• Proceedings of the Korean Society of Broadcast Engineers Conference
• /
• 2012.07a
• /
• pp.352-355
• /
• 2012

최근 인터넷 및 디지털 방송 서비스 환경 변화에 따라 사용자에게 제공되는 디지털 콘텐츠가 기하급수적으로 증가하게 되었고, 스마트 TV, 스마트 패드, 스마트폰 등 디지털 콘텐츠를 이용할 수 있는 기기들이 다양화 되어지고 있다. 또한, 사용자가 디지털 콘텐츠를 수집하는 경로와 이용하는 환경도 다양해지고 있다. 하지만, 현재 사용자가 제공되어 지고 있는 디지털 콘텐츠들은 특정 단말 및 사용환경에 종속된 형태로 제작되어 서비스되어지고 있으며, 다양한 성능을 가지는 단말들의 특성과 디지털 콘텐츠를 이용하는 사용자의 사용환경에 최적화된 서비스를 제공하지 못하고 있는 실정이다. 이에, 본 논문에서는 단말의 특성 및 사용자 사용환경에 최적화된 서비스를 제공할 수 있는 스케일러블 데이터 서비스를 제공하기 위한 프레임워크 기술과 스케일러블 데이터 서비스를 기술하기 위한 언어인 SADL(Scalable Application Descript Language)를 소개하고, 사용자가 사용하는 단말 특성과 사용환경에 최적화된 서비스를 제공하기 위한 SADL기반 콘텐츠를 저작할 수 있는 저작도구를 제안한다.

• The Journal of the Convergence on Culture Technology
• /
• v.6 no.2
• /
• pp.217-222
• /
• 2020

The concept and discussion of copyright should reflect changes in using environments of digital properties and developments of technology. Further discussions are required about protection, transfer and usage of copyright for user created contents or digital activities. Digital archives should clarify the ranges of permitted usage or guides to quotation. One should not be biased toward regulating digital copying, but consider the value of diverse transformation of digital properties. This will trigger tension between private and public usage, or sharing of digital fabrications, which leads to the necessity of discussions on policy level. The interpretation of copyright is limited to protecting the copyright owner's right, but it should be suggested to widen the range to permitting fair use. The extended fair use of digital contents and by clarifying specific rules will activate creation and distribution of digital contents and contribute to more productive usage of innovation.

• Trans-
• /
• v.13
• /
• pp.35-58
• /
• 2022

This study predicts the paradigm shift that the development of artificial intelligence technology will bring to the production of music content, and suggests that works created through collaboration between artificial intelligence and humans can have artistic value as finished products. Anyone can easily produce music content using artificial intelligence composition programs, and it has become an opportunity to inspire artists with various attempts and creative ideas. Although artificial intelligence technology provides convenience in human life and benefits a lot in the efficient aspect of work, it is difficult to escape the perception of data-based pattern music in the art field so far. Pattern music with many quantitative elements is not recognized as a complete creation due to the absence of abstract symbolism or meaning pursued by art. However, it predicts that if qualitative elements such as emotions and creativity are given to artificial intelligence music through human collaboration, it can be recognized as a complete work of art. The development of artificial intelligence technology increases access to culture and art from the public, and it can be expected that anyone can enjoy it as well as aesthetic experiences. In addition, various contents can be produced by improving individual digital literacy, and it is an opportunity to share and communicate with others. As such, artificial intelligence technology serves as a medium connecting the public with culture and art, and is narrowing the gap between humans and technology through art activities. Along with this cultural phenomenon, we predict the possibility of research on the production of artificial intelligence music contents with artistic value and the development of various convergence and complex art contents using artificial intelligence technology in the future.

• Journal of Digital Convergence
• /
• v.14 no.12
• /
• pp.413-421
• /
• 2016

This research, mainly focused on the development of the iPhone exclusive app 'Sketch Plus', is on the production of pens within the smart media. Our goal is to develop and reproduce pens with surreal rendering as a base and during that process, describe the fusing process of design perspectives and algorithms. This research comprehends the concept of surreal rendering, which is a technique that mimics traditional art forms, and suggests 15 pen techniques and ways to display them by analyzing previous research on smart media. We have described the process of using hatching patterns and resused to solve lag problems that occur during the reproduction of pen techniques due to the limitations of smart devices and organized the conversion process of pen patterns into 4 steps: rough sketch, contrast, applying and mimicking patterns, and applying color. We hope that this research on the reproduction of analog pen techniques can be used as an example for production on fused surreal rendering.

• Journal of Digital Convergence
• /
• v.10 no.5
• /
• pp.185-191
• /
• 2012

This study deals with the technical approach related to the protection of digital video contents copyright, which has currently become a major issue in the digital contents market. With the production and distribution of digital video contents rapidly increasing, various policies and technical approaches are being made in relation to the protection of intellectual property rights. The technical approach from a DRM (Digital Rights Management) perspective was made from various angles, but its limitations have also been exposed in terms of convenience and quality. In this study, rather than the existing encoding certification and watermark technologies, it introduces technical approaches from a content-based copy detection method, while suggesting a copy detection method using the representative color sequence. In particular, this study takes into consideration the distribution environment of the domestic video market and deals with the technical approach in a direction that can control the illegal distribution of high quality videos.

