• Title/Summary/Keyword: 눈썹화장

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Characteristics on the forms of the Eye Brow over the Ages - Focusing on the western women - (서구 여성의 시대적 변천에 따른 눈썹형태의 특징)

  • Lee Sang-Eun;Shin Ji-Hyun
    • Journal of the Korea Fashion and Costume Design Association
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    • v.7 no.1
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    • pp.77-84
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    • 2005
  • The purpose of this study is to know on the changes characteristics of eye brow forms of the wester women. A facial image which people recognize contents on changes of image according to various eye brow changes on the face. Various changes of image were seen by length, angle and thickness of eye brow types. The ancient Egyptians used antimony powder to blacken their brows huge black lines. In medieval times, women shaved both their eye brows and their hairlines to give a pure look. The early nineteenth century, brows were untweezed and natural. In the 1920s, when women started paying attention to their faces and their freedom, brows were tweezed, narrowed. In the 1930s, the idealized faces of Jean Harlow, Marlene Dietrich and Greta Garbo - narrow tracery of drawn on brows. The eyebrows is filled various shape of the 1950s. In the 1970s, the Disco Decade of Dreadful tastes, women were at their tweezers again, manicuring their brows. Brooke Shields's natural-looking brow would be an example of the 1980s. In the 1990s, the eyebrow designed by superstar makeup artists who determined the look of fashion model and screen star.

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The Influence of the Eyebrow Make-up on Facial Image (눈썹화장이 얼굴이미지에 미치는 영향)

  • Gang, Eun-Ju
    • Journal of the Korean Society of Fashion and Beauty
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    • v.3 no.2 s.2
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    • pp.31-38
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    • 2005
  • Make-up changes facial images. In particular, eyebrow make-up is a part of changing expression most easily and effectively. While color make-up is helpful to produce women's desired image with their favorite colors, eyebrow make-up is hidden actor to give a clear impression to others. Therefore, this study connected facial type which is an important factor deciding facial image with eyebrow, examined image of eyebrow make-up and that changed by facial types and aimed to be helpful in producing more effective facial image with eyebrow make-up considering one's facial type. Consequently, it was found that eyebrow make-up was a great factor in making better facial impression and image and complementing the weakness of facial type. h strong impression of facial type can be changed into soft shape or foolish shape in worse case depending on the types of eyebrow make-up. Eyebrow make-up shows charming image as angle of eyebrow is steep, heavy image as eyebrow is horizontal, cold image as eyebrow tail rises and simple and dull image as it lowers. Therefore, it is known that image of eyebrow make-up can be governed by several factors including angle and direction of eyebrow. Consequently, it is thought that most effective eyebrow make-up considers individual facial types, images of their eyes, noses and mouths and factors deciding angle, direction and colors of eyebrow.

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A Virtual Makeup Program Using Facial Feature Area Extraction Based on Active Shape Model and Modified Alpha Blending (ASM 기반의 얼굴 특징 영역 추출 및 변형된 알파 블렌딩을 이용한 가상 메이크업 프로그램)

  • Koo, Ja-Myoung;Cho, Tai-Hoon
    • Journal of the Korea Institute of Information and Communication Engineering
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    • v.14 no.8
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    • pp.1827-1835
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    • 2010
  • In this paper, facial feature areas in user picture are created by facial feature points extracted by ASM(Active Shape Model). In a existing virtual make-up application, users manually select a few features that are exactly. Users are uncomfortable with this method. We propose a virtual makeup application using ASM that does not require user input. In order to express a natural makeup, the modified alpha blendings for each cosmetic are used to blend skin color with cosmetic color. The Virtual makeup application was implemented to apply Foundation, Blush, Lip Stick, Lip Liner, Eye Pencil, Eye Liner and Eye Shadow.

Study of Sibmi-yo(十味謠 ; 10 eyebrow poetry) image of Gyuhab-chongseo(閨閤叢書) (규합총서(閨閤叢書)의 십미요(十味謠) 이미지 연구)

  • Barng, Kee-Jung
    • Asia-pacific Journal of Multimedia Services Convergent with Art, Humanities, and Sociology
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    • v.8 no.7
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    • pp.719-728
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    • 2018
  • Each country has its preferred image and how to convey it effectively. The study aims to find traditional Korean makeup methods and ways to effectively convey a preferred image. Among the ancient manuscripts of Joseon Dynasty, the book " Galgap Collection " has ten ancestors who express their favorite eyebrows in the form of a grandfather. In this study, we applied tens of thousands of words to the actual model to solve the problem and make up the methods of literature, the Internet, and example. The model stimuli were measured by conducting a street experiment of 10 makeup experts and 70 men and women's blinds. The result was that the " Gaewon- .aemi " type seemed to be the best, attractive and most consistent with the shape of the thinking eyebrows and the current fashion of eyebrows. In a variety of nonverbal ways expressed in the classics, the study looked at ways to use visual poetry to communicate effectively. This research will help transform design ideas and help understand cultural trends of different times.

A Comparative Study of The Movie Farewell My Concubine and Miss Korea Elected in 1989 in The Makeup Image (메이크업 이미지에 나타난 영화 패왕별희(覇王別姬)와 1989년 미스코리아 당선자의 비교에 관한 연구)

  • Park, Jang-Soon
    • Journal of Industrial Convergence
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    • v.18 no.3
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    • pp.27-34
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    • 2020
  • For modern people living in the era of the 4th Industrial Revolution, appearance management and consumption behavior are very important factors not only in personal values but also in human relationships. It is used as an important means of competitiveness with skin beauty and fashion. It is used as an important means. Therefore, we compared and analyzed professionally from the aesthetic point of view about the makeup of the eyebrows, eyes, eye line, cheeks, lip make-up, and skin tone of Woohee, who appeared in the movie and Miss Korea in 1989. As a result of the study, other aspects were analyzed in the common denominator of a somewhat exaggerated makeup technique. Accordingly, through this study, it is possible to explore multiple angles for developing novel makeup patterns and items, and at the same time, it will help to establish a foundation for makeup beauty education. In addition, this study intends to contribute to the practical development with competitiveness by building a more aggressive marketing strategy in the makeup market.

