• The Journal of the Convergence on Culture Technology
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• v.7 no.1
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• pp.582-587
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• 2021

Book recommender system, which suggests book to users according to their book taste and preference effectively improves users' book-reading experience and exposes them to variety of books. Insufficient dataset of book rating records by users degrades the quality of recommendation. In this study, we suggest a book recommendation system that makes use of user's book ratings collaboratively with user's movie ratings where more abundant datasets are available. Through comprehensive experiment, we prove that our methods improve the recommendation quality and effectively recommends more diverse kind of books. In addition, this will be the first attempt for book recommendation system to utilize movie rating data, which is from the media-platform other than books.

• Proceedings of the Korea Information Processing Society Conference
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• 2005.05a
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• pp.1541-1544
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• 2005

모바일이란 본래 ‘움직일 수 있는’ 이라는 뜻으로, 휴대폰과 휴대용 개인 정보단말기(PDA) 등과 같이 이동성을 가진 것들을 총칭한다. 최근 휴대폰을 인터넷에 접속하여 입출금 등의 은행 업무를 보는 모바일뱅킹, 온라인 게임을 하는 모바일게임, 영화를 실시간으로 보는 모바일영화 등 다양한 서비스가 제공되고 있으며 새로운 모바일서비스가 생겨나고 계속 개발 되고 있다. 본 연구에서는 인터넷 가계부의 단점을 보완할 수 있는 모바일 전자장부 시스템을 제안한다. 이 시스템은 언제 어디서나 지출수입내역을 확인하고 기록이 가능하며 인터넷과의 연동으로 전체적인 개인경제의 흐름을 확인할 수 있다.

• The Korean Journal of Archival Studies
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• no.55
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• pp.73-96
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• 2018

Andy Warhol's "Time Capsule" is an individual's daily record, but it can also be evaluated as an artwork. Andy Warhol kept most of his items in boxes until his death in 1974. Warhol's personal records contained receipts, invitations, memos, letters, voice tapes, newspapers, magazines, fan letters, mails, and exhibit materials. Andy Warhol's act of collecting items was continuous and repetitive, giving others a deeper insight into the artist's life. Warhol constantly recorded daily repetitive behaviors such as the people he met, a list of books he bought, and movies he had watched as a record producer. In addition, occasionally, he was in the position of an archivist, collecting and organizing others' records. As such, he expressed his passion for recording his surroundings. His intentionally produced or collected records contain valuable information, not only of himself but also of the people surrounding him. His personal records show that it is the material that enables people to understand and appreciate his relationship with contemporary artists, as well as the artist's education and the conditions during his time.

• Proceedings of the Optical Society of Korea Conference
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• 2007.07a
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• pp.223-224
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• 2007

광기록의 역사는 1980년대초 Sony와 Philips가 공동 개발한 CD (compact disc: 640MB)의 출현으로부터 시작하여 1996년의 DVD (digital versatile disc: 4.7GB)를 거쳐 최근의 BD (Blu-ray disc: >20GB)에까지 이르고 있다. Read-only memory, recordable, rewritable 등 다양한 저장 및 재생방식이 존재하는데, 이는 레이저 조사에 의한 기록매체의 특성변화의 가역성 (reversibility)에 의존하므로 저장 및 재생방식에 따라 저장매체 또한 다르게 된다. 기록용량의 증가는 레이저의 파장이 짧아지고 동시에 사용된 렌즈의 개구수 (NA: Numerical aperture)가 증가함에 따른 빔 spot size의 감소에 기인한다. 회절한계를 극복하여 빔의 spot size를 줄이고자 하는 연구는 현재도 전세계적으로 활발히 이루어지고 있고 이러한 노력의 일환으로 어느 정도의 추가적인 저장용량 증가는 가능할 수 있으나, 2차원 방식으로는 대용량 광정보기록 (수백 GB ${\sim}$ TB급)의 실현은 불가능하다는 것이 일반적인 예상이다. 한편 장기적으로 기존의 2차원 정보기록방식을 대체하고 저장용량을 획기적으로 증가시킬 수 있는 bit-type 3차원 광정보기록의 개념이 1990년을 전.후로 처음으로 제시되었다. 이는 2차원 bit 정보가 수십 내지 수백 개의 다층 (multi-layer) 형태로 기록되는 방식인데, 그동안 산업체의 관심이 상대적으로 높지 않았던 이유는 영화, 음악 등 엔터테인먼트 시장성 확대를 위해 Blu-ray disc나 HD-DVD에 대한 연구개발에 치중해왔기 때문이다. 하지만 최근 급변하는 정보시스템 서비스 환경 속에서 정보유통량이 기하급수적으로 증가하고 있고 개인이 취급하는 정보량도 2010년경에는 수백 GB 단위가 될 것으로 예상되고 있으며 디지털 방송, 네트워크를 기반으로 한 서비스 수요 뿐 만 아니라 전자도서관이나 VOD (Video on Demand) 서비스 사업에 필수적인 수 TB급의 대용량 저장장치에 대한 수요 또한 크게 증가할 것으로 전망된다. 이에 따라 점차 그 물리적 한계에 다다르고 있는 기존의2차원 정보저장방식을 대체하고 저장용량을 획기적으로 증가시킬 수 있는3차원 정보기록(> $10^{13}$ $bits/cm^3$)에 대한 필요성이 대두된다.

