• Archives of design research
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• v.16 no.4
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• pp.323-334
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• 2003

This study examines the multi-functionality of the cultural facilities and explores the architectural characteristics of cultural facilities in city environment. For this purpose, 1 examine the major cultural facilities in USA and Singapore. Recently, the inter-cultural communication methods have been diversified and the cultural facilities need to be designed to effectively accommodate the public's interests in these activities. It is also necessary to reexamine cultural facilities' functions in terms of how the multi-functionality facilities reflect the surrounding environment. This study also sheds a new light on the meaning of the relationships between cultural activity, and the cultural facility design. For this, I primarily look at the various design categories of cultural buildings and their main functions. Finally, I demonstrate how both cultural activity and cultural facility design elements are embodied in the city environment.

• Korean Institute of Interior Design Journal
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• v.25 no.4
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• pp.68-79
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• 2016

The purpose of this study is to provide a reference for stage space planning in modern theaters by analyzing and understanding stage components in terms of spatial composition, purposes, and correlation between them, and collecting various opinions from stage managers an directors. The findings are as follow: the determination of the size of proscenium arch is crucial, and it needs to be considered not only with the genre of the performance and the number of seats, but also with the size of the stage facility. The two-dimensional size of proscenium arch affects the scale of stage area in three-dimensional way; the size of main stage comes from the width of the arch, and the length of set battens comes from the stage width, and so on. The height of the arch affects the elevation of gridiron, and the height of the building itself ultimately. The number and length of the set battens are directly linked to the size of the winch room, and so is the number of the winches to the Mcc panel room. The 1st level gallery supplying power to lighting equipment needs to be wide enough for staffs to work with various equipments effectively and safely. Degree of practical usage of under-stage machinery turned out to be very low. In order to cut unnecessary waste and cost, the characteristics of the theater must get set first, and experts who know how stage works need to get involved in planning stage.

• Korean Institute of Interior Design Journal
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• v.25 no.5
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• pp.42-54
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• 2016

The purpose of this study is to provide a reference for stage planning by analyzing current state of major theaters' stage space and understanding feedback from directors belonged to theaters. Each room in total 18 theaters' stage facilities was measured and their usage and requirements were analyzed on the spot. In addition, each director provided their experiential knowledge about appropriate stage composition for musical performance. The findings are as follow: under stage machinery is not needed for musical. Tour teams prefer to use their own show-deck for set conversion. On the other hand, over stage flying system needs to be able to deal with dense, fast, and accurate scene change. The size and location of the motor room needs to be carefully considered. The number of set battens is directly linked up with the size of the motor room, which should be located lower than the gridiron. As stage sets get bigger and complicated, the number of works at the gridiron is also increasing. The grating floor has to have enough strength coping with machines lifting heavy sets. Most sound control for musical performance is being done at F.O.H. these days rather that in the sound control room. It should equip enough work area and related infra especially for tour teams. 1st gallery needs to have enough effective width, power infra for lighting fixture, and strong guardrail. Lastly, the whole process of parking-unloading-transporting equipments and sets from loading dock to stage and vice versa needs to be efficient, and this has to be carefully considered from early stage of planning.

• Proceedings of the Safety Management and Science Conference
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• 2000.11a
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• pp.287-291
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• 2000

고객의 요구는 더욱더 개성화, 다양화되고 있고, 글로벌 시장은 다양한 가치관, 문화, 전통을 바탕으로 지역적인 개성을 추구한다. 전 세계에 그물처럼 엮어진 인터넷망은 시간과 거리의 제약을 완전히 없앴다. 기업은 국가와 대륙을 초월한 세계 무대에서 치열한 경쟁을 전개하고 있다. 이러한 상황에서 고객의 요구를 파악하여 이에 부합되는 제품의 생산 및 판매가 기업 경영에 있어서 주요 이슈로 등장하고 있으며, 이러한 추세는 제품 개발 기술의 보편화로 고객에 대한 서비스의 차별화로 집중되고 있다. 이런 수요를 충족시키기 해서는 CRM(Customer Relationship Management) 개념이 도입되어야 하고, 제조공정을 개선하며 경쟁력을 강화하기 위해서는 모든 기업이 고객의 가치를 최대화 할 수 있는 동기화 생산이 필수적이라고 하겠다. 본 연구에서는 CRM의 고객정보분류 방법 중 하나인 FART(F;Frequency, R;Recency, A;Amount, T;Type of merchandise/service)를 이용하여 주요고객을 분류하고, 이 정보를 Drum-Buffer-Rope 스케줄링 방법에 반영하여 기업의 생산능력과 우수고객 주문을 고려한 일정계획 방법을 제시한다. 이 결과로 우수고객에 대한 서비스 수준을 향상시키고 궁극적으로는 기업의 이윤을 최대화하는데 기여하고자 한다.

