• Proceedings of the Korea Information Processing Society Conference
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• 2020.05a
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• pp.530-531
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• 2020

최근 인공지능을 활용하여 예술 작품에 몰입할 수 있도록 무대 효과를 디자인하는 연구가 진행되고 있다. 무대 효과 중에서 무대 배경은 공연의 분위기를 형성한다. 춤의 장르별로 무대 배경에 사용되는 이미지를 생성하기 위해 소셜 미디어 기반 무대 배경 생성 시스템이 있다. 하지만 같은 장르 춤은 동일한 무대 배경 이미지가 제공되는 문제가 있다. 같은 장르의 춤이지만 노래의 분위기를 반영하여 차별된 무대 배경 이미지를 제공하는 것이 필요하다. 본 논문은 노래 가사의 감정을 활용하여 Generative Adversarial Network(GAN)을 통해 각 노래의 분위기를 고려한 무대 배경 이미지를 생성하는 방법을 제안한다. GAN은 노래에 포함된 단락별 감정 단어를 추출하여 스타일을 생성하도록 학습된다. 학습된 GAN은 노래 가사에 포함된 감정 단어를 활용하여 곡의 분위기를 반영한 무대 배경 이미지를 생성한다. 노래 가사를 고려하여 무대 배경 이미지를 생성함으로써 곡의 분위기가 고려된 무대 배경 이미지 생성이 가능하다.

• Korean Journal of Heritage: History & Science
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• v.20
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• pp.239-278
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• 1987

보성군에서 수집한 민요들의 의식·노동·유희요(謠) 별(別)로 정리하였다. 의식요(儀式謠)로는 걸메당·상여·독경(讀經)소리가 실렸다. 전래(傳來) 혼인식(式)에 있어서의 가마소리인 걸메당소리는 전국의 몇 곳에서만이 가창자가 남아 있는 희요(稀謠)이다. 상여소리(처음에 운구 들어 울릴때의 긴소리, 길 갈 때의 가난보살과 어가리넘자, 비탈길 오를 때의 나무아미타불, 달구소리)는 전남지방에 널리 전파되어 있는 것과 동계(同系)이다. 노동요(謠)는 주로 농요(農謠)<광의(廣義)>가 수집되었다. 소동패전갈을 수록하였다. 모심기곡(曲)은 공(共)히 일반 농부가 쪼임에 비하여 모찌기와 논매기곡(曲)(<표2>참조)은 다양성을 띄웠다. 산아지로고나곡(曲)은 전(全) 면(面)에 두루 퍼져 있으며 논맬 때, 장원질소리, 소동패노래에도 쓰인다. 산떨이(올라간다)는 고흥군의 것과 같다. 터 다지는 노래로는 얼럴럴 상사도야를, 상량노래로는 어유아 상량이야를 부른다. 줄메고 나가는 노래의 받음구는 위야허허 또는 상사뒤여뒤여(회촌면)이다. 유희요(謠)는 남사당의 덜미 (꼭두각시극)노래인 떼루와 제나난실을 싣고 그 위에 치마·줌치·사위·강도령·이노래 등을 실었다.

• Journal of Music and Human Behavior
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• v.7 no.1
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• pp.61-77
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• 2010

As a means to support maternal transition, a home-based music intervention was employed to facilitate mothers' singing to their infants. Four mothers were recruited as volunteers for this study their typically developing infants ranged in age from 2 months to 11 months. Interviews were conducted after the completion of the intervention. An educational music intervention was used to introduce the benefits of mothers' singing to their infants and to encourage four mothers to perform regular singing to their infants for the two-week period. In the interview, mothers provided valuable information regarding their personal experiences, thoughts, abilities to carry out the daily singing, and additional support needs in singing. All mothers demonstrated positive experiences and needs for future intervention development. Overall, the results showed that music-involved educational intervention is beneficial for mothers to support their maternal transition. The need emerged for future studies to develop music-involved educational intervention to support maternal transition.

• Korean Journal of Fisheries and Aquatic Sciences
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• v.19 no.5
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• pp.411-422
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• 1986

Diets of the rock trout, Agrammus agrammus, in the shore area of Tongbaeksom, Pusan over the period of July 1981 to June 1982 were studied. Specimens were sampled by angling. Stomach analysis showed that the rock trout fed mainly on epibenthic food in the littoral zone along the coast of Tongbaeksom. The food organisms of the enviornment were studied by means of underwater sampling around the angling area for this study. Although the food items of the fish changed slightly with season and age-group, main food items were Amphipoda (Gammaridae, Caprellidae) and Isopoda (Sphaeromidae, Idotheidae). This suggests that the diets of A. agrammus mainly comprised epibenthic food. Food diversity increased with age. The fish almost consummed on smaller food in size, but had selective predation according to food size, i. e. on larger food as age increases. These data provide additional support for the importance of the detritus-benthos-consummer type food chain.

