• Journal of the Korean Institute of Landscape Architecture
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• v.45 no.6
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• pp.98-114
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• 2017

This study analyzed the commemorative landscapes of eight Holocaust concentration camp memorials(HCCM) of Germany and Poland from a landscape architecture point of view including historical landscape, places and remains, and monuments. A site survey was conducted at Dahau concentration camp memorial(CCM) and Bergen-Belsen CCM of Germany in September of 2015 and the Auschwitz-Birkenau extermination camp memorial(ECM), Majdanek ECM, Belzec ECM, Sobibor ECM, Treblinka ECM, Chelmno ECM of Poland in April of 2016. The results are as follows. First, the landscape of the concentration camp at Dahau CCM, Auschwitz ECM, and Majdanek ECM liberated by the Allied Forces was well conserved with the maintenance of camp facilities and the spatial structure of camps while monuments and memorials seized by sociopolitical argument were built with restriction. But Belzec ECM, Sobibor ECM, Treblinka ECM, and Chelmno ECM devastated and planted artificially to forest were overwhelmingly surrounded with natural landscape, and also, excavated relics and remains were preserved and the monuments were built at the place of memory. Second, gas chambers, crematoriums, guard posts, electric wire fences, railroads and ramps, barracks, and drainage ditches were considered to be typical facilities present in the camp structure and the gas chambers, crematoriums, human ashes, and mass graves demonstrated the horrible history of these camps and the railroad and ramp where Jewish prisoners arrived also had the strong sense of place. These remains were regarded as symbolic elements to create a memory of the tragedy and place. Third, commemoration of victims was applied as the basic concept and recalling the memory of the Holocaust was also considered very important content. Religious reconciliation and peace was represented at Dahau CCM and the Jewish identity was strongly expressed at Treblinka ECM and Belzec ECM representing the Jewish community and Judaism. Fourth, the monuments with semi-abstract styles and abstract sculptures represented the Holocaust symbolically and narratively and came into the conflict caused by the abstractness to the memorial landscape at Auschwitz-Birkenau ECM and Bergen-Belsen CCM. Fifth, remains for recalling the memory of tragedy and place and symbolic monuments to stand for public memory were juxtaposed at the same place and preserving on the authenticity of camp site had been conflicted with monumentalizing intentionally. Further study will required a concrete investigation of the monuments in the HCCM and an attempt to comparatively study the commemoration characteristics of memorials in Korea.

• Proceedings of the Korea Information Processing Society Conference
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• 2006.05a
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• pp.169-172
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• 2006

현재 널리 사용되고 있는 모바일 기기에서는 대부분 텍스트 위주의 메모 기능이 지원되고 있다. 특히 스타일러스 펜을 입력 도구로 사용하는 PDA(Personal Digital Assistant)와 같은 모바일 기기에서는 텍스트뿐만 아니라 그래픽 환경에서 드로잉을 이용한 메모 기능도 지원되고 있다. 그러나 기기의 특성상 제약이 많아 키패드를 주 입력 수단으로 사용할 수밖에 없는 모바일 기기에서는 이러한 방식의 그래픽 메모는 현실적으로 거의 불가능하여 일반적으로 지원되지 않고 있다. 그래픽 메모의 기능이 지원된다고 하더라도, 제한된 입력 환경에서 필요한 좌표 값의 입력을 위해 방향키를 이용하여 픽셀 단위로 포커스를 이동시키는 방법은 직관성을 보장할 수 있으나 그 속도가 매우 느려 실제 활용이 불가능하다. 반면, 필요한 좌표 값을 직접 키패드로 입력하여 그리는 경우에는 메모 시간은 상대적으로 감소할 수 있으나 그래픽 메모 시 그리고자 하는 형태에 대해 직관성을 확보할 수 없다. 이러한 한계점들을 극복하고 문제점들을 개선하여 휴대 전화와 같이 극히 제한된 환경에서 키패드를 주 입력 장치로 사용할 수밖에 없는 모바일 기기에서도 많은 장점을 지니고 있는 그래픽 메모를 보다 효과적으로 사용할 수 있도록, 본 논문에서는 다중 해상도를 이용한 입력 방법을 제안하고, 그 적용 가능성을 고찰하였다.

• Journal of Korea Society of Industrial Information Systems
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• v.15 no.5
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• pp.89-95
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• 2010

Currently memorandum have been a method to manage information easily by short writing. In particular, a electronic memorandum system has been efficiently used for business purpose, which is available in a computer widely used in our daily life. Considering the smart business environment, we propose a multi-functional electronic memorandum system in this paper, which is helpful to manage information intelligently in the smart business environment. The proposed system maintains the contents of memorandum in a database structure, so it is available without any restrictions in time and place. In addition, it also has additional functions of music playing, capturing working screens, and scheduling. The functions help for the proposed system to be widely used in the smart business environment.

