• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.29 no.1
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• pp.105-120
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• 2011

A moat is a pond or waterway paved on the outside of a fortress that is one of the facilities to prevent enemy from approaching the fortress wall or classify it as the boundary space, moats had existed in Europe, Asia and the America from ancient times to medieval times. however it is has been disappeared in modem society. In addition, a moat is a great value in historical and cultural sense such as offering a variety of cultural activities and habitats for animals, but unfortunately there is little consideration of its restoration plan. This research is aimed to investigate historical and cultural meaning and significance of moats which had been existing from ancient times to medieval times in the Eastern and Western. For this purpose, this research analyzed concepts and functions in consideration with times and ideological backgrounds of moats in Korea, China, and Japan. Results were as follows: 1. Moats in Korea existed not only in the castle towns of Goguryeo but also in ancient castle towns of Baekje and Silla. Natural moats and artificial moats existed around castles that were built to prevent and disconnect accessibility of enemies In Goryeo Dynasty and Chosun Dynasty, moats were also used as a defensive function. 2. A moat was generally installed by digging in the ground deep and wide at regular intervals from the ramparts, A moat was installed not only around a castle but also in its interiors. Moats outside castles played an important role in stomping the ground hard besides enhancing its defensive power. In addition, water bodies around a facility often discouraged people's access and walls or fences segregated space physically, but a moat with its open space had an alert and defensive means while pertaining its visual characteristics. 3. The moat found at Nagan Eupseong rumor has it that a village officials' strength was extremely tough due to strong energy of the blue dragon[Dongcheon] in Pungsujiri aspects, so such worries could be eliminated by letting the stream of the blue dragon flow in the form of 'S'. 4. The rampart of the Forbidden City of China is 7.9 meters high, and 3,428 meters long in circumference. It was built with 15 layers of bricks which were tamped down after being mixed with glutinous rice and earth, so it is really solid. The moat of the Forbidden City is 52 meters in width and 6 meters in depth, which surrounds the rampart of the Forbidden City, possibly blocking off enemies' approach. 5. Japan moats functioned as waterways due to their location in cities, further, with the arrangement of leisure facilities nearby, such as boating, fishing from boats, and restaurants, it helped relieve city dwellers' stress and functions as a lively city space. 6. Korean moats are smaller in scale than those of the Forbidden City of China, and Edo, and Osaka castles in Japan, Moats were mostly installed to protect royal palaces or castles in the Eastern Asia whereas moats were installed to protect kings, lords, or properties of wealthy people in the west.

• Journal of the Economic Geographical Society of Korea
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• v.22 no.2
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• pp.123-140
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• 2019

Empathy is the ability to feel, understand, and respond to the emotions of others from the standpoint of others. Recently, 'sympathy' has emerged as an important issue not only in emotional empathy in relation to individuals but also in 'social empathy', which sees sympathy as a basic principle for maintaining society. This study focuses on the issue of empathy as a new driving force for modern society and focused on 'urban scene' as a spatial application for cultural empathy in the city. Urban scenes approach the city as a space of consumption, classify it according to its inherent attributes, and analyze its characteristics. This study approaches the existing urban scene theory in terms of empathy. In addition, as a way to consume city images reflected on contents, a concrete example of 'contents tourism'is examined, and a 'contents scene' is proposed as a new urban scene and its meaning and possibility are presented.

• 프린팅코리아
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• v.12 no.4
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• pp.50-55
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• 2013

많은 사람들은 IT산업이 발달하고 통신기술이 진화함에 따라 인쇄산업의 극단적인 쇠락을 전망해 왔다. 그리고 몇 년 전부터 활발히 전개되고 있는 스마트미디어의 성장은 이를 증명하는 확실한 근거가 돼 왔다. 그렇지만 이것이 반론의 여지가 없는 절대적인 진리일까? 미리 단정 짓지 말고 조금 더 진지하게 고민해 볼 문제다. 변화하는 환경에 보다 적극적이고긍정적인 자세로 접근한다면, 오히려 기회가 될 수도 있다. 인쇄산업은 빠르게 성장하는 스마트미디어와 크로스미디어를 이룰 수 있는 콘텐츠 산업의 문화적이고 기술적인 뿌리이기 때문이다.

