• The Research Journal of the Costume Culture
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• v.22 no.6
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• pp.873-889
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• 2014

The goals of this study are to analyze how fashion professionals' attitudes toward Grunge style have changed since the 1990s and to compare aesthetic features of 1990s Grunge style and the style since 2000. By searching Vogue and Women's Wear Daily articles from 1992 to 2014 according to the keyword "Grunge", three collections from the 1990s and 59 collections since 2000 were selected for analysis. Although Grunge collections of the 1990s were harshly criticized by critics and retailers as ugly, the more recent collections have been highly praised for both design and profitability. The common aesthetic features of Grunge style in the 1990s and beyond include loose silhouettes, mix-and-match layerings, plaid patterns, floral prints, and striped patterns. However, Grunge style since 2000 has new features such as ornate fabrics, handcrafted details, a formal and dressy look, and faux plaid flannel shirts in chiffon or organza. These features give the style a more luxurious, feminine, and refined appearance. The results of this study indicate that Grunge style of the 1990s changed high fashion beauty standards and today's designers and consumers prefer to mix various styles to create new ones. They typically do not consider the original spirit or identities of the varied styles.

• 가정의 벗
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• v.37 no.5 s.429
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• pp.28-29
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• 2004

영국물가는 한국에 비해서 비싼 편이라 생활하다 보면 많은 불편을 겪게된다. 물가는 국민소득에 비례한다고 그런지 만만치 않은 것 같다. 이렇듯 외국생활을 하면서 높은 물가에 적응하려다 보니 몇 가지 생존방식을 터득하게 되었는데 그 에피소드를 소개할까 한다.

• Journal of the Korean Society of Clothing and Textiles
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• v.29 no.3_4 s.141
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• pp.449-461
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• 2005

The purpose of this study is to rediscover the hidden value of non-mainstreamers style which has been overlooked for the past decade by investigate the aesthetics and formative features of the Grunge fashion. The Grunge fashion was derived from explosive popularity of the early 90's grunge music. Grunge was the alternative anti-thesis against mainstream pop music and anti-fashion against mainstream fashion. Dirty, rubbish grunge style of the poor street youth and grunge musicians have raised to the high fashion by designers. And These trial of designers made people to notice the value of the non-mainstreamers street style like grunge. Actually, the grunge brought the shock with many argument to the 90's fashion field. But now, It became the classic of the street fashion. And It has potent influence on the music, culture and high fashion. The Grunge is a kind of links between music and fashion, street fashion and high fashion, sub culture and mainstream culture, the past and now. Grunge isn't only a fashion of appearance. It is the attitude of wearing clothes and living a life. Variety grunge style in the international street fashion, high fashion, typical musicians's fashion of the 1990's and the 2000's was researched for this study. These materials were gathered from music magazines, fashion magazines, movies, musics and books. As a results of analysis, Grunge has the formative features like mix & match, layering, patchwork, primitive edge, rag, retro, recycle, kinderwhore, sneer scribbling, disheveled hair. Grunge also has the Aesthetic features like the beauty of $disorder{\cdot}\;disharmony{\cdot}\;incompleteness{\cdot}\;kitsch{\cdot}\;poverty{\cdot}\;alternative{\cdot}\;eclectic{\cdot}$symbiosis. For the last 10 years, These features changed our fashion be more pluralistic and dynamic.

• 건강소식
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• v.37 no.3
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• pp.16-17
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• 2013

한결같은 배우 박진희(35). 평소 '여자의 진정한 매력은 외모보다 내면의 아름다움'이라고 말할 만큼 자기관리가 철저한 배우다. 그래서 그런지 느낌도 외모도 데뷔시절의 풋풋함 그대로다. 맑고 깨끗한 눈과 단아한 얼굴형, 오똑한 콧날과 새초롬한 입술, 여기에다 청순하고 우아한 이미지까지. 동료 여자 연예인들 사이에서도 부러움의 대상이 되는 그녀만의 건강 스타일을 알아보자.

• The Research Journal of the Costume Culture
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• v.19 no.5
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• pp.957-969
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• 2011

This study intended to analyze the grunge look as a mode of expression and as a characteristic of the fashion of the 21st century, arguing that the look expressed not only an outward appearance or sub-culture but also a change in our attitude and spirit about contemporary fashion. In the study, I carried out an empirical analysis focused on the collection from 2001S/S to 2010F/W and a literature review. In my results, I classified the grunge look into the following categories: 1. mix and match layering; 2. patchwork, collages, and assemblage using all objects as well as clothing materials; and 3. distressing techniques, such as bleaching and dyeing, unweaving, and tears and holes. I also classified the characteristics of grunge into the following categories: 1. conspicuous destitution, which is intentionally expressed by skillful techniques and craftsmanship, indicating that modern people want to attract attention and be distinguished from others, which reflects an attitude of superiority through ironic fashion choices; 2. high lighting the dissolution of decoration, where destruction, poverty and recombination shown in the grunge look emerged as an artificial and intentional ugly aesthetic in contrast to the existing elegant and sophisticated image; and 3. satire and playfulness, as grunge expresses alienation and conflict in modern society through satire and sarcasm, not attacking or avoiding, but through playful and sarcastic engagement so as to decrease poverty and give temporary freedom.

