• (The) Research of the performance art and culture
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• no.34
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• pp.383-421
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• 2017

Because the Jitsori and the Hotsori of the Beompae(the Korean Budhhist chant) has no meter and no Jangdan(a Rhythmic cycle of the Korean Music), so it is hard to analyze the melody of the Beompae. Also the melody of the Beompae is different from that of the other Korean traditional music, so studying of the Beompae has been out of the limelight of many scholars, studying the Korean music. But the melody of Beompae had been handed down for thousands of years in Korea, it and other Korean trditional music, had exchanged the impacts each other for a longtime. So I thinks that the Korean Beomapae have shared the similarity of the musical features with the other Korean traditional music. Because the Beompae of the Bulmosan Yeongsanjae on the Geongsangnamdo province has also no meters and no Jangdan, it is difficult to understand, too. But because the Onghoge of Bulmosan Yeongsanjae have a well-regulated melodic structure in comparison with the Beompae of the Seoul province, so called Geongjae Beompae, it seem to be easy to analyze its melody. So I will analyze the melody of Bulmosan Yeongsanjae Onghoge. This analyze should be contribute to investigate the rule of the melodic progress method on the convoluted Beompae melody. Onghoge has been sung on the procedure for Siryeon, Samsiniun(Goebuliun), Jojeonjeoman, Sinjungjakbeop. And the monk for the ritual has sung the chant first to purify the ritual place and to protect the soul. They has called the song, Onghoge a Jitsori at the Bulmosan Yeongsanjae preservation society of the Gyeongnam province. Commonly, there were Jitsori and Hotsori in the Beompae melody, and the melody of Jitsori is longer than that of the Hotsori. So, the melody of Onghoge is lengthened. In other word, the melody of the Onghoge show the lengthened and curved melodic feture of the Beompae very well. Hahn Manyeong, who had studied on the Beompae, Budhhist chant, said that the Hotsori has five letters in a phrase, and there were 4 phrases in a song. And he had insisted that the form of the song, Hotsori, is ABAB. I analyze the melody of the Onghoge by the Hahn's method. I will extract the Wonjeom(a primary tone of a skeletal melodic structure) from the melody of Onghoge, and in the progress of the Wonjeom of Onghoge melodies, I will arrange the repeat of the Wonjeom melody. It is a structural melody of Onghoge. The first phrase of Bulmosan Yeongsanjae Onghoge, 'Pal bu geum gang ho do ryang(八部金剛護道場)' have 4 structural melodies, the second phrase 'Gong sin sog bu bo cheon wang(空神速赴報天王)', the third phrase 'Sam gye je cheon ham le jip(三界諸天咸來集)', the firth phrase 'Yeo geum bul chal bo jeong sang(如今佛刹補禎祥)' have 2 structural melodies each. The structural melodies of Onghoge are 10 in total. And the structural melody of the Onghoge is formed the shape of 'Mi - La - do - La - Mi'. All of the Onghoge melodies is repeated 10 times by the melodic shape. The form of the Onghoge is not ABAB by Hahn, but is 10 times repeat of the shape.

• Proceedings of the Korean Information Science Society Conference
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• 1999.10c
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• pp.480-482
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• 1999

XML은 이제 우리에게 아주 생소한 단어는 아니다. 어느 정도 익숙해졌고, 앞으로 웹이 XML을 포함할 것이라는 점을 의심하는 사람도 많지 않을 것이다. 그러나 실제로 XML이 어떻게 생성되고, 저장되며, 어떠한 방법으로 응용이 되는지에 대해서 아는 사람은 그리 많지 않다. XML은 자신만의 태그를 가질 수 있고, 그 태그에 대한 설명을 할 수 있으며, 스타일 지정 문서를 사용해서 하나의 문서를 여러 형태로 배포할 수 있다. 또한 XML은 구조적인 문서이기 때문에 보다 쉬운 관리, 검색 그리고 편집을 위해서 데이터베이스에 저장하는 것도 가능하다. 본 논문에서는 XML의 이러한 특성을 활용할 수 있는 웹 상에서 구현된 XML 편집기를 보여주고 XML 문서를 데이터베이스에 저장하는 방법을 제안한다. 그리고 활용의 예로써 자동차 정비정보 시스템 구축 사례를 소개한다.

• Journal of the Korean Society for Railway
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• v.6 no.3
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• pp.179-185
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• 2003

This paper was to find out the design methodology for korean railway station of steel structure using by wooden structure system. Traditionally Korean architecture was made by wooden structure system what is called Gong-Po (wooden bracket structure system). The abundant ornament of Korean architecture is resulted from the composition rule of Gong-Po(wooden bracket structure system). But Korean wooden structural system have a limit in constructing large building, for example railway station, airport terminal, convention center etc. It is needed to convert wooden structure system into steel structure system. But there are many differences between wooden structure and steel structure in texture, material strength, joint system of elements etc. In this paper, we will show you how to make a joint system for steel structure of railway station and how to present the traditionality of Korean architecture in railway station.

