• 복식
• /
• 제54권7호
• /
• pp.135-150
• /
• 2004

The purpose of this research was intended to investigate drag queens' and drag kings' gender identity not only as a comic and desexualized drag borrowing external characteristics of the opposite sex but also as the subject visualizing and performing' the third sex'. It also aimed to examine formative aesthetic characteristics and aesthetical value of drag queen's and drag king's fashion and to confirm the functions of drag queen's and drag kins's fashion to establish, visualize and Perform the discordant sex. For this process, research steps were as follows : 1. Understanding drag, drag queen and drag king in social, psychological context as well as in gender context. 2. Finding visualized forms which drag performance interchange with mass media 3. Analyzing similarities and differences between drag queen's fashion and drag king's fashion. 4. Examining the aesthetical characteristics and the value of drag queen's and drag king's fashion. The results of characteristics of drag queen's fashion could be categorized into stereotype, mimicry, kitch, inconsistency and commercialism. And the characteristics of drag king's fashion could be divided into reality, self-consciousness, mimicry, inconsistency, subversion and multiplicity. Drag queens create plausible impressions of feminity through the use of wigs, dresses, jewelry, makeup, hormones and through &role Playing&. Similarly drag kings produce a plausible masculinity taking gay male aesthetic using suits, crotch stuffers, facial hair, and greased hair. Male and female impersonation produce very different notions of gender performance for male and female embodiment. Drag kings' performance of masculinity demands authentic property of bodies so rather nonperformative, while drag queens' performance of femininity depends on more visible and theatrical fashion.

• 한국기계가공학회지
• /
• 제9권2호
• /
• pp.12-19
• /
• 2010

The characteristics of the torsional systems are generally examined with the nonlinearities such as the several staged clutch damper springs, gear backlashes and drag torques. Generally speaking, the system's characteristics can be found out by the eigensolutions which can show the system natural frequencies and the mode shapes. However, these factors can not give the complete solutions to avoid the noise and vibration problems related to the nonlinear effects. Therefore, several assumptions should be made for solving the real physical system problems under the linear analysis which can reflect the nonlinear effects in the torsional system. This means that the several modified linear factors such as the modified clutch damper spring constants can be used to examine and avoid the natural frequency zones related to the noise and vibration problems. Under the linear analysis with the assumed and modified values, the system can be investigated with the more reliable ways for the realistic phenomena.

• 대한가정학회지
• /
• 제40권6호
• /
• pp.21-37
• /
• 2002

The third sex implying a mismatch between sex and gender has been regarded as an extreme socio-cultural violation. In its earlier version, such a violation was expressed by cross-dressing; Women's cross-dressing was thought to invoke eroticism, while men's cross-dressing was considered comic or delinquent. However, as feminism developed more with the homosexual identity expressed openly, the third sex began to be visual. Thus, in 1990's, some homosexual monies began to develop to be pluralized enough to suggest the third sex and thereby, change the negative sex into a positive one. In this study, such a pluralization is discussed in terms of invisibility, dichotomy and androgyny. The cross-dressing movies show females in male attire or males in female attire to reflect the third sex. The cross-dressing may be divided into men's playful cross-dressing, women's political cross-dressing and homosexuals'cross-dressing or 'drag'. Gender identity is not an attribute fixed by some physical characteristics, but it tends to be changed or expanded by some social factors over time. In short, it may be a flexible, plural, individual and self-introspective attribute. Movies present diverse types of gender identities, and in particular, the movie costumes specify them. In other words, the costumes may be model means expressing the gender identities, and the gender identities shown in the movies tend to be imitated, re-created or assumed by the audience.

• 한국산학기술학회논문지
• /
• 제22권3호
• /
• pp.13-19
• /
• 2021

n형 SiC 반도체에서 적층 결함이 열전 물성에 미치는 영향에 대해 연구하였다. ��-SiC 분말 성형체를 질소 분위기에서 1600~2100 ℃, 20~120분간 열처리해서 30~42 %의 기공률을 갖는 다공질 SiC 반도체를 제작하였다. X선 회절 분석으로 적층 결함량, 격자 스트레인 및 격자 상수를 산출하였고, 미세 구조 분석을 위해서 기공률 및 비표면적 측정과 함께, 주사 전자현미경 (SEM), 투과 전자현미경 (TEM) 및 고분해능 전자현미경 (HREM) 등을 관찰하였다. Ar 분위기 550~900 ℃에서 도전율과 Seebeck 계수를 측정 및 산출하였다. 열처리 온도가 높을수록, 처리 시간이 길어질수록 캐리어 농도 증가 및 입자와 입자간의 연결성 향상에 의해 도전율이 향상되었다. 도너로 작용하는 질소의 고용으로 Seebeck 계수는 음(-)의 값을 나타내었고, 도전율과 마찬가지로 열처리 온도 및 시간이 상승함에 따라 Seebeck 계수의 절대 값이 증가하였다. 이는 적층 결함의 감소, 즉 입자 및 결정 성장과 함께 적층 결함 밀도의 감소에 의해 포논의 평균 자유 행정이 증가해서 결과적으로 포논-드랙 효과에 의한 Seebeck 계수의 향상으로 나타난 것으로 판단된다.