• Journal of the korean veterinary medical association
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• v.35 no.2
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• pp.108-109
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• 1999

오늘날 `인공수정`하면 소,돼지는 일반화된 방법이 된 지 오래다. 그런데 `개의 인공수정`하면 아직도 많은 수의사나 번식가들이 회의를 가지고 있다. 필자 역시 KCRC 울산 지회로 가입하기 전까지는 그런 부류에 속했다. 그러나 KCRC의 수차례의 Canine Reproduction(AL)에 대한 세미나와 실습을 통하여 냉동 정액을 이용하여 인공수정을 할 수 있구나 하는 생각을 가지게 되었고 필자가 인공수정의 전 과정을 스르로 해 본 결과 나름대로 확신을 가질 수 있게 되었다. 물론 다음의 한 예가 인공수정에 대한 의문을 모두 제거하리라는 기대는 무리가 있겠지만 최소한 개의 인공 수정에 대한 이해의 폭은 넓히리라 확신한다.

• KAPE Magazine
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• s.246
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• pp.7-8
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• 2017

<태현농장>으로 향하는 길. 노랫소리가 유독 크게 들린다. 자세히 들어보니 농장에 틀어진 라디오 소리. 라디오를 듣고 자란 한우라 그런지 낯선 사람들의 목소리에도 익숙해 보인다. 23살. 어린 나이에 축산을 시작한 권태현(29) 대표는 올해로 6년째 축산하고 있는 청년대표다. 20두로 시작해 현재 약 300두의 한우와 청춘을 보내고 있는 권 대표. 자신의 이름을 건 <태현농장>을 운영하며 책임감과 자부심으로 똘똘 뭉친 그를 만나본다.

• Proceedings of the Korea Database Society Conference
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• 2001.11a
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• pp.609-621
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• 2001

인터넷 시대를 맞이하여 그간 기업과 개인간(Business to Customer; B2C), 기업과 기업간(Business to Business; B2B), 기업과 정부간(Business to Government; B2G) 등 많은 비즈니스 거래유형이 생겨나서 일부 실무에 적용되고 있으나, B2C 비즈니스(쇼핑몰)는 아직은 활성화 단계에 있다고 볼 수 없을 정도로 그 활용도가 매우 미미하다. 따라서 본 연구는 B2C 비즈니스(쇼핑몰)에 한하여 실제로 실무에서 활용되고 있는 현황들과 선행 연구들을 구체적으로 조사해본 후 어떤 문제점들이 있는지를 파악 하고자 한다. 또한 그런 자료들을 기초로 해서 정말로 B2C 비즈니스(쇼핑몰)가 현실적으로 활성화 될 수 있는지, 없는지를 살펴보려고 한다. 활성화 될 수 있다면 그 방안은 무엇이며, 없다면 왜 그런지를 다시 고찰하여 그 대안들을 좀더 세부적으로 요약 정리하고, 향후 B2C 비즈니스 활성화 방안과 시사점들을 제시하고자 한다.

• Journal of Fashion Business
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• v.20 no.5
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• pp.87-101
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• 2016

In this study, a variety of influence in the field of design and analysis about the value of a Grunge Design and the creative design inspirations in the field of hair design to help the development of the quality of research. The research methods use the Internet publications such as local and foreign information, analysis and related research and book form, such as the network search, library goes for consideration by a literature search. The contents of this study used review of the case and by Grunge design, expressive characteristics by color, texture and form of Grunge hair design, from 2014 to 2016 trend collections in the last three years through the analysis of design by date of the case. The result of this study is, Grunge design appearing in the areas of hair design, that are grunge anti fashion like the beauty of the disorder, the disharmony, the incomplete, the kitsch, the poverty. Although Grunge means dirt, filth, rubbish as a slang but it is valuable which was raised from the anti fashion to high fashion and alternative of main stream fashion and the hair design in modern fashion also brought. In this study, we can understand the grunge hair design in modern fashion was started from lower place as alternative and forecast the potentialities, the formativeness of the grunge design and value of the beauty and grunge anti fashion the identity and the spirit appearing steadily a modern fashion influence are reflected in our next fashion and design characteristics.

• The tire
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• s.54
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• pp.14-18
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• 1974

1972년 7월 25일 주우고무는 당사(Fuji) 스피이드웨이에서 영던로프의 "토오탈모빌리티타이어"의 공개실험을 행했다(주:73년 8월호 본타이어 고무지33p로 개보). 그런데 그후 동타이어의 기술적 진보에 의한 더욱 안전한 타이어가 이의 피랠리이사와의 협동개발로 행해진다고 전해지고 있었다. 이것은 로오드데스트지 등의 자료에 의거 해석된 것이다.