• Journal of the Korean Institute of Landscape Architecture
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• v.38 no.1
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• pp.12-24
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• 2010

The purpose of this study was to analyze design characteristics of Korean War Memorials(KWM) in the United States(KWMUS). Through site survey and internet searching, the researcher selected 25 KWMUS and analyzed four analysis categories: design concept, spatial form, landscape details, and sculptures. The results are as follows: 1. The analysis revealed that main concepts of KWMUS were to cherish victims of the Korean War, show membership/locality/patriotism, express feelings and the meaning of war, and explain the Korean War realistically and symbolically. 2. Most KWMUS in memorial parks and plazas were designed to pursue the completion of each memorial assuming the form of typical and symmetrical circles and squares. Also, spatial order including spatial sequence was seen in some of KWMUS. 3. Stone walls, stone monument, flags, emblems and paving were used as main landscape details. The map of the Korean peninsula and Taegeuk were often introduced to symbolize Korea and the Korean War, and the symbolic phrase, 'Forgotten War' or 'Freedom is Not Free' were written on the stone to keep the Korean War in the minds of Americans. 4. Sculptures were used as important media to represent the Korean War in a variety of ways. Most of them were formed realistically, except for a few sculptures that aimed to represent the Korean War symbolically and narratively. In particular, the sculptures in Washington D.C. KWVM and Minnesota KWM were remarkable as symbolic media of war memorials in contemporary society. Further study will be required to analyze comparatively KWM in Korea and the U.S. and to understand characteristics of KWM in the point of design style.

• Venture DIGEST
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• no.2 s.127
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• pp.21-23
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• 2009

태극마크 물결무늬 USB, 큐빅이 박힌 쥬얼리 USB, 교통카드 USB, 스폰지밥 캐릭터 USB, 자물쇠 USB${\dots}$. (주)메모렛월드(대표 최백수, www.memorette.co.kr)의 USB메모리를 소개하자면 일단 숨이 벅차다. 다양한 종류에 독특한 디자인이 한 달이 멀다하고 쏟아져 나오고 있다. 고객의 다양한 니즈를 겨냥한 만큼 '충성고객층'도 두텁다. 국내 USB메모리 시장을 선도하고 있는 (주)메모렛월드를 찾아가봤다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2021.07a
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• pp.569-570
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• 2021

온라인 교육은 컴퓨터 테크놀로지 발달과 웹 기반 정보 통신 기술의 발전에 따라 효과적인 방법으로 자리 잡으면서 새로운 패러다임으로 꾸준히 성장해 오고 있다. 최근 코로나 19로 인해 초, 중, 고등학교를 비롯하여 대학교는 2020년 3월 역사상 처음으로 개강을 비대면 온라인 상황으로 맞이하게 되었다. 온라인 강의 시청수요가 늘어남에 따라 영상에 대한 필기 양도 많아지고 있다. 온라인 강의는 대부분 시각적 자료와 함께 교수자의 설명이 더해진다. 시각자료에 대한 부가적인 설명과 교수자의 말로 설명이 되는 부분에 대해 필기를 할 때 시각 자료를 그려 필기하거나 영상의 어느 부분에 해당 내용이 나오는지 시간을 같이 메모해서 봐야 하는 불편함이 있다. 본 논문에서는 해당 문제점을 해결하기 위해 영상을 시청하며 구간에 메모를 저장, 표시하는 시스템을 설계 및 구현하고자 한다. 학습자가 영상에 직접 메모를 표시하여 맞춤형 학습에 따른 복습 효용성 향상에 긍정적인 역할을 하도록 한다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2023.07a
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• pp.265-266
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• 2023

본 연구에서는 음성메모 기능을 통해 스마트폰에서 메모를 편리하게 작성할 수 있는 방안을 제안하였다. 이 제안은 취약 계층을 포함한 다양한 사용자들이 스마트폰을 보다 쉽고 효율적으로 활용할 수 있는 기회를 제공한다. 음성메모를 통해 중요한 정보를 빠르게 기록하고, 필요할 때 언제든지 액세스할 수 있으며, 기억력에 의존하지 않고 안정적인 방식으로 정보를 보존할 수 있다. 이러한 기능은 취약 계층을 위해 스마트폰 사용의 장벽을 낮추어 정보 접근과 활용의 평등성을 증진시킬 것으로 기대된다. 또한, 연구 결과는 스마트폰 기술과 사용자 경험 분야에 대한 심층적인 이해를 제고하고, 향후 관련 연구와 개발에 영향을 미칠 것으로 기대된다.

• Proceedings of the Korea Information Processing Society Conference
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• 2013.05a
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• pp.1111-1112
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• 2013

The number of users topped 30 million smartphones in Korea, has become a necessity of modern people. There are many applications to provide alarm and memo, but most of them are for personal usage not groups. In this study, we present an application providing alarms and memos to all users in a group. The group alarm function provides an alarm to all members in a group when a group member set an alarm. When a memo is written by one member, the memo is shared to all members in the group. Our application will be useful to groups that should notice important information and meeting time among group members.