• The Journal of Korean Academy of Prosthodontics
• /
• v.58 no.3
• /
• pp.217-220
• /
• 2020

Conventionally, when a zirconia fixed dental restoration is planned, the interim restoration is made manually and the final restoration is fabricated by the silicone impression taking at the prosthodontic stage. This conventional workflow does not provide direct relation between interim and final restorations. Moreover, the predictability of the final restoration could be low. Nowadays, the CAD/CAM based restoration fabrication and related digital techniques are developed and being applied in dentistry in multiple ways. This case report introduces a digital workflow for fabricating an optimal gingival adaptation and predictability of monolithic zirconia restoration by using CAD/CAM interim restoration, intra oral scan, and image superimposition technique in a case that required tooth extraction.

• The Journal of the Convergence on Culture Technology
• /
• v.9 no.5
• /
• pp.821-830
• /
• 2023

The advancement of Internet network technology has triggered the emergence of new OTT video content platforms, increasing demand for content and altering consumption patterns. This trend is bringing positive changes to the South Korean animation industry, where diverse and high-quality animation content is becoming increasingly important. As investment in technology grows, video production technology continues to advance. Specifically, 3D animation and VFX production technologies are enabling effects that were previously unthinkable, offering detailed and realistic graphics. The Fourth Industrial Revolution is providing new opportunities for this technological growth. The rise of Artificial Intelligence (AI) is automating repetitive tasks, thereby enhancing production efficiency and enabling innovations that go beyond traditional production methods. Cutting-edge technologies like 3D animation and VFX are being continually researched and are expected to be more actively integrated into the production process. Digital technology is also expanding the creative horizons for artists. The future of AI and advanced technologies holds boundless potential, and there is growing anticipation for how these will elevate the video content industry to new heights.

• Electronics and Telecommunications Trends
• /
• v.26 no.4
• /
• pp.14-21
• /
• 2011

본 고는 스마트TV 광고 시장 및 기술 동향에 대하여 소개한다. 2012년은 디지털 방송 전환과 스마트TV, 3DTV 등 신규 서비스 출현 등으로 오랜 세월 집안의 강력한 엔터테인먼트 기기 중 하나인 TV의 변화가 본격적으로 시작된 해이다. 방송 미디어 서비스의 변화는 디지털 방송 전환에 따른 단순한 시청 품질의 향상뿐만 아니라, 양방향 서비스, 부가데이터 제공, TV 연계형 개인 휴대단말과의 동기화된 미디어 서비스 등 다양한 형태로 나타날 수 있다. 광고는 방송 미디어의 주 비즈니스 모델이며, 위와 같은 TV 환경의 변화에 큰 영향을 받을 것으로 예상된다. 변화에 대응하고 방송광고 시장의 활성화를 위해서는 광고 관련 법, 제도 정비, 표준화와 함께 광고 특화된 기술 개발이 필요하다. 광고 산업계에서 요구하는 기술 수요는 변화하는 미디어 환경에서의 광고물의 제작, 중개 및 유통, 소비, 효과 측정 및 분석 등 광고 생태계상의 전 영역을 포함하며, 각 영역에서의 당면한 기술적 이슈에 대해 소개한다.

• Journal of Digital Contents Society
• /
• v.19 no.5
• /
• pp.971-979
• /
• 2018

Currently, Virtual Reality video content is rapidly increasing in number of users due to the rapid growth of related hardware and software. Accordingly, Virtual Reality animation is also being produced in a new form by rapidly integrating with Virtual Reality technology among video contents. Currently, research on Virtual Reality animation has focused on how films are produced and how they are directed, and no research has been done to organize the pipeline for efficient VR animation production. Therefore, this study drew the characteristics of the pre-render VR animation pipeline by comparing it with the production pipeline of the existing 3D animation to produce the VR animation efficiently. Through this, we presented organic integration of production and post production processes suitable for the production of VR animations and reduced rendering time using Render Pass for efficient production.

• Journal of the Korea Computer Graphics Society
• /
• v.29 no.3
• /
• pp.21-31
• /
• 2023

In this paper, we introduce a case study of cinematography using digital human in virtual production. This case study deals with the system overview of virtual production using LEDs and an efficient filming pipeline using digital human. Unlike virtual production using LEDs, which mainly project the background on LEDs, in this case, we use digital human as a virtual actor to film scenes communicating with a real actor. In addition, to film the dialogue scene between the real actor and the digital human using a real-time engine, we automatically generated speech animation of the digital human in advance by applying our Korean lip-sync technology based on audio and text. We verified this filming case by using a real-time engine to produce short drama content using real actor and digital human in an LED-based virtual production environment.