• The Korean Publising Journal, Monthly
• /
• s.96
• /
• pp.21-21
• /
• 1991

처용설화에 등장하는 '역신'과 '처용'은 각각 '악으로서의 역사'와 '역사에 짓눌린 개인'을 상징한다. 시인 자신의 체험과 처용설화가 오버랩되는 이 시집에서, 역신에게 아내를 빼앗긴 처용의 노래는 한 노시인의 굴곡 많은 개인사를 상징하는 자전적 색채를 띤다.

• The Korean Publising Journal, Monthly
• /
• s.104
• /
• pp.20-20
• /
• 1992

다양한 현대 신학이론을 소개하며, 그것의 국내 수용 가능성을 진지하게 모색해온 "기독교사상"은 정치적으로도 진보적 색채를 띰으로써 그동안 교계 뿐 아니라 우리나라 지성계의 꾸준한 관심의 대상이 돼왔던 만큼 이번 400호 기념호가 갖는 의미는 각별하다.

• Journal of the Korean Society of Clothing and Textiles
• /
• v.32 no.10
• /
• pp.1629-1639
• /
• 2008

The purpose of this study is to research the similarity and difference of color application in the culture of Korea and Japan. The subject of this research is the costume color of Changgeuk and Kabuki. This survey analyzes Munsell's 3 attributes(Hue, Value, Chroma), tone, and 3D color analysis by extracted color data. And representative color according to Obangsaek is proposed. The results of this study are as follows: 1. High chroma red in Kabuki costume is more used as symbolic color(passion and luxurious) in order to show character's personality than that in Changguek costume. 2. Low chroma YR color(no-dyeing color) in Changgeuk costume much more used because of Korean white robe preference and eco-friendly thinking. But high chroma yellow is restrictive color for symbolic color of emperor in Korea and Japan. 3. Blue is most frequently used in both costumes because blue is encouraging color by the theory of exponents of the five elements doctrine. 4. White in Korean Changguek costume is more used for white robe preference thinking, but black in Kabuki costume is much more used for symbol of power in Japan. The similarity of Korean and Japanese cultural color is to use much Obangsaek, less Ogansaek by the theory of exponents of the five elements doctrine, but the difference of Korean and Japanese cultural color is to use color differently according to preference thinking system.

• The Research Journal of the Costume Culture
• /
• v.17 no.2
• /
• pp.343-351
• /
• 2009

As more and more consumers shop online, websites of fashion brands have become effective means for business activities. The Colors of web sites are the most effective visual elements for e-tailers to communicate with consumers. The purpose of this study is to compare websites created for local and global markets by men's apparel brands. The empirical study focused on differences of color application between the local and global websites. Fourteen brands were chosen for the study. The main color, sub color, and accent color were extracted according to the screen component ratios for each website. The colors were analyzed by Munsell's 10 Hues and 12 tone classifications of Practical Color Coordinate System. The Results indicated that all websites were using White as the main color. The local website used pale tones while global websites used dark tones. There was also differences in the use of sub colors and tones. Red was most used as the accent color in both local and global websites.

• Journal of Navigation and Port Research
• /
• v.36 no.8
• /
• pp.651-657
• /
• 2012

In the Busan North port redevelopment project, which is the first large scale port redevelopment project in this country, it adopted the national landscape plan for competitiveness of port city. Furthermore, it includes many efforts on landscape formation in the process of improvement of ocean city image and enhancement of its value, which fits for the situation and characteristics of the original nature, history, and culture resources, together with all facilities, structures, symbols, and eco green belt. Firstly this study attempted to analyze the characteristics of Busan landscape, Busan city design plan(2010), especially coloring plan, together with the case study of landscape color plan for foreign countries. From the basis of this analysis, it was proposed a landscape enhancement strategy in the Busan North port redevelopment project through the coloring plan and it is expected that the result would be used for the basic data for other redevelopment project.

