• Proceedings of the Korean Institute of IIIuminating and Electrical Installation Engineers Conference
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• 2005.11a
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• pp.217-221
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• 2005

박물관에 전시된 유물의 관람을 위해서는 조명이 요구되며, 조명에서 제공되는 가시광선, 자외선 및 자외선에 의해 손상을 입을 수 있다. 조명에 의한 손상을 방지하기 위해서 손상의 원인을 완벽히 제거한다는 것은 기술적, 실용적으로 쉽지가 않다. 따라서 손상의 원인을 완벽히 제거하기보다는 적절한 조명기준 등을 정하여 손상의 최소화를 위한 노력이 실질적인 수단이라 생각된다. 본 연구에서는 우리나라 중앙박물관의 박물관의 전시조명기준에 의거한 유물의 등급별 적산조도 등의 설정 기준에 따른 적용방법과 유지관리 방안 등을 제안하였다.

• Conservation Science in Museum
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• v.19
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• pp.83-98
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• 2018

Most preceding studies on museum lighting have focused mainly on illuminance, however this study examines diverse lighting characteristics, including illuminance, luminance, color temperature, and color rendering to allow a more objective evaluation of museum lighting. In particular, issues with existing museum lighting were examined through visual measurement to find an appropriate condition complying with museum lighting standards while providing a pleasant lighting experience for visitors. Although the top priority of museum lighting is to safely protect collections on display, lighting that takes into consideration luminance, color temperature and color randition will allow more effective appreciation as well as safe conservation of the exhibits.

• Proceedings of the Korean Institute of IIIuminating and Electrical Installation Engineers Conference
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• 2005.05a
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• pp.97-100
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• 2005

조명기술의 발전에 따라 현대의 박물관에서는 조명에 의한 다양한 연출 효과를 얻기 위해 같은 전시공간 내에서도 여러 종류의 광원들을 사용한다. 이는 역으로 각각의 유물들이 다양한 환경의 빛에 노출되어 전시되고 있다는 것을 말해준다. 유물의 전시를 위한 최적의 조명환경 조건과 보존을 위한 최적의 조명환경 조건이 서로 다른 측면이 있다. 본 연구에서는 신 국립중앙박물관의 전시실 및 진열장에 조사되는 광복사량, 복사분포 등을 측정하였으며, 측정 데이터를 바탕으로 국립중앙박물관의 조명환경을 비교, 분석하여 보았다.

• Korean Journal of Heritage: History & Science
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• v.52 no.3
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• pp.188-199
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• 2019

In this study, research trends were investigated by examining important academic research on museum lighting that has been carried out in Korea over the past 30 years. The aim was to highlight important studies conducted in Korea on material deterioration caused by museum lighting and to examine the current status of research on LED light sources to provide direction for future research. The ultimate goal of studies on museum lighting is to improve the long-term conservation effects, and this study examined the latest light sources of each era. Prior to the 1990s, the effects of light sources on relics were assessed by investigating incandescent light bulbs and fluorescent lamps, the first museum exhibition lighting. Then in the 1990s, the introduction of halogen lamps and HID lamps led to the analysis of the characteristics of a light source itself and the introduction of illumination standards. In the 2000s, the lighting environment of museums was investigated based on the characteristics of the light sources that had been studied, and in terms of preservation, research was conducted not only to improve the conservation of relics but also to improve the sentiments of visitors. After 2010, LED lamps were introduced; therefore, material deterioration studies on LED lamps were expanded. During this period, enhancements to LED light sources were made, such as reducing the blue spike area and increasing color rendering. With the development of lighting used in museums and art galleries, the direction of the display preservation criteria has led to the need to prepare advanced standards, covering all aspects from the center of illumination to the consideration of the color of an object and the speed of radiation from the light source. Regular studies of museum lighting in a long-term perspective should be planned to standardize the more advanced conditions of material discoloration.

