• Archives of design research
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• v.12 no.2
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• pp.65-73
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• 1999

In Italy, numerous jewelry ornaments have been actively manufactured from long time ago, since Italian has been highly interested in jewelry from the ancient limes, therefor jewelry industry of Italy has been improved at an alarming pace with latest cutting-edge technology through their highly-talented artistic sense and workmanship of precious metals that have been inherited without any interruption based on the traditional history and culture. One out of five ornaments in the whole world is made in Italy, so Italy is the biggest maker to manufacture ornament made of gold, silver and precious stone recording more than 70 billion dollar of annual sales. The diversified composite factors-handmade oriented ornaments with artistic concept based on their inherited craftsmanship from generation to generation and refinedly and sensationally harmonized design -have resulted in development and mass manufacturing for ornaments. Now days the jewelry maker of Italy have actively introduced improved management know-how and international approach for marketing and made a strenuous effort to newly technology and creative design through close relationship with designers.

• Proceedings of the Korea Society of Design Studies Conference
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• 2002.05b
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• pp.12-13
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• 2002

• Proceedings of the Korea Society of Design Studies Conference
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• 2001.05a
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• pp.54-55
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• 2001

• Journal of Digital Convergence
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• v.11 no.2
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• pp.413-418
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• 2013

This paper studied the revitalization of brand identity. We analysed smartphone applications development company's brand identity and presented revitalization case. Brand revitalization is achieved through the ongoing communication of companies and designers. And should reflect the company's brand strategy.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2018.10a
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• pp.652-654
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• 2018

The process of generating basic modeling data in product design and production design is very important and it takes a lot of time to produce. To overcome these shortcomings, 3D scanning technology is emerging that can easily acquire modeling data. In this paper, we propose a technique to convert the image data from the image data to the modeling data after shooting the objects in the space, and generate the basic modeling data applicable to the product design. It also suggests ways to redirect and utilize the basic modeling data of the product.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2008.05a
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• pp.270-273
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• 2008

Recycling of buildings is to purpose that confront the social structure and make a new development in the area and improve the local image for using specific location of local area and historic legacies, traditional culture, specialties and it is the element of the regional revitalization which is connected with the culture tour is able to provide a clue of remaking the local industry. In this study of regional revitalization, the purpose of this study is to analysis the case that succeed in recycling the building of the more useful tourist attractions, so, through the study, reach the event for the regional revitalization in our country and the effectively regional revitalization, then it considers the method of recycling design that raises a competitive power.

• 프린팅코리아
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• v.14 no.7
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• pp.96-99
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• 2014

아이프린팅(대표 심미경)은 고객과의 신뢰를 최우선으로 하고 있는 인쇄사로 기획부터 디자인, 출력, 인쇄까지 원스톱 토털 서비스를 제공하고 있다. 최근에는 고모리 최신 인쇄기를 도입해 고객이 원하는 고품질 인쇄물을 빠르고 정확하게 제공하고 있다.

• Proceedings of the Korea Institute of Convergence Signal Processing
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• 2000.08a
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• pp.193-196
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• 2000

최근 컴퓨터를 이용한 CAD 디자인 시스템이 날염디자인제도(textile printing design trace)에 널리 사용되고 있다 CAD를 이용한 날염디자인은 기존의 수작업에 비해 공정을 간편하게 하고, 상당히 많은 시간과 경비의 단축을 가능하게 하였다. 그러나 CAD를 이용한 날염디자인제도 역시 상당부분 숙련자들의 수작업을 요구하고 있다. 본 논문에서는 날염디자인제도에서의 컬러 분할 전처리 과정으로 원 이미지를 저주파 통과 필터링하고 컬러분할을 수행하였다. 이렇게 분할된 이미지의 윤곽선을 추출하고 스플라인(Spline)기법을 사용, 더 부드럽고 완만한 곡선을 생성하도록 하였다. 모든 과정은 Matlab을 사용하여 구현하였으며 분할된 이미지를 날염제도공정으로의 적용 가능성에 대해 검토하였다.

• 프린팅코리아
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• v.14 no.10
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• pp.104-107
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• 2015

세계적인 디자이너 알레산드로 멘디니의 초대형 전시가 서울디자인재단, 아뜰리에 멘디니, 주한 이탈리아문화원 공동 주최, 아트센터이다. 마이아트예술기획연구소 공동 주관으로 10월 8일부터 2016년 2월 28일까지 동대문디자인플라자 디자인전시관에서 열린다. 그의 이름을 걸고 이루어지는 대규모 단독 전시로는 국내뿐 아니라 동아시아에서도 최초다.

• Proceedings of the Korea Society of Design Studies Conference
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• 1998.10a
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• pp.70-71
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• 1998