Influence of Correction Makeup on physiognomic Images (수정 메이크업이 인상학적 이미지에 미치는 영향)

  • Lee, Kang-Mi;Kim, Ju-Seub
    • Journal of the Korean Society of Fashion and Beauty
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    • v.4 no.1 s.7
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    • pp.19-27
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    • 2006
  • This study aims to analyze e potential and practical influences of physiognomic correction makeup that may change personal impression on faces, especially general physiognomy including eyebrow, cheek bones, lips. To meet this goal, this study looked into various literature materials on the basic concept and principles of physiognomy. With a series of photos showing 3 steps of makeup, i.e. a face before makeup, a face after general self-makeup and a face after makeup modified in physiognomic manner, a questionnaire survey was applied to the subjects. The results of survey can be outlined as follows It was found that physiognomic correction makeup could change various disadvantageous impressions into positive direction, impression of persons with thin eye brow looking like those with neither brightness nor deserving of any help from others, impression of persons with high cheek bones looking like the strong and masculine, impression of persons with small lips looking like the narrow-minded. Furthermore, physiognomic makeup changed positively changing the impression of persons with round chin looking like the ordinary than before.

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唐诗中的唐人服饰

  • 杨忠
    • Journal of the Daesoon Academy of Sciences
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    • v.16
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    • pp.217-226
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    • 2003
  • 당시(唐詩)에는 당나라 사람들의 생활상이 많이 반영되고 있으며, 이러한 기록들은 많은 부분에 있어서 역사서적의 내용과 일치하기도 한다. 그러므로 우리는 당시를 통하여 당나라의 제도 뿐만 아니라 당나라 사람들의 생활도 광범위하게 이해할 수 있다. 본 고에서 우리는 당시에서 언급되고 있는 당나라 사람들의 복식에 있어서 몇 가지 문제들을 간략히 서술하기로 한다. 당대 초기에는 수나라 복제를 따랐으나, 태종(太宗)과 고종(高宗)을 거치면서 품급에 따라 복색을 구체적으로 구분하였으며, 여자들도 남편의 복색을 따랐다. 황색을 황제의 복색으로 한 것은 고종 총장 원년(668)에 시작되었다. 고종 상원(上元) 원년(674)에는 또 관원의 품급에 따라 색깔의 짙고 옅음을 엄격히 구분하였을 뿐만 아니라 요대의 장식물 재료에도 상세한 규정을 함으로써 신분의 차이를 더욱 구체적으로 구분하였다. 관복의 색깔로 등급의 차이를 구별한 외에도 5품 이상의 관원에게는 어부(魚符)를 담는 어대(魚袋)를 차고 다니게 함으로써 귀천을 분별하였고, 조정의 부름에 응하는 부신(符信)으로 삼았다. 어부는 물고기 모양으로 관등에 따라 금(金)·은(銀)·동(銅)으로 만들어 몸에 지니고 다녔다. 관원들은 갓의 모양으로도 귀천을 구분하였다. 귀족을 갓을 썼으나 평민은 쓰지 못하였고, 문관과 무관도 갓을 각기 달리하였다. 당시에는 또 여자들의 복식과 관련한 묘사도 상당히 보인다. 당나라 때의 여자들은 한(漢)나라 진(晋)나라 때와 마찬가지로 일반적으로 윗옷과 치마를 입었다. 치마는 가슴에서 동여매었고, 그 길이도 매우 길어 땅에 3촌(寸)까지 끌렸다. 여자들은 대개 상의(上衣) 밖에 이른바 반비(半臂)라는 반소매의 옷을 입었다. 본래는 궁녀들이 일하기 편리한 복장으로 입었는데, 후에 점차 여자들의 평상복이 되었다. 여자들의 눈썹과 머리형에 관해서도 당시에는 많이 묘사되고 있다. 여자들의 머리장식과 화장 그리고 몸의 각종 장식구에 대해서도 당시에는 상당히 언급되고 있다. 당나라 여자들의 복식에 있어서 가장 큰 특징은 국내 소수민족 및 외국의 복식에 영향을 받아 "호복(胡服)"을 즐겨 입었다는 점이다. 이른바 "호복"은 서역만을 가리키는 것이 아니라 주변국들의 복장도 가리킨다. 여자들이 쓰는 모자와 신발에도 많은 변화가 생겼다. 당나라 중원지역에는 "만화(蠻靴)"를 신는 여자들이 생겨났으며, 이것은 호복의 하나로 호화(胡靴)라고 칭하기도 하였다. 여자들의 미와 상대적인 자유에 대한 추구는 당시에 강렬히 나타나고 있으며, 이것은 당나라 여자들의 사상이 점차로 개방화되고 있음을 시사해 준다. 이러한 개방의 과정은 당나라 사회의 개방과 사상문화의 교류·진보와 밀접히 관련하는 것이다. 그래서 당나라 사람들의 복식에 대한 당시의 묘사는 우리가 당나라 사회와 사람들의 생활을 이해하는데 중요한 단서가 되고 있다고 말할 수 있다.

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