• Title/Summary/Keyword: 만정제 춘향가

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Analysis on Modal Changes and Its Performance Effect in Kim, So-hui's 「Chunhyangga」 (김소희 『춘향가』의 전조에 따른 연행효과 분석)

  • Kim, Sook-Ja
    • The Journal of the Korea Contents Association
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    • v.14 no.11
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    • pp.611-619
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    • 2014
  • The purpose of this study was to examine the technique of modal changes and its performance effect in Manjeong Kim, So-hui's pansori "Chunghyangga" at the portion of jungmori. It is because Manjeong-style "Chunghyangga" effectively presents dramatic scenes, role changes and emotional variations through modal changes of pansori. In this study, such two songs as and in jungmori were examined and study findings are as follows: Modal changes always reflected dramatic scenes, role changes, situational alterations and emotional variations. In addition, all the transpositions of the two songs were related to geunchin-jo and euddeumeum-jo. In , the technique of modal changes was intensively used in the latter half of the song, whereas in , it was used from the middle portion of the song. All of these uses of modal changes resulted in an excellent performance effect, which was musically expressed in order to discriminate it from the portion of role changes or explanations.

Musical Analysis on the Phrases of Chinese Poetry in Pansori Words (판소리 사설 중 한시 어구의 활용에 따른 음악적 분석)

  • Kim, Mi-Sook
    • The Journal of the Korea Contents Association
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    • v.22 no.4
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    • pp.714-726
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    • 2022
  • The purpose of this paper is to find out the way of utilizing phrases of Chinese poetry in Manjeongje and its musical characteristics. To this end, the roles of phrases contained in the Pansori words were classified into five patterns: landscape description, strengthening of pleasant emotions, strengthening of sad emotions, wordplay, and combination of various poems. As a result of analysis, phrases quoted in sad mood part consist of slow rhythm of Jinyangjo and Jungmori, and sad melody of Gyemyun-gil and Jingyemyun tone; thus, both the rhythm and melody are expressed in accordance with the mood of poems. On the other hand, the melody in the landscape description parts, and the rhythm in the joyful feeling and wordplay parts showed the characteristics of determining the mood. In addition, when applying the analysis results to the perspective of Pansori composition, it is necessary to discover novel texts, apply to editorials, and study musical implementation suitable for the original mood in order to create more artistic Pansori.