• 한국융합학회논문지
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• 제11권7호
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• pp.73-78
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• 2020

현대 건축과 디자인은 확장적 사고로 타 장르와 융합하는 실험을 보여주고 있다. 본 연구는 건축의 비물질화와 비가시화 표현 수단으로서 그래픽 외피의 활용을 제안하는 데 의의를 둔다. '보이지 않는 건축'을 실현하는 방법은 크게 빛을 조작하는 소재를 이용하는 방법과 눈속임 기법을 바탕으로 하는 그래픽 접근으로 나눌 수 있다. 그중 서울광장 특설무대의 사례는 슈퍼그래픽을 활용해 건축물을 가볍고 투명하게 표현하고, 주변 환경에 방해되는 요소를 시야에서 사라지게 하는 방법을 보여준다. 장식의 수단을 넘어 효과적인 위장(僞裝) 기술로서 슈퍼그래픽 외피가 '보이지 않는 건축'의 시대의 유력한 표현 수단으로 활용되기를 기대한다.

• 대한한약신문
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• 통권121호
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• pp.1-8
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• 2007

국세청, 7월부터 현금거래 신고.확인제 시행/수입한약재 정밀검사품목 90품목 추가/제63차 한약수급조절위원회 회의/서울약령시 한의약문화축제 성황리 폐막/'녹용없는 녹용탕' 유명 프랜차이즈 한의원 '눈속임'/'한약재 포제품' 제법.규격 표준화 추진/세명대, '한방바이오산업 임상지원센터' 설치사업 확정/안궁우황환 사건 관련 한조약 VS 한의협 주장 엇갈려/국내 우수한약제품 해외시장 진출 본격화/"맥문동.시호.황금.백수오 개방 유예"/희귀난치성질환 정보 이용 접근 더 쉬워져/커피, 간암 예방 효과 있어 하루 2잔 이상, 간암 위험 43% 감소/고려 홍삼 중국 진출 '청신호'/아토피 피부염 한약치료 임상시험자 모집/한의약 R&D투자, 과기 전체의 0.13%/생약협 '함양 하고초 마을 약초기행' 실시/중국, 중의약 규범 국제표준화 추진/동의의료원, 양한방협진 강화/'양.한방 협진의 미래 지향적 접근' 세미나/비증 이야기/명칭이 비슷하여 감별하기 어려운 한약재/지부탐방-지부장에게 듣는다/우리 약초를 찾아서-황기

• 한국산학기술학회논문지
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• 제12권4호
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• pp.1740-1748
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• 2011

본 연구는 장기간의 고빈도 경피신경전기자극이 뇌졸중 환자의 하지 경직 및 균형 개선에 미치는 효과를 알아보고자 하였다. 하지에 경직이 유발된 26명의 대상자를 기본적인 재활을 수행하는 상태에서 무작위로 TENS군(14명)과 속임 TENS군(12명)으로 배정하였다. 경피신경전기자극은 4주간 주 5회, 1회당 30분씩 경직이 유발된 양측 비복근에 적용하였다. MAS와 도수근력계를 이용하여 발목 족저굴곡근의 경직을 측정하였다. 균형의 측정은 힘판을 이용하여 세 가지 자세(눈을 뜬 상태의 기립자세, 눈을 감은 상태의 기립자세, 불안정한 면에서 눈을 뜬 상태의 기립자세)에서 누적된 자세동요의 이동거리를 측정하였다. 4 주간의 치료 후 양측 군 모두 경직과 균형의 유의한 개선을 나타냈다(p<.05). 특히, TENS군은 속임 TENS군에 비하여 경직의 유의한 감소를 나타냈다(p<.05). 따라서 장기간 고빈도 경피신경전기자극은 뇌졸중 환자의 경직 감소와 균형 개선에 더욱 효과적인 중재 방법으로 사용될 수 있을 것으로 사료된다.

• 한국의류학회지
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• 제34권4호
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• pp.597-605
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• 2010

This study is about the expression types and characteristics of Trompe l'oeil in modern fashion. The study defines the concept of Trompe l'oeil, examines the Trompe l'oeil in the surrealist works from which the Trompe l'oeil derives from, and analyzes the works that have emerged since 2000. The study used a collection of magazines such as Vogue, Gap, Fashion News, and the Internet. According to the findings, the expression types of Trompe l'oeil in modern fashion were seen in the human body, the wearing style, the details, and accessory effects of clothes. The modern fashion design using the Trompe l'oeil based on such external expressions was characterized by the following: first, the fashion design destroyed the concept of common sense and expressed the purity of the human spirit by revealing the human body hidden in clothes from the combination of clothes and the human body with surrealism. Second, the details or accessories of clothes were printed or painted as if they existed. Pleasure was expressed by applying Trompe l'oeil to the wearing methods and forms of clothes through the optical illusion of materials or colors. Third, the effects of an optical illusion were displayed by transforming and distorting the wearing style and reversing the front, back, exterior and interior of clothes; this optical illusion characterized the deconstruction expressed through the transformation of ideas.

