• 건축사
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• 통권585호
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• pp.126-129
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• 2018

• 건축사
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• 통권587호
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• pp.108-113
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• 2018

• 한국실내디자인학회논문집
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• 제24권3호
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• pp.68-78
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• 2015

Nendo, which was established in Tokyo in 2002, is a design company established by Oki Sato, which is gaining reputation as a new design group representing Japan through numerous design tasks encompassing diverse design sectors, such as architecture, interior, furniture, graphic, and products. This study was conducted to investigate the formative features of Nendo furniture by reviewing 133 pieces of Nendo furniture designed for the last ten years and identify the general characteristics of Nendo furniture by reviewing the time of launch, product launch type, and furniture type. As a result, the design features of Nendo furniture are as follows: First, the shapes of basic materials including boards, lumber, and bars are maintained intact and Nendo furniture has simple and moderate design without complicated or decorative elements. Second, Nendo furniture has simply embodied a design characterized by simple transformation, minimization of furniture elements, and rearrangement. Third, Nendo presents new and simple furniture differentiated from other pieces of furniture using optical illusions. Such expressions of optical illusions which are hardly found in preexisting furniture are a major feature of Nendo furniture. Fourth, a majority of chairs of Nendo cause optical illusions with the minimized size. In addition, their top boards made of transparent glass and mirror cause optical illusions with the properties of materials. In short, design of Nendo furniture is characterized by formative expressions, expressions of optical illusions, and differentiated use of materials. Fifth, Nendo keeps launching new furniture items in various exhibitions. As a result, Nendo makes furniture with its own unique characteristics based on its diverse studies and experiments which are applied to furniture design in a realistic way. In summary, design of Nendo furniture is characterized by simply embodied design based on small differences in daily life, minimalism with simple and moderate shapes, and its own witty uniqueness based on formative expressions, expressions of optical illusions, and use of materials differentiated from other furniture brands.

• 폴리머
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• 제33권1호
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• pp.19-25
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• 2009

내수성 감습막으로 사용하기 위하여 이온넨을 포함하는 광경화성 반응성 올리고머(PIDM)로부터 새로운 종류의 전해질 고분자를 제조하였다. PIDM, hexamethylene dimethacrylate(HDM), pentaerythritol triacrylate dimer(SP1013) 및 광개시제를 혼합하여 전극에 광개시 라디칼 중합과 동시에 도포하였다. 또한, 센서의 내수성 그리고 고온/고습에서의 안정성을 증진시키기 위하여 전극 기판에 비닐기를 가지는 실란 카플링제를 사용하여 전처리 하였다. 가교화된 이온넨으로 이루어진 습도센서의 상대습도에 대한 저항을 측정하였을 때, 저항은 20%$\sim$90%RH 상대습도 영역에서 $10^3$의 값이 변화하였으며 이것은 대기의 습도를 측정하는데 요구되는 특성을 만족시키고 있다. 그 밖에 온도의존성, 히스테리시스 응답 및 회복속도, 내수성 그리고 고온/고습에서 장기 안정성을 측정하여 습도센서로서 특성을 평가하였다.

• 한국축산식품학회:학술대회논문집
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• 한국축산식품학회 1999년도 정기총회 및 제23차 춘계학술발표회
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• pp.195-195
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• 1999

• 대한건축학회논문집:계획계
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• 제35권1호
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• pp.107-115
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• 2019

This research explores a historical trajectory of the Milwaukee Art Museum from its establishment to the third expansion over the last six decades. After established in 1957 by the architect, Eero Saarinen, this museum underwent three expansions led by three different architects including, David Kahler, Santiago Calatrava, and James Shields. Reasons for expanding the museum were varied. A lack of exhibition space, an absence of visual identity, and path interruption problem within urban contexts were the main factors of a series of expansion. Furthermore, this research points out that there are three issues in the process of the expansion. The first is connection issues between the downtown and the lakefront in which the museum has blocked the public flow. The second, there were controversies on the allocation of the expanded space among the main body of the decision including architects, curators, and stakeholders. The last one is relationships among architects. This is related to each architect's attitude toward the museum. Drawing on historical documents and interviews with the regional architects, I argue that the identity and values of the museum have changed over time through the expansions rather than having the invariable.

• 농업과학연구
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• 제34권1호
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• pp.61-65
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• 2007

본 연구에서는 유산양에서 비번식계절과 번식계절에 각각 발정동기화를 유도하여 인공수정을 1차와 2차에 걸쳐 실시한 후 분만율을 조사하였다. 자아넨 유산양 암컷을 대상으로 5월과 6월 사이에 CIDR-S를 이용하여 발정을 유도하였고, 액상정액과 동결정액을 이용하여 인공수정을 실시하였다. CIDR-S를 이용한 발정유도시험에서는 유산양의 발정동기화가 90%이상을 기록하여 아주 양호한 것으로 나타났다. 그러나 분만 성적은 1차 인공수정에 의해서는 25%, 2차 인공수정에 의해서는 20%로 낮하게 나타났으며, 자연종부에 의해서는 100%의 분만율을 기록하였다. 본 연구의 결과 비번식계절에서 번식주기를 인위적으로 조절할 수 있는 가능성과 정액을 주입하는 적정한 시기를 예측할 수 있는 점을 시사해 주었으나 인공수정 방법과 정액의 저장방법에 대한 연구가 필요한 것으로 나타났다.