• Journal of Music and Human Behavior
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• v.11 no.2
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• pp.19-39
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• 2014

This study investigated whether a song psychotherapy based on the change stages of alcohol addiction impacted the change readiness of alcoholics. The song psychotherapy intervention consists of six activities (listening to a song, singing, songwriting, song sharing, lyrics analysis, and discussion and analysis of a song), which considers the change stages of alcohol addiction. A total of 64 inpatients diagnosed with alcoholism were randomly assigned to either the control (n = 33) or experimental group (n = 31). The experimental group took part in the intervention program for 45 minutes twice a week for 6 weeks (total of 12 sessions). The intervention effect was evaluated with SOCRATES-K. The results showed that the SOCRATES-K score significantly increased by 14.6% (p < .001) for the experimental group, whereas it remained almost unchanged (0.8% increase, p = .141) in the control group. For subcategory scales, the experimental group showed the highest increase in the ambivalence factor, followed by the recognition and taking-steps factors. Meanwhile, no significant changes in all three scales were found in the control group. Therefore, the song psychotherapy intervention based on the change stages of alcohol addiction was found to significantly increase the change readiness of alcoholics.

• Journal of the Korea Society of Computer and Information
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• v.20 no.5
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• pp.53-63
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• 2015

Singing voice synthesis is the generation of a song using a computer given its lyrics and musical notes. Hidden Markov models (HMM) have been proved to be the models of choice for text to speech synthesis. HMMs have also been used for singing voice synthesis research, however, a huge database is needed for the training of HMMs for singing voice synthesis. And commercially available singing voice synthesis systems which use the piano roll music notation, needs to adopt the easy to read standard music notation which make it suitable for singing learning applications. To overcome this problem, we use a speech database for training context dependent HMMs, to be used for singing voice synthesis. Pitch and duration control methods have been devised to modify the parameters of the HMMs trained on speech, to be used as the synthesis units for the singing voice. This work describes a singing voice synthesis system which uses a MusicXML based music score editor as the front-end interface for entry of the notes and lyrics to be synthesized and a hidden Markov model based text to speech synthesis system as the back-end synthesizer. A perceptual test shows the feasibility of our proposed system.

• Korean Journal of Fisheries and Aquatic Sciences
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• v.35 no.6
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• pp.682-685
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• 2002

Cytogenetic analysis was conducted to obtaining informations for genetic improvement of spotty belly greenling (Hexagrmmos agrammus) and greenling (H. otakii) in aquaculture. Erythrocytes of spotty belly greenling were slightly larger than those of greenling (p<0.05). The nuclear volume of spotty belly greening erythrocytes averaged 15.14 $\pm$ 0.92 ${\mu}m^3$ while that of greening averaged 14.61 $\pm$ 0.15 $\mu$m^3 the difference was not significant (p>0.05). Consequently, genome size of spotty belly greenling was also slightly larger than those of greenling. DNA content per cell of spotty belly greenling and greenling were 2.15 pg and 2.10 pg, respectively. The modal chromosome number of both greenling species were same as 2n=48 and karyotypes were also identical as 2 metacentrics, 11 snbrnetacentrics and 11 acrocentric pairs $(W: 74), There was no evidence of polymorphism including aneuploidy or sex-related heterornorphisrn for all specimens examined. The nuclear organizer regions (NOR_s)$ were localized on a small acrocentric chromosome pair in both species, Spotty belly greenling showed large sizes of active rRNA coding regions in their chromosomes. However, greenling examined only small sizes of active rRNA coding regions with dimorphism.

• Proceedings of the KAIS Fall Conference
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• 2011.12a
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• pp.50-53
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• 2011

재즈음악이나 재즈콘서트는 근래에 들어서 가장 접하기 쉬운 문화예술의 한 장르이다. 재즈 공연을 보기 위해 많은 관객들이 찾고 있으며 이러한 공연은 현재의 대표적인 공연 문화로 자리 매김하고 있다. 그에 반하여 음악연주 자체에 대한 평가나 관객의 반응에 대한 평론이 비전문가적인 부분이 많아서 좀 더 전문성을 갖춘 보컬연주의 이해와 중요성에 대한 교육이 필요하게 되었다. 본 논문은 재즈를 노래하는 사람이 표현하고자 하는 모든 부분을 자유롭고 말하듯이 편안하게 노래하는(지성으로 노래하기) 발성방법과 호흡에 대한 연구이다.

• Journal of Korea Entertainment Industry Association
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• v.14 no.8
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• pp.49-62
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• 2020

Musicals are plays in which songs and dances are closely aligned with the plot development of the play, and songs and dances develop specific situations and a series of events. In particular, songs perform a fuction of causing the significant changes and emotional ventilation and amplification in the play by specifically capturing the goals and actions the characters are aiming for. This paper focuses on the song that takes on the function of the plot deployment, defines songs that embody actions and stories on stage' as 'action songs' and highlights their role and importance. Action Song is not a clearly defined or prescribed term in Musical. However, 'Action Song' is a song about how a character's desire or motivation for action, given as a 'character song' inserted at the beginning of an integrated musical play, provides a conflict that is a central event of action. In other words, 'action song' means a song that organically combines music and narrative by conveying the action on the stage as a song with lyrics. In addition, it is a song that moves the plot forward and contains a series of events or actions that are the material of the plot. This paper is intended to summarize the concept of'Action song which is not well known to us, and to lay the foundation of the stud, learned the concept, function and efficiency by the analyses of script and music of the musical . As a result, action songs accumulate and amplify tension caused by conflicts and induce the audience to immerse in their emotions. At the same time, the action song multiplies fun and interest of the play while the audience's expectation increased for the next scene after the action song and the progression of the play with single action makes the contents of the drama to be understood clearly.

• Monthly Korean Chicken
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• s.144
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• pp.26-28
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• 2007