• The Proceedings of the Korean Institute of Illuminating and Electrical Installation Engineers
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• v.10 no.6
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• pp.37-47
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• 1996

An appropriate lighting standard for the museum is needed to minimize the deterioration of the exhibits by the light and to increase the ease of perception of visitors. To make the standard, museum lighting recommendations of several countries were analyzed. Using measured color change characteristics of Korean traditional artifacts, illuminance-hours for the artifacts with noticeable color change were calculated for various light sources, and the artifacts were classified into ISO levels. Considerations for making lighting standard and the proceedings to make a decision for the considerations were described. Finally, lighting standard which can be applicable to Korean museum was presented.

• Proceedings of the Korean Institute of IIIuminating and Electrical Installation Engineers Conference
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• 2004.05a
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• pp.229-234
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• 2004

조명기술의 발전에 따라 현대의 조명환경에는 다양한 종류의 광원이 사용되고, 박물관 등에서는 조명에 의한 다양한 연출 효과를 얻기 위해 같은 전시 공간 내에서도 여러 종류의 광원들을 사용한다. 광원마다 전시물에 유해한 성분의 복사비율이 다르고, 여러 성분의 복사에너지가 복합적으로 전시물에 입사되기 때문에 전시물의 관리에 많은 어려움이 따른다. 따라서 박물관에서 전시물의 손상이 어느 정도 일어날 수 있을지를 예측하고, 그에 대한 적절한 대책을 수립하는 등의 박물관 조명의 효과적인 실시를 위해서는, 전시물에 조사되는 광복사량 및 복사분포를 측정하고, 이를 바탕으로 적절한 조명의 형식과 누적조도로서 각 유물을 체계적으로 관리할 수 있는 유지관리 방안을 설정할 필요가 있다. 본 연구에서는 전시조명용으로 많이 사용되는 인공광원과 자연주광을 대상으로, 이들 광원들이 방출하는 복사조도와 자외선을 포함하는 광복사량, 광원의 분광분포 등을 측정하고 그 결과를 분석하였다.

• Conservation Science in Museum
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• v.18
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• pp.65-76
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• 2017

Following advances in technology and with the growing need for renewable energy, fluorescent and halogen lamps are being replaced by LED lighting in museum systems. This paper researched the setting of standards for the diverse lighting systems in addition to the LED lighting that are expected to be introduced in museums in the future. Contrary to previous belief, LEDs were shown to only barely emit in the ultraviolet region, but the visible rays were confirmed to produce discoloration depending on illuminance-hours. When the color change by LED lamps at the color temperature of 2800K, or warm white, was compared with 5500K, or white, the emission spectrum analysis confirmed that the blue spike increased at a higher color temperature and caused more discoloration. This suggests that in addition to illumination, color temperature should be considered by including the emission spectrum when museums set lighting environment standards.

• Journal of the Korean Institute of Illuminating and Electrical Installation Engineers
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• v.20 no.3
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• pp.1-5
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• 2006

In order to produce a variety of lighting effects most of the modem museums use various light sources in the same space. This indicates, in other words, that each item on display is being exposed to a different lighting environment. There are required, however, different conditions for optimum environments for displaying and preserving items, respectively. In this research visible rays, ultraviolet rays and infrared rays measured in the show cases and display rooms of the National Museum of Korea were analyzed to assess its lighting environment.

• Conservation Science in Museum
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• v.9
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• pp.51-58
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• 2008

Influence of lighting for exhibition normally used in museum on discoloration of relics and weakening of materials was reviewed, and influence of currently used lightings discoloration of dyed Korean paper similar to relic and change of material quality was directly tested. There were small differences in influence made on dyed Korean paper according to exhibition lighting, and based on these differences, method to select lighting safer for relics were explored. As a result of testing 4 types of fluorescent lamps, one lamp of them showed little influence on discoloration and change of material quality, which is judged to be proper for use in museum.

• The Proceedings of the Korean Institute of Illuminating and Electrical Installation Engineers
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• v.8 no.2
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• pp.2-9
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• 1994