• Archives of design research
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• v.17 no.4
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• pp.375-384
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• 2004

The general tendency of approach to Korean Design History has been focusing its primary interest on the grand story in relation to the problems of modernization in political, economical and social aspects of Korea. In the discourse of modernization, however, there are two sides immanent in the modernization: there is the formal, institutional and authoritative modernization developed inside the capitalistic mode of production and the informal, individual and cultural modernization manifested in the mode of everyday lives. Especially, despite the viewpoint of the latter being embossed as an alternative approach in various areas including the academic world of history since the collapse of socialism, the historical recognition of the phenomena of modern design by the Korean design historians is more like the 'history from the above' that exists at the level of the discourse outside the reality rather than the 'history from the below' that exists within the ordinary life. To grant a sense of balance in such frame of historical understanding, it requires the restructuring the design history of Korea through the cultural perspectives from having the representation of mundane lives realized by the voluntary design activity of the common people as research subjects. One of the methods to acquire an answer to such problem is decoding, in the manner of 'cultural history', the life-long domestic artifact made by Madame Yang, Gap Jo (currently 87 years of age) who is a model of typical Korean mother. Through the historical rumination on the traces of unpretentious lives of the people that has been buried under the grand narrative of the Korean Design History, a new era aimed for the historical prospect of Korean design as cultural history will be possible by excavating the petit yet multi-layered meaning of Korean designs.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.22 no.1
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• pp.614-620
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• 2021

Jeju has many out-of-town cultural areas owing to its low accessibility to concert halls. Based on data from Jeju in 2019, this study selected possible sites for concert halls and examined the location status of existing concert halls in Jeju by utilizing GIS analysis. As a result, directions on location selection are proposed for the western and eastern parts of Jeju, where accessibility to concert halls is relatively difficult. Considering the theory, prior research, and the regional characteristics of Jeju, the directions for location selection exclude residential areas and areas with little accessibility. They also list good points for accessibility within areas that have little of it, that are distant from administrative dong areas in Jeju-si and Seogwipo-si, that have friendly natural scenery, and that already have accessible public transportation. Accordingly, four places were proposed as possible areas for construction of a concert hall in 2020. This study is expected to contribute to cultural marketing that makes the Jeju area a Cultural Island.

• Annual Conference on Human and Language Technology
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• 1991.10a
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• pp.219-227
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• 1991

본 논문에서는 정보처리에 관한 일반 모형으로 제기된 안-밖 합치도원리 모형(김정호, 1986; Kim, 1986b, 1991)을 통해서 컴퓨터 용어의 효율적인 한글화를 위한 하나의 접근방법을 제시하였다. 안-밖 합치도는 인간의 정보처리 전반에 걸쳐서 인간이 주어진 환경에서 특정 정보를 구성함에 있어서 갖는 정보처리의 좋음 혹은 쉬움을 나타내는 개념이다. 여기서 중요한 것은 안-밖 합치도가 구성할 특정 정보에 상대적이라는 점이며 안-밖 합치도를 측정할 때에는 어떤 정보에 관심이 있는가의 목적을 명백히 해야 한다. 컴퓨터 용어의 효율적 한글화는 안-밖 합치도원리 모형의 관점에서 볼 때, 특정 목적을 위하여, 만들어진 한글 컴퓨터 용어와 그 용어의 사용자 간의 안-밖 합치도를 높이고자 하는 작업이라고 할 수 있다. 본 논문에서는 컴퓨터 용어의 한글화에 있어서 고려될 수 있는 목적들을 크게 경제적 목적, 문화적 목적, 및 심미적 목적 등으로 나누어 고찰하였다. 끝으로 각 목적에 따른 실제적인 연구방법을 소개하였다.

• Journal of the Economic Geographical Society of Korea
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• v.19 no.4
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• pp.642-659
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• 2016

This study examines the characteristics of creative city policy for Japanese culture and arts creation cities and finds the implications of culture and arts city policy by reexamining the examples of Kanazawa and Yokohama from the viewpoint of creation-based strategy of the city. The policy implications of creative-based strategies are as follows. First, in terms of the governance of the creative-based strategy, Kanazawa conducted governance through a citizen-led cooperative network, while Yokohama promoted creative city policy through a local government-led cooperative network. Second, The mechanism of action of the endogenous resources of Kanazawa and Yokohama was different. Third, the territorial embeddedness in Kanazawa and Yokohama was easy for pedestrians to access to the customer center in the creation core area. Both cities have good access to domestic and international demand, and amenity is well established.