• Journal of the Korean Society of Clothing and Textiles
• /
• v.33 no.3
• /
• pp.457-466
• /
• 2009

The purpose of this study is to research the similarity and difference of color application in culture of Korea and China. The subject of this research is the costume color of Changgeuk and Beijing opera. First, a bibliographical inquiry includes the attributes of cultural color in Korea and China and the costume attributes of Changgeuk and Beijing opera. Second, this survey analyzes Munsell's 3 attributes(Hue, Value, Chroma), tone by extracted color data. The results of this study are as follows: 1. The cultural color factors of Korea and China are classified geographical factor, internal cultural factor and external cultural factor. 2. Changgeuk costume much more used high value and medium & low chroma for korean temperate climate. But Beijing opera costume prefers high-medium value and low chroma color, various ranges of color because of China huge land and various climates, as geographical factor. 3. Changgeuk costume much more used YR color(no-dyeing color) because of korean white robe preference. Beijing opera costume much more used R color than Changgeuk costume because of traditional preference of R color, as infernal cultural factor. 4. Changgeuk costume and Beijing opera costume show the practical use of ascetic cole. like as jade green. Ojungsaek much less used than Obangsaek by the theory of exponents of the five elements doctrine, as external cultural factor.

• Cartoon and Animation Studies
• /
• s.49
• /
• pp.399-423
• /
• 2017

When thinking about the essence of color, green is the image that is settled on the plant itself, and it is also the color shining by the sun. Physics tries to explain green of plants in the correlation of sun and moon, and the history of art contemplates how it is expressed on the canvas. The film attempts to represent a realistic green using camera or computer specific to the medium. Many color theorists who explore the essence of color do not trust the mechanical and reductive scientific colorism that began in Newton and seek a completely different way of exploring in psychology and aesthetics. Like Goethe, who opposed Newton, they do not distinguish the human as subject and the color as object, but focus on the internal grounds of the relationship between subject and color. The representation of color in film is a combination of physics and art. Film color can be expanded to the spiritual dimension beyond the previous emotional and aesthetic, even beyond the physical and mental domains.

• Archives of design research
• /
• v.17 no.1
• /
• pp.277-288
• /
• 2004

The purpose of this study is to find out the characteristics of building materials and exterior colors of the traditional palaces in Korea and Japan. Nijo-Castle in Japan and Changdeok-Palace in Korea were selected for the subjects of the study. For the color measurement and analysis, NCS color system was used. The results of this study are as follows. In Changdeok-Palace, Korean pine woods, granites, tiles, blue tiles, clays, Jeon-dol(Korean unique tiles for fences and ground), lime powders, straws, Korean traditional papers, bronze were used for building materials. In Nijo-Castle, however, Japanese pine woods, granites, tiles, clays, lime powders, straws, Japanese traditional papers, bronze and golds were used. As for hues in Changdeok-Palace, Y to R, G ∼ G30Y, R80B∼B, B to G were used mainly, and in Nijo-castle, Y to R, B80G∼B90G, G30Y were found. As for tones in Changdeok-Palace, every kinds of tones were used except 'Deep chromatic' and in Nijo-Castle, 'Greyish chromatic', 'Toned light grey', 'Dark deep', 'Toned dark grey', 'Toned grey' were used. At this study, the building materials and exterior colors were analyized between Changdeok-Palace and Nijo-Castle. And from the results, it is expected that we would understand different cultures of two nations, and get the concept of making their own unique characteristics.

• Proceedings of the Korea Society of Costume Conference
• /
• 2003.05a
• /
• pp.31-31
• /
• 2003

색채는 우리 삶의 건강과 미적 조화를 결정하는 요소이며 색의 '문화시대'로 이해되는 21세기에는 개인의 영역에서뿐만 아니라 국가적인 차원에 이르기까지 다양하게 활용될 전략적인 과제로 인식되고 있다. 그럼에도 21세기의 소프트웨어인 색에 대한 연구는 아직도 국내에서는 색명이 정확히 정립되지 못하고 있으며, 색을 적용하는 산업 현장에서조차 보편화된 도구와 색체계가 일관되지 못한 것이 우리의 현실이다.

• Proceedings of the Korean Society for Emotion and Sensibility Conference
• /
• 2012.05a
• /
• pp.113-114
• /
• 2012