• Journal of Digital Convergence
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• v.11 no.2
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• pp.391-396
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• 2013

As recently highlighted the importance of relationships between people and products, and is a pure functional sensibility in pursuit of the trend. Sensibility factor is an important part in the process of looking to purchase consumer products that suit your sensibilities. The purpose of this study is to look at the possibility of seeing the role and future of the industry to diversify the culture of the ceramic ornaments design sensibility that purpose. Variety of emotional design ceramic ornaments and cultural industries to identify market design induced by craft as cultural products that can stand up to the global process development. Ceramic ornaments of historical, cultural, design, value can be utilized in a variety of cultural industries to offer emotional design ceramic ornaments, ceramic ornaments product design to contribute to the development plan for the purpose.

• Ceramist
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• v.19 no.2
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• pp.23-29
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• 2016

• Ceramist
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• v.19 no.2
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• pp.30-34
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• 2016

• Proceedings of the Korea Society of Design Studies Conference
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• 2003.11a
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• pp.116-117
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• 2003

• The Journal of the Korea Contents Association
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• v.11 no.3
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• pp.211-219
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• 2011

The illumination has a meaning of making surroundings brighter. Also, the illumination is a piece of equipment designed to decorate interior space. But the cover materials and designs of the lamp are not variously, in comparison with those of advanced nations. Consequently, this research introduces new styles of the indirect ceramic lamp. The soil is used for making covers of lamps to differ from existing similar lamps. Also, designs of traditional Korean image are used in the part of the cover. The structural part of new illuminating system will be introduced as well. The ceramic lamp with high quality will help to develop a new interior product and it will suffice the demand class who prefers quality goods. With the ceramic covered lamps, the growth of ceramic industrial development will be expected.

• NEWSLETTER 전기공업
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• no.93-17 s.90
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• pp.19-35
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• 1993

• Archives of design research
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• v.14 no.4
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• pp.157-165
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• 2001

The method to make ceramic pigments for 4 colour instead of ink in the process of the of set-printing and put them on the decal paper in the ceramic industry has been used to produce complicated images such as photographs or famous masterpieces. Offset-printing which is the production method for mass production, had enough worth to suffer the past high price of the production line. But today it is not suitable for the production method of small quantity and many kinds corresponding to needs for the various tastes and designs of consumers. Therefore I will put 4 colour printing method on the silkscreen, handiwork, suitable for the production method for small quantities and many variations to develop the methods that permit to cost effectively reproduce complex, high resolution, multicolor images. The study is expected to give value to ceramists who do various works and to be offered as the foundation in the field of design and expression.

• Proceedings of the Korea Contents Association Conference
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• 2013.05a
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• pp.311-312
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• 2013

산업혁명이 발달 이래 기계화, 산업화, 도시화가 계속됨에 따라 인간의 주거 환경은 획일화된 도시 공간, 환경파괴와 오염 등으로 쾌적함을 상실하게 되었다. 특히 근대에 이르러서는 합리성이나 효율성만을 앞세운 도시계획에 의해 인간은 도시환경에서는 물론 인간들 사이에서도 소외감을 느끼는 환경에 처하게 되었다. 자연친화적인 소재인 흙을 통한 자유로운 조형적 표현과 인간의 생화 속에서 기능적인 면에 도움을 준다는 도자 조형물은 도시환경개선과 도시문화 창출을 위해 그 영역을 확장할 수 있다.

• Journal of the Korea Convergence Society
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• v.12 no.3
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• pp.141-149
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• 2021

3D printers, which emerged in the late 20th century, have become a key part of the fourth industrial revolution in the 21st century. Although 3D printers, the key equipment of the maker movement and the starting point of the new cottage industry in the 21st century, still reveal the limitations of mass production with low output speed and limited filament materials, the use of 3D printers by ceramic craftsmen has recently increased exponentially. However, as part of a way to overcome the discord between craftsmanship and the new technology, which has been repeated over and over in the past in craft history, the study focused on the 'plaster mold casting' technique using 3D printers. Therefore, after analyzing casting techniques of Tony Hansen, Webe van Gansbeck, Jade Crompton, and Ryu Hee-do, the potters who actively developed gypsum techniques in the world's ceramic crafts field and applied them to their own designs, I tried to find the point of convergence between 3D printers and ceramic crafts by presenting examples of effective 3D modeling methods and optimal slip casting methods using 3D printers.

• The Journal of the Korea Contents Association
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• v.18 no.5
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• pp.472-481
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• 2018

The main point of this paper is to examine the composition of interior space of the residence centered on carved ceramic candlestick with the motive of Yeonga. And with the Yeonga candlestick developed using that, the application of space convergence in the interior design is researched. As the industry develops, pleasant and comfortable living environment draws attention in choosing residence with the psychology to engage nature into the house working. It is anticipated that the Yeonga candlestick interior accessories will be used to smoothly connect floor, wall and ceiling. As the shape of Yeonga includes the aura of the luminaire, the design element of Yeonga is researched through it. These sources are applied to the carved candlestick to investigate their application as indoor lighting. It is also a major viewpoint to develop this as a ceramic product and actively utilize it as a necessary interior item in daily life.