• Journal of Korean Society of Archives and Records Management
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• v.12 no.3
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• pp.155-176
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• 2012

Economic impact analyses have not been widely conducted in archives. This article reports on a two parallel surveys in the US and Canada to assess the economic impact of government archives (state, provincial, territorial, county, and municipal). The surveys utilize indirect measures of economic impact. Responses from 2,534 people in 66 archives were analyzed. Findings indicate that archives were the primary reason that respondents visited an area and that visitors exhibit specific patterns of visiting the archives in conjunction with other cultural organizations in an area. Furthermore, while many respondents used local eateries, fewer rented lodgings or spent money on theater or sporting events. As a result, the archives participating in this survey did have a modest impact on local economies. The article concludes by discussing three major questions about the evaluation of the economic impact of archives which were raised by the findings: 1) Are indirect measures the most appropriate means of assessing economic impact in archives or should archives employ direct measures as used by public libraries? 2) How should government archives formulate their value proposition and should those value propositions focus on other aspects of archives' impact, such as the social impact, to demonstrate archives' important role in society? and 3) Since visitors exhibited distinct visitation patterns, should archives work more with these other aligned organizations and work on larger forms of collective impact that benefit the entire cultural heritage sector in an area?

• The Journal of the Korea Contents Association
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• v.9 no.2
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• pp.193-202
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• 2009

This dissertation is considerably studied Faction Genre which is embossed as a new image content, and it is figured out practical used works' possibilities for Korea film production's varieties. Faction, a neologism, which is combined by Fiction and Fact, is a boundary as limits. If authentic history is closed to a truth, it is a record history description method. Also, if unauthorized history is closed to a fake, it is a fictitious history description method. In addition, macro history and micro history are respectively connected to social criticism's matter and personal action, and these can make various analyses, depend on a boundary's limits and personal analysis. On the other hand, history film could be remembered to audience merely history film itself without existed history's fact. However, there are Faction Genre's Genre possibility and film's attraction which indirectness experience of historic fact could be experienced through film. For Faction Genre’s developing solution, there are three cognitive switches; audience's interpretation ability about history film through watching perception, linking between the past and the present for audience through communication with history, audience's considerable decision about history first or fiction first as film writer's interpretation. Above all, hopefully filmic pressure can be shown with historical true to audience. Therefore, it would be Korea Faction Genre's attraction and hope.

• Journal of Korea Entertainment Industry Association
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• v.13 no.7
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• pp.193-203
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• 2019

Family films with insight of the society are now recognized as significant texts to communicate with audience from the beginning of the history of film and to reflect various viewpoints on changes of the times and socio-cultural context. In such aspect, the films of Hirokazu Kore-eda are very significant in that they suggest very sharp view on modern society through family narrative. His family narratives not only presented a profound reflection on the modern society and human relations through themes on death, loss, severance, and alienation, but also formed a public sympathy based on success in the box-office numbers despite his heavy subjects. His such achievement is closely related to the format of spatial representation to record 'time' and 'daily life' as well as the family film as a narrative form to draw the meaning of a family. Therefore, this study analyzes the family narrative and the format of spatial representation in the films of Hirokazu Kore-eda, and could find the film form where life and space closely communicate each other to reach the topic. This study, concentrating on the spatial representation and the roles and meanings of formal factors in family narrative, can find its own value in its expansion out of the previous studies which adopted macro perspectives on the trend of the times.

• 건강소식
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• v.37 no.1
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• pp.18-19
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• 2013

지난 2012년 흑룡의 해에 빛났던 용띠 스타 중 가장 활발한 활동을 한 인물로 차태현을 꼽지 않을 수 없다. 데뷔 17년 만에 처음 도전한 사극 영화 <바람과 함께 사라지다>가 누적 관객 491만 명을 기록했고 KBS 예능프로그램 '1박 2일'의 새 멤버로 투입 돼 시청률 상승의 핵심 멤버로 자리 잡았다. 하반기에 시작한 KBS 드라마 '전우치'에서는 1인 2역의 배역을 소화하며 전반적인 스토리를 이끌어가고 있다.

• 한국어정보학회:학술대회논문집
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• 2016.10a
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• pp.249-251
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• 2016

다중 화자 대화 시스템에서, 시스템의 입장에서 어느 시점에 참여해야하는지를 아는 것은 중요하다. 이러한 참여 모델을 구축함에 있어서 본 연구에서는 다수의 화자가 대화에 참여하는 영화 대본으로 구축된 MovieDic 말뭉치를 사용하였다. 구축에 필요한 자질로써 의문사, 호칭, 명사, 어휘 등을 사용하였고, 훈련 알고리즘으로는 Maximum Entropy Classifier를 사용하였다. 실험 결과 53.34%의 정확도를 기록하였으며, 맥락 자질의 추가로 정확도 개선을 기대할 수 있다.

• Journal of Korea Entertainment Industry Association
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• v.13 no.7
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• pp.1-13
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• 2019

This study tried to explore the contents of film critics' reviews reported in the press. Based on fifty nine Korean movies with over 100,000 audience in 2017, this study collected 1113 reviews from fifty five movies with the exception of four without reviews. This study focused on the correlation between film's overall quality and four evaluation items such as directing, acting, story, and the visual. Examining the difference in the report timing of the review, the length of the review, and the intensity of the opinion, this study also analyzed the relationship between the internal aspects of reviews and box office performance. According to the results, the valence of critics' reviews was generally positive. Looking at the difference of reporting time, this valence was higher in the week before release than in the release week of film. The evaluation items of reviews were highly covered both before movie release and in the opening week. These were significantly declined in the second week of release. In the relationship between the number of reviews by each movie and box office performance, a positive correlation was found.