• 보존과학연구
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• s.37
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• pp.43-51
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• 2016

A wooden rice chest in National Museum of Korean Contemporary History was colored by black lacquer but it was degraded and fallen apart partially. The condition of the paint of front and left sides were relatively fine, but the coat of the top, back and right sides were exfoliated. The legs at the bottom of the chest were severly degraded and turned whitish. After condition checking flakes and deterioration of film, the conservation treatment was undertaken with cleaning surface. Wet cleaning was conducted that area had lots of dust area. Apply watery animal glue to degraded lacquer layers. The legs were exfoliated a lot, so applied watery animal glue several times. Other side of rice chest except Gaepan, that was not felt sense of difference, colored centrally Gaepan.

• Korean Institute of Interior Design Journal
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• v.22 no.5
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• pp.22-32
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• 2013

Today, the museum historical material and mental, physical culture and heritage to preserve the collection and exhibition organization rather than to recognize that culture acts as a community to respond to the subject of the attitude and the ability jeokgeukhwa also due to the trend of the times due to changes in lifestyle education and research, and public participation in culture by expanding the role of dissemination activities are becoming. Museum exhibit these changes as part of a combination of various technologies in the coexistence of digital and analog display direction proactive and aggressive behavior, such as visitors expect to have an evaluation of the public and communicate the expectations of the plan in the exhibition space, the larger the effect can feel. This effective display for visitors to watch the way for a systematic approach to provide direction to the urgent reality. Museum visitors experienced officials to improve the quality of research in a variety of ways spectators began to try and move the action was to put the attention on the characteristics. Visitors to visit the Museum of History and ages, categorized by the type of display any difference in the behavior of the visitor experience and attributes based on what is being investigated for the History Museum's exhibition of any exhibit to visitors that experience and is to an analysis.

• Journal of The Korean Digital Architecture Interior Association
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• v.12 no.1
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• pp.15-23
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• 2012

Museums in Korea have a long history of 100 years. It is not too much to say, though, that in fact, they in the history have lasted only for 20 to 30 years. Daejeon World Expo in 1993 and the foundation of local governments in 1995 not only played an important role in the growth of museums, but also affected the spatial development in terms of architecture and exhibition. Based on the theoretical background of museums' historical, formative, and exhibition-spatial changes, this study grasps the changes in public museums established during the last 20 to 30 years, and analyzes the changing roles of museums in the future. The preliminary study shows that the formative and spatial changes of museums partially resulted from the changes in visitors' pattern. Besides, as a result of the utilization of PEST Analysis, a macroscopic competition analysis method, it turned out that the construction of public museums in Korea was promoted with in mind the political and social significance after the establishment of the autonomous government. For unique museums to be established in local regions, it is necessary to proceed with a consistent investigation on museums in various perspectives rather than merely relying on the administrative exhibition services led by the organizations.

• 프린팅코리아
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• s.9
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• pp.140-151
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• 2003

우리나라는 인쇄종주국이다. 1972년 독일에 거주하던 박병선박사가 찾아낸 현존 세계 최고의 금속활자본 "직지심체요절"이 독일의 구텐베르크 42행 성서보다 70여년 앞서 인쇄된 것이 입증됐기 때문이다. 박박사의 노력이 없었다면 인쇄종주국을 입증하는데 많은 시간이 걸렸을 것이다. 청주고인쇄박물관은 인쇄역사를 체계화하는 차원에서 최근 박박사 저술의 '한국의 인쇄'를 발행했다. 이 책에는 고대의 인쇄부터 현대의 인쇄까지 우리의 인쇄역사를 자세히 담고 있다. 다음은 '한국의 인쇄'에 게재된 내용 중 붓, 먹, 종이, 제본 분야를 소개한다.

• Journal of the Korean Society of Costume
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• v.51 no.1
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• pp.97-104
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• 2001

본 연구의 목적은 양탄자 시대 Navajo 직물의 특징을 살펴보고, 특히 시간의 흐름에 따른 양탄자의 발달을 고찰하는데 있다. 연구방법은 양탄자 스타일의 특징 및 변화에 대한 문헌을 중심으로 조사하였고, 아리조나 주립박물관과 역사박물관을 견학하였으며 박물관 안에 있는 전문가들의 조언을 듣고 연구의 자료를 보완하였다. 또한 Navajo 직물 전시회에서 실제로 직물을 관찰하였고 주요직물들을 시각적 자료로 제시하였다. 양탄자시대는 20세기 초에 서구인들의 요구에 따라 새로운 형태의 Navajo 직물이 출현하면서 시작되었고 초기, 부흥기, 지역적 스타일시대로 구분되며 1940년대 이후 지금까지 지역적 스타일 양탄자시대에 해당한다. 즉 현재 Navajo인들은 거주 지역에 따라 스타일, 색상, 염색 방법, 디자인이 서로 다른 양탄자를 생산하며 대표적인 것으로는 Crystal, Chinle. Wide Ruin, Two Grey Hills, Tees Nos Pos. Ganado, Storm Pattern 양탄자의 일곱 가지를 들 수 있다.