• Proceedings of the Korea Contents Association Conference
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• 2018.05a
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• pp.295-296
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• 2018

자기관리란 개인이 정한 목표에 도달하기 위해서 방법을 계획하고 점검함으로써 목표달성을 위해 스스로 정하는 자기통제적인 행위를 말한다. (국립국어원, 2014)연기전공 대학생의 경우 자기관리의 개념이 '자신이 어떤 행동을 변화시키기 위하여 기술이나 전략들을 사용하여 변화를 주도하는 과정이다. 즉 자기관리 과정이라는 것은 개인이 변화하기 위한 노력으로 스스로 환경여건을 수정하고 행동결과를 조정하며 관리하는 것이다.(Jones et al,1977)' 연기전공 대학생들은 다른 공연예술전공대학생보다 여러 분야의 지식과 기술(무용, 음악, 연출, 신체훈련, 무대표현)을 습득해야하는 종합예술의 특성을 가지고 있기 때문일 것이다.(이영일, 2015) 그렇기에 연기전공대학생들은 다른 공연예술전공의대학생보다 보다 많은 자기관리가 필요하다. 그 중 본 연구자는 연기전공대학생들에게 무용신체훈련을 적용하여 연구를 진행하였을시 대상자들 스스로가 본인의 신체를 자각하고 자기관리의 중요성을 경험 한 뒤 자기관리에 어떠한 영향을 미치는지 알아보기 위함이다. 이미 무용전공자를 위한 자기관리프로그램과 신체훈련 프로그램과 가기관리에 관한 프로그램에 관한 선행연구결과가 있다. 자기관리의 프로 연기전공대학생 1학년 14명의 대상자를 선정하고 무용신체훈련과 자기관리향상을 연계하여 논의하였다.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.35 no.8
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• pp.81-88
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• 2019

Although small but eye-catching outdoor constructions are generally called follies in contemporary architecture, French landscape researchers found different features of the fabrique, which they called separately from the folly. Unlike the 18th-century English gardens, in which the landscape itself was emphasized more than decorative structures in it, French fabriques actively made the atmosphere of picturesque gardens. In this background, this paper, from the architectural point of view, studied the 18th-century garden theories in both Britain and France, which might influence the formation of the fabrique. Then, it tried to analyze the features of French major picturesque gardens and their fabriques, relating them to painting, drama, and culture. In conclusion, this study, focusing on the relationship between the garden and its fabriques or follies, compared the different features between the English landscape gardens and the French picturesque ones in the 18th century.

• Bulletin of the Korean Space Science Society
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• 2009.10a
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• pp.25.5-26
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• 2009

