• Title/Summary/Keyword: 디자인 과정

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Overseas - Parametric DesignXI (해외건축동향: 미국 - 파라메트릭 디자인XI)

  • Sung, Woojae
    • Korean Architects
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    • s.572
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    • pp.118-121
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    • 2016
  • 저번 회에서는 Barclays Center의 그린루프의 디자인 과정을 개략적으로 살펴보았습니다. 소음 저감의 목적으로 인하여 도출되었던 두 가지의 변수(새로운 루프의 중량과 두 겹의 루프사이에 위치하는 빈 공간)및 기존의 바클레이 센터가 가지고 있는 물리적인 특성(파라펫 및 기존 루프의 형상)을 고려하여 design surface를 설정하였고, 중량에 대한 조건 및 주변의 고층 주거빌딩들로 인해 일반적인 루프와는 다른 미적인 특이성을 고려하여 그린 루프라는 큰 방향을 제시하고, 양방향 곡면의 특성을 가지는 루프의 지오메트리와 시공 상의 복잡함과 공기의 단축을 위해 모듈로 이루어진 시스템을 제안하게 되었습니다. 이번 회에서는 루프의 디자인을 진행함에 있어서 어떠한 제약 조건이 있었으며 그러한 제약 조건들이 최종적인 루프 디자인 및 패턴에 어떠한 영향을 미쳤는지, 그리고 이러한 과정에서 파라메트릭 툴이 어떻게 사용되었는지에 대해 자세히 살펴보도록 하겠습니다. 이어서 다음 회에서는 디자인 측면에서가 아닌 pre-construction의 측면에서 시공상의 시행착오를 줄이고 공기를 단축하기 위한 목적으로 파라메트릭 툴의 사용하여 시뮬레이션을 했던 과정에 대해 자세히 알아보도록 하겠습니다.

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A Case Study on Avatar System Design for 3D Game Development (3D 게임 아바타 시스템 디자인 사례연구)

  • Kim, Jung-Yoon;Chang, Hee-Dong;Kim, Tea-Yong
    • Proceedings of the Korean Society of Computer Information Conference
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    • 2008.06a
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    • pp.117-123
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    • 2008
  • 사이버 공간에서의 3D 아바타 게임은 많은 인기를 누리고 있으며, 아바타는 기업들에게 새로운 수익 모델 및 마케팅 방법이 되고 있다. 3D 아바타 시스템은 개발 방법과 과정, 설계과정이 어려움이 많이 있다. 그 이유는 아바타 시스템 디자인 설계에 따라 향후 서비스 시 수익모델의 차이가 많기 때문이다. 이로 인해서 온라인 게임 개발자들이 많은 시행착오가 있는 것이 오늘날의 현실이다. 이러한 국내 실정에서 3D 아바타 시스템에 대한 연구가 절실히 필요하다. 따라서 본 논문에서는 아바타의 비중이 높고, 많이 사용되는, 온라인 캐주얼 게임에 적합한 3D 아바타 시스템 디자인을 연구하는데 그 목적이 있다. 그 연구를 위해서 온라인 3D 아바타 제작 사례를 기반으로 분석하여 실제 게임에 사용되는 3D 아바타 시스템 디자인과정의 소개와 제작 툴을 제안한다.

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The Effect of Technical Newness and Design Newness to Consumer Adoption Process in New Product Communication Context (신제품의 커뮤니케이션 맥락에서 제품의 기술적 새로움과 디자인 새로움이 소비자의 수용과정에 미치는 영향 -스마트폰을 중심으로-)

  • Song, Yong-Tae
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.12 no.2
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    • pp.675-685
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    • 2011
  • This study notes the impact of technical newness and design newness of new product to adoption process. The author aims to identify how to trigger intention of usage on new products, and test technical newness and design newness of determinants of perceived innovativeness and perceived curiosity and do such constructs that influence intention of usage of consumers as a result of consumer's perception. The main findings are that technical newness and design newness positively influence perceived curiosity, and perceived innovativeness that positively influence intention of usage on the basis of the hypotheses.

Research on the Curriculum for Integration of ICT+Design (ICT+디자인 융합 교육과정 개발연구)

  • Jeong, Sang-Hoon
    • Science of Emotion and Sensibility
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    • v.20 no.1
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    • pp.105-114
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    • 2017
  • Nowadays, novel and innovative technology including 3D printers, internet of things (IoT), and wearable devices are rapidly emerging. As we must constantly keep up with the most recent trends, words like convergence, multidisciplinarity, and design revolution indeed define society today. Due to the expansion of such diverse technological, industrial, and academic convergence trends, the role of design is becoming evermore essential in development of products as well as creative services. Even the government is pushing towards a 'creative economy' by encouraging ICT convergence to create novel industries as well as advanced jobs. In order to adapt flexibly to such changes in global trends, a solid academic curriculum centered around 'ICT+Design' must be developed. In the current research, we analyzed various literature and benchmarked the major universities both domestic and foreign. Also we utilized a survey-based approach against subjects who are experts or design specialists working in environments related to industry and research. In our proposed integrated ICT+Design educational curriculum, students familiarize themselves with design perspectives and methodology to creatively carry out the course. Moreover, experts from design and ICT came together in an act of 'Radical Collaboration' in which they shared their unique 'Design Thinking' in order to promote understanding and cooperation. Furthermore, industry experts have also taken part as mentors in order to create a workplace-oriented course with various integrated projects. Most importantly, the course was designed so that in addition to research, students can really get hands-on with their ideas in the creativity-integrated workplace.