• 복식
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• 제60권3호
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• pp.110-122
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• 2010

The purpose of this study is to analyze the expressional traits and internal meanings of fake design in the 2000s' fashion, based on study of art and design area. For achieving the purpose, this study performed related research works and a demonstrative analysis of fashion collection photographs. The scope of this study is from 2000 to 2009. The results are as follows. Fake design uses trompe-l'oeil which is an art technique related to the meanings of 'deceive or fool the eye'. This eye-deceiving technique has been used for a long time in the art, and particularly noticed as one of techniques of Surrealism. Art works using trompe-l'oeil express familiar and unreasonable world at the same time, and also the fusion of reality and fabrication. Fake design in design area of the 2000s makes people take daily life in unfamiliar way by unusualness and breaking the boundary between real and fake. By fake design, people can enjoy fun and a sense of freedom with amusement rather than unpleasant of being deceived. Fake design in the fashion of the 2000s uses eye-deceiving technique and also focuses on the concept of 'fake'. The expressional traits were categorized as realistic expression, surrealistic expression and fake value expression. The internal meanings were analyzed as breaking boundary between real and fake, rediscover dailiness, new attitude to traditional thinking. In conclusion, fake design in the fashion of the 2000s gives playfulness, fun, feeling of release and will be pursued continually.

• 대한건축학회논문집:계획계
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• 제35권8호
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• pp.81-88
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• 2019

Although small but eye-catching outdoor constructions are generally called follies in contemporary architecture, French landscape researchers found different features of the fabrique, which they called separately from the folly. Unlike the 18th-century English gardens, in which the landscape itself was emphasized more than decorative structures in it, French fabriques actively made the atmosphere of picturesque gardens. In this background, this paper, from the architectural point of view, studied the 18th-century garden theories in both Britain and France, which might influence the formation of the fabrique. Then, it tried to analyze the features of French major picturesque gardens and their fabriques, relating them to painting, drama, and culture. In conclusion, this study, focusing on the relationship between the garden and its fabriques or follies, compared the different features between the English landscape gardens and the French picturesque ones in the 18th century.

• 복식
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• 제52권4호
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• pp.155-171
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• 2002

Trompe-1’oeil technique strategically conceived with a view to effectively realize creative ideas among the expression techniques of fine arts style has provided the driving force in development of fine arts and has continuously influenced development of the modern fashion pursuing unique individuality. The purpose of this study is to open a new horizon for the development of fashion as a practical art, and to seek the expansion of the creative domain and ultimately to contribute to the creation of original and creative fashion by examining the interrelationship between Trompe-1’oeil, which has long been utilized and positioned as one of the leading fine arts techniques with the advent of surrealism in the beginning of the 20th century and the modern fashion. The study is focused first on finding out how Trompe-1’oeil technique originated in connection with researching the fashion of Trompe-1’oeil and on analysing the techniques of expression, and then on investigating into Elsa Schiaparelli, pioneer of Trompe-1’oeil technique to identify her influences, and finally on classifying clothes employing Trompe-1’oeil technique by their expression method to examine how Trompe-1’oeil technique has been applied to modern clothes. As for the research method, the researcher has referred to fine arts books, collection of pictorial records and the like to gain conceptual understanding of Trompe-1’oeil and to examine the expression method and the features of Trompe-1’oeil, and collected and referred to fashion books and fashion marazines to understand Elsa Schiaparelli and the expression tendencies of Tromprf-1’oeil in modern fashions. Particularly, the researcher has attempted to search the correlation between modern fashion and Trompe-1’oeil technique. As a result of this research, the researcher has managed to classify Trompe-1’oeil technique expressed in modern fashion into ‘harmony’, ‘application of the human body’, ‘front and back’, ‘surface and inside’. ‘completion of the incomplete’ and ‘detail.’ The researcher has also noted that Elsa Schiaparelli, a surrealist first applied Trompe-1’oeil technique to clothes and confirmed that quite a few avant-garde clothes designers following Elia Schiaparelli, by using Trompe-1’oeil technique in clothes, recently recreate fresh feelings.