• Journal of the Korean Institute of Landscape Architecture
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• v.39 no.3
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• pp.26-38
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• 2011

The purpose of this study was to analyze the commemoration culture of Vietnam War Memorials (VWM) in Vietnam. Through site survey, the researcher selected 23 VWM in Vietnam and analyzed 5 categories: memorial type, design concept and narratives, location and spatial form, landscape elements, and content expressed in landscape details. The results are as follows: 1. Because of the long, drawn out Vietnam War, which lasted from 1955 to 1975, VWM were divided into 10 types mainly as soldier cemeteries based on a traditional memorial style, battlefields and places of tragedies considering sense of place, war museums representing victory and atrocity in war, and peace parks promoting reconciliation and peacemaking. 2. The analysis revealed that the main concepts and narratives of VWM were to value the victims of the Vietnam War, remember soldiers' contributions, highlight the victory in war and resistance to the United States, and express a sense of place. Peacemaking applied only to My Lai Peace Park and Han-Viet Hoa Binh Cong Vien, built by international cooperation. 3. Cemeteries and appreciation memorials were designed to follow a traditional memorial space form that highly regard both axis and symmetry. The design concept at battlefields and places where tragedies occurred depended mainly upon a sense of place and used symbolic landscape elements to compensate for the undefined concept. 4. Sculptures and towers were mainly used to highlight war victory and resistance as the representative style of a Socialist country, weapons and pictures exhibited in war museums and battlefield showed the reality and strain of war. Symbolic elements of Buddhism and Confucianism were often introduced as a way to venerate the memory of deceased persons. 5. The state and heroic actions in the Vietnam War were realistically depicted on sculptures and walls. Also, the symbolic phrase, 'TO-QUOC-GUI-CONG' meaning 'our country remember your achievement', were written on the memorial tower and 'Quagmiire' was used to metaphorically represent the difficulties faced by the U.S. military on battlefields during the war and the uncertainly that pervaded U.S. society in those days. 6. In VWM, ideologies like nationalism, patriotism, socialism, capitalism were mixed and traditional cultures like Buddhism, Confucianism, Taoism were inherent. Differing from their Confucianism culture, war heroes, particularly including women, were often described by sculpture, monument, and pictures and the conflict in and outside the country regarding the Vietnam War was shown. Further study will be required to analyze design characteristics of VWM in the u.s. and to understand the difference in commemoration cultures between Vietnam and the U.S.

• Journal of the Korean Institute of Landscape Architecture
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• v.43 no.1
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• pp.1-15
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• 2015

The purpose of this study was to analyze the commemoration characteristics of Vietnam War Memorials(VWM) in the United States(VWMUS). Through site survey and internet research, the researcher selected 87 VWMUS except monuments simply with markers, and analyzed 5 analysis items: design concepts, spatial characteristics, landscape details, sculptures, and interpretive texts and symbols. The results are as follows: 1. The analysis revealed that the main concepts of VWMUS were to cherish victims of the Vietnam War(85 sites (97.7%)), show veteran's dedication for country(85 sites(97.7%)), and publicize the contribution of groups by troop, regional, and membership(84 sites(96.6%)). 2. Most VWMUS were located in memorial parks and plazas. 59 memorials(67.8%) were designed to pursue the completion of each memorial assuming the form of symmetry and circles. On the other hand, 12 memorials(13.8%) were typed memorial walls and 11 memorials(12.6%) were formed by spatial sequence including various landscape details and grading. 3. Stone walls were mainly used to cherish victims of the War at 65 memorials(74.7%), and also, Flags like the Stars and Stripes, POW MIA flags, and state flags were hoisted to symbolize memorial's identity at all memorials. Additionally, Benches, monuments, markers, posts and columns, ponds and channels, Helicopters were partially introduced some memorials. 4. Sculptures were used 21 memorials(24.1%) which were smaller in numbers than other War Memorial in the U.S.A., for black stonewall were used for the main element of VWMUS. Except for a few sculptures that aimed to represent the Vietnam War symbolically and narratively, 16 memorials(18.4%) were formed to realistically express the image of wounded soldiers and their hardship in the Vietnam War. 5. KIA, MIA, Veteran's name were written and their images depicted on walls, Also, the symbolic phrase, 'ALL GAVE SOME, SOME GAVE ALL' and 'DUTY, HONOR, COUNTRY' were written on the memorials walls, and the POW MIA symbols were printed on the flags and engraved on walls. 6. In the United States of America, Democratic patriotism was considered a main ideological value in VWMUS by engraving KIA MIA's names on the walls, hoisting flags Stars and Stripes and POW MIA, and writing symbolic phrases 'ALL GAVE SOME, SOME GAVE ALL' and 'DUTY, HONOR, COUNTRY'. On the contrary, in Vietnam, nationalism, patriotism, and socialism were emphasized as main ideologies through raising war victory and resistance to foreign power as well as writing the symbolic phrase 'TO-QUOC-GUI-CONG' meaning 'our country remember your achievement' on memorial towers. Further study will be required to comparatively analyze VWM in order to understand national characteristics in Korea, Australia, U.S.A, and Vietnam.