A Study on Needs for Information Design Development of Civil Affair Registration Form Design by User-Experience-Perspective (Focusing on Birth Registration Form) (사용자경험 관점으로 분석한 문서양식 정보디자인의 개선점 연구: 지류 출생신고서를 중심으로)

  • Kim, Jhonghee
    • Journal of Digital Convergence
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    • v.20 no.3
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    • pp.447-457
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    • 2022
  • Form design for information registration should consider and classify various possible cases and each user case and reflect it in the design. In this paper, I analyzed the visual and emotional factors of information design that elicit positive emotions from the user experience point of view, focusing on the birth certificate of among other public documents issued by the government. In order to derive problems and supplements from the user's overall writing experience point of view, Keller's Motivational Behavior Construction Model was used. The process of writing the birth registration form creates recognition, reasoning, relationship, establishment, achievement, expectation. In order to more actively draw an emotional point of view, it is essential to set of information and to materialize the information experience. It is hoped that this will be a good guideline in the process of presenting a new perspective on information design and improving the experience.

기고_편집의 이해 III - 인쇄 관련업계 종사자를 위한 편집의 이해

  • Kim, Ho-Mun
    • 프린팅코리아
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    • v.9 no.5
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    • pp.122-125
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    • 2010
  • 인쇄라는 과정은 다양한 분야로 구성되어 있으며 서로 다른 분야에서 어떤 작업이 이루어지는지 모르는 경우가 대부분이다. 가장 보편적인 출판을 위한 종이 인쇄 과정은 크게 디자인(Design), 프리프레스(Prepress), 프레스(Press), 포스트프레스(Postpress)로 구분할 수 있다. 편집은 디자인 분야에 해당하며 인쇄될 내용(Content)을 만들어 가는 작업에 속한다.

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기고_김문호의 편집의 이해 II - 인쇄 관련업계 종사자를 위한 편집의 이해

  • Kim, Ho-Mun
    • 프린팅코리아
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    • v.9 no.4
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    • pp.106-109
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    • 2010
  • 인쇄라는 과정은 다양한 분야로 구성되어 있으며 서로 다른 분야에서 어떤 작업이 이루어지는지 모르는 경우가 대부분이다. 가장 보편적인 출판을 위한 종이 인쇄 과정은 크게 디자인(Design), 프리프레스(Prepress), 프레스(Press), 포스트프레스(Postpress)로 구분할 수 있다. 편집은 디자인 분야에 해당하며 인쇄될 내용(Content)을 만들어 가는 작업에 속한다.

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A Study on the Fundamental Course of Multimedia Design (멀티미디어 디자인 교육의 기초 과정에 대한 연구)

  • 이지수
    • Archives of design research
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    • v.15 no.4
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    • pp.223-230
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    • 2002
  • As evolution of multimedia technology brings changes to industries concerned with design, new education program is needed to cultivate designers with abilities which are adapted to changed circumstance. This paper is purposed to show guideline to set up a fundamental course for multimedia design in which students know what are new presentation modes and learn how to use them, Multimedia design call for abilities of organizing information, representing, and implementing interactivity. Among them, fundamental course considers representing information as central subject. And it also contains lessons which are relative to proceeding courses. It should have students to experience creative composition and various expressions, and study cognitive or aesthetic effects of them. All activities are based on the understanding about presentation factors and principles. Basic course's lessons are composed by two main subjects, which are essential expression and matters relative to organization and interactivity. Described in detail, lessons are divided into three phases. First phase is combining presentation factors for affective effects, second is delivering message of various knowledges and third is forming simple interaction.

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Creativity Development and Design in Digital Era (디지털 시대의 창조성 개발과 디자인)

  • Rhi, Joo-Myung
    • Archives of design research
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    • v.18 no.2 s.60
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    • pp.265-272
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    • 2005
  • In Korean language, 'changeu'(originality) and 'changjo'(creativity) has been used as almost same meaning, because these have similar pronunciation. However, originality means idea and creativity means process. The former is based on intuition, and the latter is on both of logic and intuition. Intuition process is not perceived very well, but logic has very clear one. We can find the due for that creating something is not difficult too much anymore, because the process is identified. The creation process is a problem solving process and it has the design on its center. Designer study the problem solving process and learn how to solve the problem with many cases on its studio class. Then we can call them as a creator. The meaning of design that it is a styling is very usual in Korean public and even designers. However, it will be not valid anymore in the upcoming digital age, which reproduction is possible with a little restriction. Design should be back as an original methodology for creation with the designer's own capability such as conception, intermediation, and visualization.

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A Method of User-Friendly Design Fiction Applying Affordances (어포던스를 활용한 사용자 친화적 디자인 픽션 방법론)

  • Lee, Ji-Hye
    • The Journal of the Korea Contents Association
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    • v.21 no.1
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    • pp.129-138
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    • 2021
  • This study suggests user-friendly design fiction method applying user-centered design process. Design fiction is a method that predicts futures from design perspective with critical discourses and physical representation. It has been regarded importantly in HCI and interaction design realms as aesthetical and experiential approaches, yet not firmly established. Especially, it has not been considered from user-centered perspective which considers users and related problems. Anticipatory design based on current problems which predicts futures and defines design-oriented scenario is becoming significant. Therefore, this study regards design fiction method in relation to prior design also should consider user-centered perspective, not just experimental approaches. In this regards, this study tries to apply user-centered process, specifically affordances which lead more intuitive and direct impact on users into conventional design fiction process. This study led junior students in visual communication major into design fiction process with specific topics and the Design with Intent Toolkit amongst practices of creating affordances so as to develop new design fiction process with its diverse outcomes. Throughout the process, this study aims to suggest alternative user-friendly design fiction method beyond its critical and experiential approaches.