인류의 활동 무대가 우주공간으로 확대됨으로써 우주기상에 의한 피해를 최소화 할 수 있는 조치가 요구됨에 따라 우주기상에 대한 감시 및 예 경보 업무가 필요해 졌다. 미국은 이미 우주기상 감시와 예보의 필요성을 인식하고 해양대기청(NOAA), 미 공군(USAF), 항공우주국(NASA), 내무부(DOI), 에너지부(DOE), 과학재단(NSF)이 연합하여 1996년 국가우주기상 프로그램(National Space Weather Program)을 수립.추진하고 있다. 특히 정부연구 기관인 NOAA 산하 우주기상예보센터(Space Weather Prediction Center; SWPC)와 미 공군 기상국(AFWA)은 우주기상 자료 생산, 수집, 자료 센터 운용, 연구 지원 및 예 경보 업무를 공동으로 수행하고 있으며 관련 자료 및 정보의 교환 등 매우 밀접하게 상호협력하고 있다. 최근 정부는 과학기술 7대 중점투자 분야별 중점육성후보기술로서 우주감시체계개발기술을 포함한 국가과학기술기본계획(577전략)을 수립 발표하였으며, 대한민국 공군은 향후 우주군 창설을 목표로 우주전력 기반체계구축을 계획하고 있다. 국방부는 2012년 전시작전통제권 환수에 대비한 독자적인 작전지휘능력 확보가 필요한 상황이며, 미래의 한국군 독자적 네트웍 중심 전장(NCW: Network Central Warfare) 체계 구축을 위해서는 미 공군의 "우주기상작전센터"와 같은 우주기상 예 경보 체계 구축이 요구된다. 이 연구에서는 군의 독자적 우주작전능력 확보를 위한 우주기상 예 경보 체계 구축 방향을 제시하고자 사전기반 연구를 수행하였다. 그 내용으로 우주기상에 대한 개요 및 우주기상의 변화에 따른 국내외 영향을 조사하고 국내외 우주기상 예 경보 시스템을 소개하고자 한다. 또한, 미공군의 우주기상 활용 상태를 점검하여 한국 공군을 위한 우주기상 예 경보 체계 구축 및 인력과 기술 확보에 대한 방안을 제시하고자 한다.

• Journal of KIISE:Software and Applications
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• v.29 no.6
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• pp.377-385
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• 2002

An authentic simulation platform for events situated in spatio-temporal space is presented. The authenticity, i.e., logical fidelity to the reality, of this cyberspace is realized by maximizing the diversity and unpredictability of events occurring therein. The knowledge components and associated schemes required for the simulation of events situated in spatio-temporal space encompass the environmental factors, the objects, the events, and their interrelations. We deviled event activation, triggering mechanism, and cognitive function related to event to realize an authentic simulation of discretionary events. The agents in this simulation environments are autonomous in that they have their own existence and capability of event planning. We focused on identifying basic constructs relevant to authentic simulation of discretionary events whose initiation depends on human intention. Several key ideas are implemented in a typical spatio-temporal situation to demonstrate the viability of our simulation mechanism.

• The Journal of the Korea Contents Association
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• v.20 no.4
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• pp.49-61
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• 2020

Recently, the convergence of genre-mixed collaboration and technology-mixed collaboration in performance art strategically fuses different goals and different properties, satisfying anticipated demand, and developing into experimental forms that bring out convergence contents of new value. To supplement problems of convergence attempts and heighten levels of completion, the effective collaborative processes of media experts must be studied and improved. This thesis attempts to study effective collaborative production plans of convergence performance that correspond to the demands of the times through multimedia convergence performance prototypes(Live performance play + Pre-made digital animation). It categorizes performance production processes into pre-production and production and researches the effective collaborative production processes of convergence performances that utilize these two forms of media through work selection, production direction establishment, human resource constituents, production schedule plan establishment, visualization processes, and performance practices and rehearsals. Continuous research must be conducted based on convergence performance contents planning, changes in production methods, and an understanding of distinct characteristics among convergence contents for the industrial development systemization and vitalization of convergence contents to be made possible.

• The Korean Journal of Archival Studies
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• no.20
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• pp.115-150
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• 2009

Theater is a performing art with a volatile feature which exists when it is performed on the stage by actors and disappears when it is finished. Due to its intangible characteristic It is not only impossible to just hand it down but also there is a high possibility that materials which have been produced during the preparations of performance might be lost If it was not been properly taken care. The study which has been conducted from the existing such a problem, understand produceable records, the point where the records can be produced and the main body who is in charge of the production process by analysing performing process of theater and also propose the general method of documentation of theater by introducing the method of collecting each records. Such an introduction of method would help to progress acquisition activity by setting-up documentation planning at the stage of planning theater beforehand, rather than just help to gather the corresponding records after the performance is finished.