• The Magazine of the Society of Air-Conditioning and Refrigerating Engineers of Korea
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• v.28 no.1
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• pp.16-24
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• 1999

박물관은 인류가 이룩한 물질문명과 정신문화의 집적을 특정한 주제를 중심으로 표현하는 문화공간으로서 한 나라의 문화수준을 측정할 수 있는 장소이며, 역사적으로 가치 있는 조형예술을 보존하고 계승할 수 있다는 점에서 중요한 의미를 지닌다. 현대사회에 들어오면서 박물관은 사회적 변화에 따른 가치관의 변화와 함께 관람자의 시각적 및 행태적 기능과 사회 문화적이고 사회 교육적인 기능을 통합하는 방향으로 나아가고 있다. 이에 대하여 자료를 가장 최적의 상태로 보관, 전시하여 보존에 가장 유리한 환경을 조성함과 동시에 이를 관람하는 사람들이 유물의 특성을 쾌적한 상태에서 쉽게 파악할 수 있는 환경을 조성해야 한다.

• The Journal of the Korea Contents Association
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• v.12 no.3
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• pp.411-420
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• 2012

In Korea, the traces of Mongolian history and culture are often found in Korean life and customs. Under these perceptions, this study has attempted to develop the learning contents using the Mongolian historical and cultural heritages in Korea. For this, the perspective on Mongolia in Korean History and Social Studies textbooks and the exhibition of Mongolian cultural materials in a museum have been analyzed. In addition, this study has researched a plan to develop learning contents for exhibition and education using the Mongolian historical & cultural heritage and folklore materials in Korea and people's perspective on Mongolia in the ancient western maps as a way of understanding the historical and cultural heritage between Korea and Mongolia. In addition, a way of taking advantage of the Mongolian historical and cultural heritage in Korea from the view of world history has been proposed to share historical views and promote cultural exchanges between the two countries. Furthermore, the development of learning contents of the museum using the historical and cultural heritage between Korea and Mongolia could be grounds for humanistic studies from the view of understanding multiculture and characteristics of international culture.

• Journal of the Daesoon Academy of Sciences
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• v.48
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• pp.157-198
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• 2024

Aside from enriching spirituality, religiously-themed museums play a crucial role in resolving conflicts among the nations peripherally or various cultural groups in a broad sense. Relatively speaking, Korea has achieved a peaceful multi-religious society, yet the 2019 pandemic caused certain religious conflicts to surface or perhaps resurface. Since the 2000, due to the increasing number of migrants, there has been increasing awareness of the need to accommodating even greater levels of religious diversity. Accordingly, this study aims to apprehend various educational programs and exhibitions that have been developed by St. Mungo's Museum of Religious Life and Art, the State Museum of the History of Religion, and the Museum of World Religions in multi-ethnic societies such as the UK, Russia, and Taiwan. Therein, it will be determined how these museums contribute to mutual understanding and interaction and this research will suggest the development of a religiously-themed museum capable of resolving a number of social conflicts and enriching the diversity of its nation.

• KOMUNHWA
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• no.56
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• pp.181-213
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• 2000

This article is to introduce a tentative study on many Buddhism remains in Hanam area. In recent years, many Buddhism remains were found in Hanam area. We speculate there will be more vestiges to be found in the same area. Among many ruins that were disco

• Proceedings of the Korea Society of Costume Conference
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• 2004.10a
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• pp.37-46
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• 2004

'Fleeting fragrance: the history, preservation and display of perfumed clothes' Fragrance - like style - is one of the intangible aspects of costume history that we often wish had been preserved. Garments were perfumed both to impart a pleasurable impression and to mask disagreeable odors from use or from production processes such as tanning and dyeing. Expensive gloves were traditionally perfumed, as well as lace collars, silk stockings and shawls. Both historical and modern attempts have been made to create scents that please the wearer and attract the oppoiste sex, while (preferable) also repelling osquitoes and moths! Unintentional perfuming also occurred, which we sometimes may be lucky to find in our museum collections. How do we describe and identify the transient odors of museum objects, and at what cost can they be preserved and presented for the public? This lecture includes samples of reconstructed historical scents presented in costume exhibitions at the Royal Danish Collections.