• Korean Architects
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• s.614
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• pp.28-31
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• 2020

(주)공간세라믹이 주최하는 공모전 '제1회 공간세라믹(점토벽돌) 건축상'이 지난 4월 1일 시작됐다. 총 상금 1억 원이 걸린 이 공모전에는 건축법 22조에 따라 올해 4월 1일부터 2021년 3월 31일 사이에 준공된 점토건축 활용 건축물이라면 공간세라믹 홈페이지를 통해 응모가 가능하다. 민간기업에서 개최하는 건축상 공모전이 드문 상황에서 반가운 소식이 아닐 수 없다. 게다가 벽돌 건축물을 다룬다고 한다. 수천 년 간 이어져온 오래된 친환경 건축 재료지만 과거에 비해 수요가 많이 줄어든 벽돌. 공모전을 개최된 계기가 무엇일까. 5월 13일 공간세라믹 본사에서 공모전 주최자 조백일 공간세라믹 대표를 만났다

• Korean Architects
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• s.559
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• pp.192-197
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• 2015

최근 들어 박근혜 정부가 집권 2년 반을 맞아 새로운 문화융성 정책을 발표했는데, 그 중 핵심이 전통문화를 통한 창조경제 실현에 대한 얘기다. 대통령은 국정 최고책임자로서 "우리 고유한 전통음악, 무용, 문양, 구들장, 비법, 한복 등의 핵심인물 등을 찾아서 그것을 어떻게 세계문화와 교류하고 발전시킬 것인가에 대한 논의와 해법을 찾아야 한다고 생각한다"고 언급했고, 이에 정부가 온돌, 구들장, 황토방 등 친환경 건축기술 현대화 & 세계화 사업을 진행할 계획을 추진한다고 했다. 아직은 구체적으로 나온 계획은 없고 일단 큰 틀만 있는 상태인 것으로 보이는데 이에 대하여 한옥과 온돌을 연구하고 기술자를 양성하고 있는 전문가로서 참고가 되리라 생각하여 이글을 쓴다.

• Journal of architectural history
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• v.14 no.3 s.43
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• pp.89-102
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• 2005

Frank Lloyd Wright and Mies van der Rohe are two of the most influential architects in modern architecture. In spite of the different values in their architectural lives, the design of high-rise building had been a continuous matter of primary concern for them. The purpose of this study is to compare the architectural characteristics of the two master architects in terms of building form, structure, function, and envelop skin. glass. Both of them shared with the principle of organic architecture even in the design of high-rise buildings. However, the specific approaches to realize it in high-rise buildings are significantly different. Although they emphasized the integration of building form and structure, Wright regarded the reinforced concrete structure as an organic form-giver, while Mies introduced the steel skeleton structure only as an efficient and flexible building frame. As primary finishing materials for high-rise buildings, glass was used for functional purpose by Wright, but for visual purpose by Mies.

• Journal of The Korean Digital Architecture Interior Association
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• v.9 no.3
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• pp.77-83
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• 2009

Van Doesburg founded the magazine De Stijl with Mondrian in 1917. De Stijl movement was influenced by Cubist painting as well as by the mysticism and the ideas about ideal geometric forms in the neoplatonic philosophy. De Stijl proposed ultimate simplicity and abstraction by using only straight horizontal and vertical lines and rectangular forms. Furthermore, their formal vocabulary was limited to the primary colours, red, yellow, and blue, and the three primary values, black, white, and grey. The works avoided symmetry and attained aesthetic balance by the use of opposition. Vertical and horizontal lines are positioned in layers or planes that do not intersect, thereby allowing each element to exist independently and unobstructed by other elements In 1924 their different concepts about space and time were split between Van Doesburg and Mondrian. Van Doesburg launched a new concept for his art, Elementarism, which was characterized by the diagonal lines and rivaled with Mondrian's Neo-Plasticism. The works of De Stijl would influence the Bauhaus style and the international style of architecture.

