• Journal of the Architectural Institute of Korea Planning & Design
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• v.35 no.11
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• pp.79-88
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• 2019

The goal of this paper is to explore the relationship between modern architecture and interior decoration through the study of decoration and ornament. It is noteworthy that modern architecture and interior decoration occurred at about the same time. Our analysis shows that the two are closely related to each other. That is to say, modern architecture tried to eliminate ornaments (and decorations), symbols and meanings from the built environments and to embody efficiency and rationality instead. However, in the interior of the building designed and completed by the architect, the user began to decorate his world through decoration or to refer such work to the new expert 'interior decorator'. In a word, the latter took charge of the role deserted by modern architecture.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2006.05a
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• pp.140-144
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• 2006

Modern architecture after enlightenment period of Korea has been defamed indifferently before preparing devices for preservation. Many modern architecture has been underestimated by the feeling of being cultural victimized for Japan and economic logic. Other advanced countries make laws for their historic heritage with a concept for past-present-future. Also they re-create their cultural heritage to help their local economic. As the Registration System is established at july 2001, we have to find organic, positive interior space utilization methods about modern architecture. Modern architecture is private property in real using but it has historic trace. Therefore, modern architecture can be affirmative social property because it is a base of historic, cultural circumstances for local identity. The purpose of this study is to construct preservation and utilization methods of interior space for modern architecture.

• Journal of the Korean Institute of Rural Architecture
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• v.8 no.2
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• pp.72-79
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• 2006

This study is to find out formation and development process of urban area in modern ages(1870-1949) focused Yanji city in the east-northern area in china. After the discharge of confinement in the late 19 century, the settlements were formed around east area, that is, the present Yanji urban area. The japanese consular office had been moved in east area since the beginning of the early 20 century, and so, the existing residents moved to west area. And the military and administrative facilities were located on the urban outskirts. After the September 18th Incident on 1932, Yanji had been constructed with the strategic center area under the urban planning. The administrative facilities of those days had been altered to he functional branches and educational facilities, and become the basis of development of Yanji city.

• The Journal of the Korea Contents Association
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• v.19 no.8
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• pp.23-34
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• 2019

The space before modern times is fixed and closed, then that after modern times is flexible and open. Based on the concept of space, the modern art exhibition hall gradually shifts from the interior space of a building to the outdoor space, giving birth to the concept of outdoor art pavilion. Based on this background, we analyzed and learned about the latest deformable art pavilions, focused on the investigation of its space performance characteristics and the case analysis, fully understood the design principles of deformable pavilions, and proposed the basic design directions and strategies for future research. Firstly, through learning the theories of transformable space, the characteristics and concept range of deformable space are understood. Secondly, based on the preliminary research and analysis of art pavilions, the performance characteristics are summarized. Thirdly, the pattern of deformable space and the method of reflecting the characteristics of deformable space are investigated based on cases. After summarizing the case analysis, we identified the differences of different art pavilions between deformable modes and space characteristics, and analyzed the causes. This work provides a basis for distinguishing the transformation patterns of the deformable space, and reveals the changes in space concepts and the expansion of space meaning in future architectural space design.

• Journal of architectural history
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• v.23 no.2
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• pp.39-52
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• 2014

This study researched changes over time regarding the location and spatial characteristics of modern meteorological stations, and examined the characteristics of modern meteorological station construction using the location and spatial characteristics of the Busan Meteorological Station. First, meteorological stations were located in port areas, and then moved to high altitude areas for stable meteorological observation beginning in the transition phase. Here, office buildings and residences were joined, but were separated due to the increase in functions from the stabilization phase. Second, as for spatial composition, in the establishment phase, existing buildings were used, and the scale of newly constructed buildings differed according to time and area. However, after the Japan-Korea Annexation, with increased funds and increased observation equipment, floor plans subdivided by function started to appear. In the stabilization phase, space was subdivided with redundancy due to the increase in functions. In the wartime transition phase, '一' shaped floor plans with redundancy became the norm. Meanwhile, the location of the maritime customs where the first meteorological observations took place after the opening of the ports, and the location and construction of the Busan Temporary Observatory built in the meteorological observation transition phase (1905) were investigated. Also, through the investigation of the Busan Meteorological Observatory, newly constructed before 1934, the location and spatial characteristics of modern era meteorological observatories were studied.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2007.05a
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• pp.264-269
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• 2007

Modern architecture does a role in terms of connecting traditional and current architecture. In the same time, Which is important part of korean architecture history because of introduction of western architecture. Accordingly, At this meaninglessly going out and leaving of modern architecture, the purpose of this study is systematic researching of the modern Government Office interior. I progressed this study to research into the period context at construction of the modern Government Office and tendency of architecture and interior at that time. And then understand interior space organization of it. The early modern Government Office adopted Neo-Baroque style from tendency of that time. Also, showed composite order which is mixed in the Greek temple, the Renaissance and the classic style representing the power. But, after late 1920 It adopted Modern Style. This characteristic is different from current composit order, which is comprehended by our. In order to understand aesthetic value of current straight interior space, It have to be interacted the present and past. But It's averted because it was made in the period of Japanese imperialism. Therefore, We should explore history of interior design that is endowed with sociality and historicity between modern and future interior space as well as current.

