• Phonetics and Speech Sciences
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• v.14 no.4
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• pp.1-10
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• 2022

The Korean polysemic ending '-(eu)lgeol' can has two different meanings, 'guess' and 'regret'. These are expressed by different boundary-tone types: a rising tone for guess, a falling one for regret. Therefore the sentence-final boundary-tone type is the most salient prosodic feature. However, besides tone type, the pitch difference between the final and penultimate syllables of '-(eu)lgeol' can also affect semantic discrimination. To investigate this aspect, we conducted a perception test using two sentences that were morphologically and syntactically identical. These two sentences were spoken using different boundary-tone types by a Korean native speaker. From these two sentences, the experimental stimuli were generated by artificially raising or lowering the pitch of the boundary syllable by 1Qt while fixing the pitch of the penultimate syllable and boundary-tone type. Thirty Korean native speakers participated in three levels of perceptual test, in which they were asked to mark whether the experimental sentences they listened to were perceived as guess or regret. The results revealed that regardless of boundary-tone types, the larger the pitch difference between the final and penultimate syllable in the positive direction, the more likely it is perceived as guess, and the smaller the pitch difference in the negative direction, the more likely it is perceived as regret.

• Phonetics and Speech Sciences
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• v.12 no.4
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• pp.27-36
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• 2020

The aim of this study is to investigate the perceptive aspects of the polysemic sentence final ending "-(eu)lgeol" produced by Chinese Korean learners. "-(Eu)lgeol" has two different meanings, that is, a guess and a regret, and these different meanings are expressed by the different prosodic features of the last syllable of "-(eu)lgeol". To examine how Korean native speakers perceive "-(eu)lgeol" sentences produced by Chinese Korean learners and the most saliant prosodic variable for the semantic discrimination of "-(eu)lgeol" at the perceptive level, we performed a perceptual experiment. The analysed material constituted four Korean sentences containing "-(eu)lgeol" in which two sentences expressed guesses and the other two expressed regret. Twenty-five Korean native speakers participated in the perceptual experiment. Participants were asked to mark whether "-(eu)lgeol" sentences they listened to were (1) definitely regrets, (2) probably regrets, (3) ambiguous, (4) probably guesses, or (5) definitely guesses based on the prosodic features of the last syllable of "-(eu)lgeol". The analysed prosodic variables were sentence boundary tones, slopes of boundary tones, pitch difference between sentence-final and penultimate syllables, and pitch levels of boundary tones. The results show that all the analysed prosodic variables are significantly correlated with the semantic discrimination of "-(eu)lgeol" and among these prosodic variables, the most salient role in the semantic discrimination of "-(eu)lgeol" is pitch difference between sentence-final syllable and penultimate syllable.

• The Journal of the Acoustical Society of Korea
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• v.18 no.6
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• pp.84-88
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• 1999

The accurate estimation of segmental duration is crucial for natural-sounding text-to-speech synthesis. For predicting Korean segmental durations, conventional methods utilized phonemic context, part-of-speech context and locational information in prosodic phrase. In this paper, the tonal information of phonemes is employed for more accurate prediction. After defining two non-boundary tones and six boundary tones, we annotated the tonal label on each syllable of 400 sentences. To predict segmental duration using tonal information, we constructed neural networks with a real-valued output node predicting phonemic duration and trained them by backpropagation algorithm. Experimental results showed that the proposed features are effective for predicting Korean segmental durations, and we got 0.863 correlation coefficient of the observed durations and predicted ones.

• Annual Conference on Human and Language Technology
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• 2008.10a
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• pp.145-150
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• 2008

본 논문에서는 8개의 문장에 대해서 6명의 화자가 5가지 감정 상태로 발화한 총 240개의 문장을 감정 음성 말뭉치로 활용하여 각 감정 상태에서 특징적으로 나타나는 억양 패턴을 분석하고, 이러한 억양 패턴을 음성 합성 시스템에 적용하는 방법에 대해서 논의한다. 이를 위해 본 논문에서는 감정 상태에 따른 특징적 억양 패턴을 억양구의 길이, 억양구의 구말 경계 성조, 하강 현상에 중점을 두어 분석하고, 기쁨, 슬픔, 화남, 공포의 감정을 구분 지을 수 있는 억양 특징들을 음성 합성 시스템에 적용하는 과정을 보인다. 본 연구를 통해 화남의 감정에서 나타나는 억양의 상승 현상을 확인할 수 있었고, 각 감정에 따른 특징적 억양 패턴을 찾을 수 있었다.

• The Journal of the Acoustical Society of Korea
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• v.24 no.2
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• pp.117-126
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• 2005

This study investigates the prosodic characteristics of Korean through the analysis of a large database. One female and one male speakers each read 650 sentences and they were segmentally and prosodically labeled. Statistical analyses were done on these utterances regarding the tonal pattern and the size of prosodic units, correlation between the size of higher level prosodic units and the number of lower level prosodic units. and the slope and F0 of the falling and rising contours of an accentual phrase. The results showed that the duration and the number of words and syllables of a prosodic unit were significantly different not only between speakers but also between its positions within a higher level prosodic nit. The munber of a prosodic unit showed a high correlation with the duration and the number of syllables of its higher level units. The slope of the falling contour within an accentual phrase was inversely Proportional to the number of its syllables. The slope was different depending on the first tone type of an accentual phrase, which could be explained with the F0 rising and the different amount of rising between tones when an accentual phrase starts with an H tone. The slope of the falling contour across an accentual phrase boundary showed a constant and larger value compared to one within an accentual phrase. The rising contours in the beginning and end of an accentual Phrase were similar in their slopes but they differ in the amount of F0 change : the former showed a larger amount of change. The slope of the rising contour which forms an accentual Phrase on its own was inversely Proportional to the number of its syllables.