that the vision of reality appears when it obscures its mediated nature.

• Korean Journal of Fisheries and Aquatic Sciences
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• v.32 no.4
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• pp.438-443
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• 1999

Germination and growth of Laminaria japonica microscopic stages were investigated under crossed gradients of temperatures and irradiances, and the results related to the seasonal temperature regime in the southeastern coast of Korea. Germination rates of $70\~86\%$ were observed in the temperature range of $5\~20^{\circ}C$, however, at $25^{\circ}C$ no germination of meiospores was observed. The primary factor affecting germination rates at the temperature range of $5\~20^{\circ}C$ was irradiance: germination was significantly reduced at $150 {\mu}E{\cdot}m^{-2}{\cdot}s^{-1}$. Vegetative cell production of female gametophytes was highest at $20^{\circ}C$, but plants were not fertile at the temperature. In the temperature range of $5\~15^{\circ}C$, higher irradiance caused females to reduce cell production, but increased fertility. Cell production was also low at lower temperatures with increased fertility rates. Optimal growth temperature for microsporophytes was $10^{\circ}C$ and their growth rates were light-saturated at $70 {\mu}E{\cdot}m^{-2}{\cdot}s^{-1}$. We have concluded that meiospores released before July could develope to the young sporophytic stage in the southeastern coast of Korea which is off the southern limit of its geographical distribution. However, limiting factor in the development of natural sporophytic population in this region would be the upper temperature limit for the survival of young sporophytes, as water temperature at this area frequently exceeds $25^{\circ}C$ during the summer period.

• Journal of Digital Contents Society
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• v.10 no.4
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• pp.529-536
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• 2009

Interest in Chinese edutainment contents product has been increasing with the importance of Chinese Education Recently, empirical education with some fun activities is in the limelight breaking the traditional passive learning. Due to a such social necessity, we develop web-based Chinese Edutainment Contents for children, utilizing multimedia functions. Especially since writing Education is very important in learning chinese characters, we also developed a writing recognition function which checks the order of making strokes in writing Chinese character. Different from the existing outline area-based writing system, it determines if the character is well-written comparing to the prestored reference points in each Chinese characters, after recognizing the order of strokes and extracting peculiar points.

• The Journal of the Korea Contents Association
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• v.13 no.1
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• pp.137-146
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• 2013

Anton Chekhov was able to deliver a significant influence to the 20th realist drama types and styles, because his deep thoughts about diverse aspects of human life were realistically expressed on stages. Western realistic actors endeavored to embody their routines based on their words, behaviors, and habits. Chekhov used his outstanding talent to identify the characteristics of people, created unforgettable drama characters, and focused on their behavioral motives. From his philosophical point of view, Chekhov argued that secrets are hidden in life itself, and that everything, shown on the stage, should be as it is in our actual daily life. The realistic acting, recognizing the difference between the daily truth and the truth mentioned in works, pursued acting styles by which audiences regarded play characters as the real people.