• 복식문화연구
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• 제26권5호
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• pp.764-776
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• 2018

The purpose of this study is to serve as a reference for creative fashion design by analyzing the types and aesthetic characteristics of trompe l'oeil in contemporary men's fashion. This research is an empirical study that utilizes both qualitative and quantitative methods to analyze fashion design cases and research articles such as academic papers and professional books. The study covers four major men's collections: Paris, Milan, New York, and London. The period being analyzed is from 2005 Spring/Summer, which is widely regarded as a turning point at which men's collections began rapidly, to 2019 Spring/Summer. The study analyzes 471 photos from domestic and international websites, with the following results. Types of trompe l'oeil in contemporary male fashion are classified into four types: (1) the deconstruction of clothing forms or creation methods, (2) optical illusions that create the effect of multiple layers of clothing on a single article of clothing and the reproduction of apparel details and clothing using 2D printing or embroideries, (3) realistic patterns on garments to create a camouflage effect, and (4) articles of clothing containing body images such as the chest, trunk, or internal human anatomy. These aesthetic characteristics in men's fashion design using types of trompe l'oeil are playful, deconstructive, and decorative features based on hyper-reality. This study aims to acknowledge trompe l'oeil as being widely used in contemporary men's fashion as a type of formative art, playing a crucial role in creative fashion design.

• 복식문화연구
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• 제28권5호
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• pp.573-590
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• 2020

The purpose of this study was to develop contemporary Qipao design that emphasized creative feminine beauty with a unique sense beyond the concept of traditional Qipao design. This would be achieved using the expressive technique of human liberation from the oppression of the unconscious world a supported by surrealism. Using existing literature and previous research, surrealist expression technique used in fashion were investigated and analyzed. The results are as follows. First, the possibility of new and original design beyond existing surrealistic Qipao design was demonstrated through various realistic surrealism expression techniques, such as dépaysement, objet, and trompe-l'œil techniques. This occurred by exploring various unconscious world out of fixed ideas and through expression techniques of surrealistic fashion such as imagery of body parts, metaphorical expression of objects, and position deformation and illusion. Second, Qipao design that combined objet and attempted ordinary escape by combining isolated body parts (such as hands, eyes, and lips) within the composition combine with surrealistic expression enabled various and fun surrealistic fashion designs to emerge. Third, the metaphor of surreal lips and eyes (mainly used in works of this study) presented a unique and extraordinary combination of images in accessories and partial design that used the dépaysement technique. Thus, it was possible to expand surrealistic expression by including LED wire.

• 만화애니메이션 연구
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• 통권30호
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• pp.245-262
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• 2013

영화라는 매체는 크게 내러티브와 스펙터클로 이루어진다. 비슷한 내러티브라도 스펙터클이 달라지거나 혹은 비슷한 스펙터클이라도 내러티브가 달라지면 총체로서의 영화가 관객에게 주는 경험은 완전히 달라진다. 본 논문은 비슷한 내러티브의 영화들이 관객에게 주는 경험의 차이를 논하기 위해 그림 형제의 "백설 공주"이야기에 기반 하여 만들어진 디즈니의 <백설 공주와 일곱 난쟁이>, 타셈 싱의 <거울아 거울아>, 루퍼트 샌더스의 <스노우 화이트 앤 더 헌트맨>, 세 편의 영화들을 내러티브와 스펙터클로 나누어 비교분석하였다. 그 결과 디즈니의 <백설 공주>가 내러티브적인 면과 스펙터클적인 면에서 모두 이후에 만들어진 영화들의 원형으로 작용했다는 사실을 알 수 있었다. 디즈니의 <백설 공주>가 "잠자는 숲 속의 공주" 이야기에서 차용한 키스신이나 백설 공주가 동물들과 교감한다는 설정, 일곱 난쟁이 각각의 이름과 성격묘사 등은 그림 형제의 원작에는 없는 부분인데 이후의 영화들은 모두 이 변화를 채택했다. 특히 <스노우 화이트 앤 더 헌트맨>의 경우 백설 공주의 의상도 디즈니 버전과 흡사하고, 일부 샷들은 설정과 구도까지도 거의 동일하다. 그럼에도 불구하고 이 영화들은 확연하게 다른 스타일의 스펙터클로 자신의 정체성을 보여준다. 디즈니의 <백설 공주>가 이후 많은 영화들의 원형이된 마녀의 전형적인 모습을 보여준다면 <거울아 거울아>는 타셈 싱만이 가능한 눈속임 그림과도 같은 독특한 마법의 세계를 보여주고 있으며 <스노우 화이트 앤 더 헌트맨>는 친숙한 것 사이의 섬뜩함이라는 언캐니의 스펙터클로 관객을 압도한다. 즉 비교적 예측 가능한 단순한 내러티브에도 불구하고 세 영화가 박스 오피스에서 비교적 성공을 거둔 것은 많은 부분 스펙터클의 힘이다.