• 월간 기계설비
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• s.228
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• pp.93-94
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• 2009

올해도 벌써 반이 지나갔고 이제 하반기가 시작됐다. 가장 어려울 것이라는 해의 반을 보냈으니 다소 안심이 되기도 하지만 더 힘에 부칠 것 같은 하반기를 생각하면 갑자기 아뜩해진다. 특히 토목이 아닌 건축에 기반을 둔 우리 설비업계는 여러 가지 면에서 불리하다. 경기 활성화를 위한 국가 재정 지출의 대부분이 토목에 편중되어 있고, 달러 가치 하락, 국제 투기 세력 등의 영향으로 원자재 값은 상승세를 멈추지 않고 있기 때문이다. 터널의 한 가운데가 가장 어둡다. 그래서 가장 포기하기 쉬운 곳이기도 하다. 하지만 이제부터는 앞으로 나아갈수록 밝아 올 것이다. 다시 한번 허리끈을 질끈 동여 매고 마음을 다잡아 전진해야겠다.

• 주택과사람들
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• s.208
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• pp.14-15
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• 2007

중세부터 내려온 역사적 건축물을 보존하는 동시에 중심지 오피스와 주거 수요를 충족시키기 위해 계획된 라데팡스(La Defense). 고풍스런 파리 도시 이미지에 반하는 최첨단 건축물들이 들어서 있는 라데팡스의 개발 과정을 통해 미래 복합 개발의 이정표를 그려보자.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.35 no.4
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• pp.45-52
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• 2019

The most ordinary form of residential type in Korea is a plate-type apartment, and the common space in these apartment is attracting as an important factor for enhancing social exchanges among neighbors and forming community consciousness. In addition, it provides a sense of psychological security by enabling natural exchanges and communication in contemporary society. It is desirable to plan the flow of space in such a way that private, semi-private, semi-public, and public spaces are linked. Semi-private and semi-public spaces can be defined as common spaces. Semi-private spaces are strongly recognized in the order of unit household entrance, main entrance, elevator, corridor, staircase, playground, bench, trail, walkway and parking lot, exercise space, main/back gate, the ability to gratify is increased sense of belonging, ownership consciousness formation, defensive function. Semi-public space is strongly recognized in the order of playground, bench, exercise space, trail, main entrance, walkway and parking lot, unit household entrance, main/back gate, corridor, staircase, elevator, the ability to gratify is increase of social contact, Secondary activity space function. In addition, the function to gratify in the common space differs according to gender and age group among resident characteristics, and differs according to corridor type, parking lot type and main entrance type. Therefore, differentiated planning of common space is needed in consideration of these differences in the design of common space in future.

• KIEAE Journal
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• v.2 no.3
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• pp.17-24
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• 2002

For sustainable building design, using day lighting is considered a variable technique to save energy and create comfort indoor environments. Specially, the lightself as a integrated daylighting system is one of the most important techniques due to it's durability, availability and lighting performance. This paper aims to analyze the development and architectural application of a lightself system to buildings as a integrated day lighting system. For the study, advanced lightself systems developed in abroad such as "Integrated Enveloped and Lighting System", "Anidolic Daylighting System" and etc. are analyzed. Also, the architectural examples are investigated. As results, the new technologies such as optically treated reflective and sun-tracking are adopted to improve daylight performance. And, lots of environmentally friendly buildings are installed on integrated lightself system.

• Journal of Gifted/Talented Education
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• v.23 no.6
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• pp.1019-1034
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• 2013

The purpose of this study is to investigate the characteristics of convergence gifted students through the their perception of the differences about scientists between Science class and Convergence class in gifted science education center. Consequently, this article reports that there are differences in the perception about scientists was distinction between applicants of Convergence and Science class. Science class applicants mainly recognized scientists as pure scientists, but Convergence class applicants recognized scientist were including mathematician, artist, architect, etc. Also Convergence class applicants thought that affective domain including 'effort', 'patience', 'interest' was more important that Science class applicants. On the other hand, when they described the scientists, Science class applicants knew their achievements as scientists more specifically than Convergence class. And to conclude, the characteristics were different between Convergence and Science class applicants in gifted science education center. Based on the result of this study, this paper suggests the following: Firstly, conceptual study is urgent about convergence gifted students in their definition and characteristics. Secondly, information regarding the criteria to select student for convergence class in gifted science education center. Finally, when teaching convergence gifted students, attention should be paid to their characteristics such affective domain.

• The Journal of Engineering Research
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• v.2 no.1
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• pp.183-193
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• 1997

The pupose of thesis is to analyze the architectural characteristics of Mies's Barcelona Pavilion. I analyzed the site, space, form, structure, aesthetic elements, compared it with two other buildings by him, and studied the evaluation and interpretation about the building. I cocluded that all of the modern architectural elements were fused in the crucible of Mies's imagination to produce an original work of art.