• 한국HCI학회:학술대회논문집
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• 2006.02b
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• pp.33-38
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• 2006

뉴미디어의 특성을 지니며 더욱 다양한 가능성과 관계를 열어나가게 된 오늘날의 현대 건축은 근대 이전의 구축적 양식 중심의 형식으로부터의 탈피, 디자인 분야의 심미적 발달, 자연 친화적인 관점으로의 발달, 그리고 무엇보다 인간 중심의 건축 발달 등으로 인해 구조, 실체와의 관련성 이외에 표면(surface)으로의 관심이 집중되면서 감상적인 공간 구조를 낳고 있다. 이는 표면이 공간적인 효과를 내는 표면을 통해 새로운 소통의 길이 열리게 되고 건축물 그 자체의 자율성을 표현하는 동시에 주변 컨텍스트에 동참하게 되므로 경계 영역으로서의 의미를 전달하는 인터페이스로 발전해 가고 있음을 시사한다. 또한 최근에는 더욱 적극적인 미디어 재료의 사용으로 건축의 표면이라기보다는 오히려 독립된 스크린으로써의 모습을 보여주고 있고, 그에 더해 다양한 미디어 아트 작업의 차용으로 표면의 스크린화는 더욱 진화하며 이전과는 또 다른 효과와 의미를 전달하고 있는데, 이는 공간 사용자의 능동적인 수용 형태를 인지하고 건축을 완성하는데 있어서 중요한 주체가 됨을 시사한다. 본 논문에서는 이러한 건축 표면이 가진 인터페이스로서의 특성과 최근의 적극적인 미디어 재료 사용 및 미디어 아트 차용을 통한 다양하고 새로운 소통의 시도를 분석해 봄으로써 건축 표면이 가지는 더욱 넓은 범위에서의 가능성과 잠재력을 건축 그 자체가 가지는 특성 안에서 뿐만 아니라 수용자와의 상호관계 안에서 또한 연구해 보고자 하였다.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.14 no.1
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• pp.426-435
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• 2013

Minimal architecture is generally expressed in a simple and pure form, this characteristic of minimal architecture was first introduced by the architect, Mies Van der Roche, in the beginning of 20th century. The objective of this study is to identify wether minimal architecture is just a reappearance of the beginning of 20th century's modern architecture or a suitable form for contemporary aesthetics. As a result, it can be concluded that minimal architecture is based on human emotion and one's experienced perception which is very different from the modern architecture which is more focused on functionality and mechanical esthetics. Minimal architecture uses two systems which are multi-sensual perception and conceptual perception; however, it focuses more on conceptual perception which is also used in comtemporary architecture. In conclusion, simplicity is just one of the necessary conditions which is not sufficient enough to represent minimal architecture.

• Journal of The Korean Digital Architecture Interior Association
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• v.10 no.3
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• pp.29-38
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• 2010

르네상스 시대의 필리포 브뤼넬레치, 19세기의 쟝 니꼴라 루이 뒤랑, 근대 건축의 꾸르뷔지에, 귀세프 테라니, 밀르벤 데르호흐, 그리고 현대건축의 장 누벨과 같은 5명의 건축가의 예를 통해, 건축에서 늘 되풀이되어 나타나는 기하학적 형체로서의 이 격자무늬는 자신의 다면성을 보여준다. 합리적인 면은 그대로 간직한 채, 격자무늬는 순서대로, 균형잡힌 비율의 선, 축에 관한 구성체계, 조립식 건축의 구조, 합리주의의 상징, 건물의 배치와 크기를 결정하는 반복적인 조직망, 삼차원 공간에서의 프랙탈한 이미지로서 나타난다.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.35 no.12
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• pp.75-82
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• 2019

After 1840 the first opium war, that changed the social nature and living habitats in China. The purpose of this study is to observe the influence of the war on the plan layout of traditional Chinese residential houses in Beijing Siheyuan. To find out the changes that were made after 1840, and reservation of the past, the space syntax model is used to analyze different social contexts and also compare the ancient and modern residential buildings. The result of the study indicate the following: Before the war, the ancient Siheyuan people's way of life strictly abide by the hierarchy system; External emphasis shows the host's status. However, in modern times, the social status became equal, efficient and harmonious relationship internally, while externally, it arranged the orientation and position of buildings to adapt to the natural environment. However, the boundaries between family members and visitors the emphasis on the courtyard and respect for private life remain unchanged.