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2007.10c
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• pp.15-19
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• 2007

본 연구는 서양의 과학적 합리적 이성주의에 대한 단절된 동양문화의 상징적 사유체계에 내재된 상상적 환경을 복원하는 것을 목적으로 하였다. 상상적 환경을 복원하기 위해 한국 중국 일본의 고대도시인 서울, 북경(北京), 교토(京都) 등을 사례대상지로 선정하였다. 이들 사례도시의 역사 문화경관을 분석하여 상상적 환경요소를 도출하고자 해석학과 현상학적 접근방법을 활용하였다. 동북아시아 삼국(한 중 일)의 역사문화경관 비교와 재해석을 통해 그 속에서 내재된 상상적 환경을 도출한 결과, 각 도시에 내재된 장소의 정신과 자연환경요소가 인문환경요소로 반영되어 구조화되었으며, 개별요소들이 결합하여 조직화되었고, 점진적으로 장소(場所)의 혼(魂)은 더욱 성화(聖化)되었다. 본 연구는 인간생활의 실존적(實存的) 장(場)인 도시공간을 상상적 환경이라는 새로운 개념으로 비교분석한 최초의 시도로서 의의를 가진다. 그러나 동북아시아 삼국의 역사문화경관에 내재된 상상적 환경의 보편성을 확인한 것은 의미가 있으나, 각 도시별 세부적인 요소에 이르기까지 특수성을 밝히는 데는 한계가 있었다.

• Digital Contents
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• no.7 s.146
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• pp.110-113
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• 2005

MP3, DVD, P2P 등 디지털 매체기술의 발달은 디지털콘텐츠의 창작과 유통을 급속도로 증가시켰고 일반 공중은 다양한 창작물에 쉽게 접근할 수 있게 됐다. 반면 이러한 기술의 발전은 원본과 거의 차이가 없는 복제물을 쉽고 빠르게 비용을 들이지 않고 재생성하게 하였고, 또한 디지털콘텐츠는 한 번 전송되고 나면 그 침해를 막기가 거의 불가능하기 때문에 저작권자의 이익을 저해하는 사례가 점차로 증가되고 있다. 이에 저작권자들은 자신들이 창작한 저작물을 무단복제로부터 보호하기 위해 암호화기법, 디지털워터마크 등 기술적 조치(technological measures)를 개발해 저작물에 대한 접근을 제한하기 시작했다. 이러한 움직임과 더불어 접근제한시스템에 대한 법적 보호의 필요성이 제기됐고, 저작권자의 허락없이 기술적 보호조치를 무력화하거나 침해하는 행위를 금지하는 입법이 이뤄졌다. 그러나 기술적 보호조치를 보호하게 되면 전통적으로 인정해 온 저작물에 대한 일반인의 접근을 차단하게 되므로 저작권법의 근본적인 입법취지인 과학기술의 발전과 문화증진을 저해하게 될 것이라는 비판도 강력히 맞서고 있다. 이하에서는 기술적보호조치에 관한 사례들을 소개하고 기술적 보호조치의 개념, 관련 법률조항 및 주요 법적 쟁점 등을 중점적으로 살펴보도록 하겠다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2012.07a
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• pp.207-208
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• 2012

본 연구는 청소년의 인터넷 중독에 대한 문제를 이해하기 위한 새로운 접근방법을 소개하고 있다. 기존 연구의 대부분은 인터넷과 온라인 게임 자체에 집중하여 청소년의 행동을 조절하기 위한 제도적, 기술적 방법을 소개하였다. 이러한 접근방법은 본질적인 청소년 사이버 문화에 대한 이해가 결여되어 단기적인 성과는 거둘 수 있지만 장기적이고 거시적인 관점에서 문제를 해소하기에는 제한적이다. 본 연구에서는 청소년의 정체성 성립과정과 자극과 반응 모델, 관계질서 모델 등을 통하여 본질적인 인터넷 중독 해소를 위한 접근방법을 제안하고자 한다. 본 연구의 결과물은 향후 지속될 실증적 연구에 토대가 될 것이며 청소년의 인터넷 중독 예방 활동을 위한 자료로 활용될 수 있을 것이다.