• Proceedings of the Korea Multimedia Society Conference
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• 2002.05c
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• pp.427-430
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• 2002

본 논문에서는 리눅스상에서 블루투스 프로토콜 스택을 구현하는 방법에 대하여 제안한다. 리눅스는 Unix와 동일한 파일 시스템 구조와 시스템 접근 방법을 사용한다. 리눅스에서는 여러 가지 장치에 대해 Device class라는 구조를 가지고 접근하며, Unix시스템과 같이 각각의 디바이스들은 Block 또는 Character device file이라는 형태로 구현되고, 네트워크 인터페이스와 기타 장치들은 특정한 프로토콜 등으로 구현 및 접근을 하게 된다. 리눅스 시스템에서 기존 및 특정한 응용프로그램들이 블루투스 장치를 사용하도록 하려면 블루투스 프로토골 스택을 디바이스 드라이브 형태로 구현하여야 하며, 리눅스에서는 이러한 디바이스 드라이브들을 커널 내에 적재, 혹은 비적재에 따라 커널 내에서 구현하거나 모듈의 형태로 구현하여야 한다. 본 논문에서는 리눅스에서의 디바이스 드라이브를 구현방법을 제안한다. 커널과 모듈을 혼합한 블루투스 프로토콜 스택의 세부적인 구현 방법과 특수한 목적에 쉽게 적용이 가능한 유연한 블루투스 프로토콜 스택을 제안한다.

• Proceedings of the Korean Vacuum Society Conference
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• 2000.02a
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• pp.144-144
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• 2000

이전에 수행된 연구에서 표면에 수직하게 dangling bond를 가지는 adatom으로 장식된 6H-SiC(0001) {{{{ SQRT { 3} }}}}$\times${{{{ SQRT { 3} }}}} 표면은 단일 전자 모형으로는 설명되어지지 않는 반도체적 성질을 가지는 것으로 보고되어졌다. 최근의 많은 이론적, 실험적 결과는 이 표면이 Mott-Hubbard 모형으로 설명되어질 수 있음이 보고되어졌다. 이 표면에서 Si이 좀 더 풍부한 3$\times$3 표면의 여러 모형들에 대해 이론적, 실험적 연구는 Energy적으로 E-J 모형이 가장 안정하다고 보고하였다. E-J모형은 표면에 수직인 dagling bond를 가지며 6H-SiC(0001) {{{{ SQRT { 3} }}}}$\times${{{{ SQRT { 3} }}}} 표면에 비해 1/3배의 밀도를 지닌다. 또한 최근의 연구에서 3$\times$3 표면 또한 단일 전자모형은 이 표면의 반도체적 성질에 위배되며 Mott-Hubbard 모형으로 설명되어질수 있음이 보고되어졌다. 이러한 표면 위에 알칼리금속인 Na을 흡착시키면서 일함수의 변화와 Valence Band의 변화를 측정하였다. XPS를 이용하여 Na이 흡착되면서 발생되는 Si과 C의 내각준위의 변화를 측정하였다. 6-SiC(0001) {{{{ SQRT { 3} }}}}$\times${{{{ SQRT { 3} }}}} 과 3$\times$3 표면 구조 모델을 Na을 흡착한 6H-SiC(0001) {{{{ SQRT { 3} }}}}$\times${{{{ SQRT { 3} }}}} 과 3$\times$3 표면으로부터 측정한 UPS, XPS data들로부터 지금까지 제기되어 있는 각 재배열 구조 모형들을 비교 검토하였다.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2022.10a
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• pp.164-167
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• 2022

In table Machine comprehension, the knowledge required for language models or the structural form of tables changes depending on the domain, showing a greater performance degradation compared to text data. In this paper, we propose a pre-learning data construction method and an adversarial learning method through meaningful tabular data selection for constructing a pre-learning table language model robust to these domain changes in table machine reading. In order to detect tabular data sed for decoration of web documents without structural information from the extracted table data, a rule through heuristic was defined to identify head data and select table data was applied. An adversarial learning method between tabular data and infobax data with knowledge information about entities was applied. When the data was refined compared to when it was trained with the existing unrefined data, F1 3.45 and EM 4.14 increased in the KorQuAD table data, and F1 19.38, EM 4.22 compared to when the data was not refined in the Spec table QA data showed increased performance.

• The Journal of the Convergence on Culture Technology
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• v.9 no.5
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• pp.83-90
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• 2023

The recent trend in younger generations of wearing traditional costumes or incorporating fusion hanbok into daily wear necessitates the development of modern hair accessories to complement hanbok. The purpose of this study is to develop practical and modern hair accessory designs inspired by royal women's hair ornaments that complement hanbok, and therefore expand the scope of fashion content development utilizing hanbok culture as well as meeting the demand for various experiences of traditional culture. This research studied the literature on traditional hairstyles and accessories of Queen Yeong and constructed models of these accessories for the purpose of empirical research. The production process first required creating a basic foundation of nylon mesh reflecting the silhouette of a traditional hairstyle, and then grafting a digital textile printed fabric using majestic and extravagant royal relics on top, thus employing the trompe l'oeil technique to ultimately give the impression of wearing traditional jewelry. As a result, a total of six hair accessory designs were completed, produced with hairbands, hair pins, and hair ties. In addition, the accessories are designed to be easily worn regardless of the wearer's hair style, and the stiff yet flexible nylon mesh effectively expresses the shape of a voluminous hairstyle and creates an optical illusion, blending into the hair. These research results present a unique aesthetic and cultural experience to the greater public seeking both daily entertainment and value from rarity.

• The Journal of the Korea Contents Association
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• v.18 no.1
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• pp.359-369
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• 2018

When expressing Christ visually in the medieval Christian painting, the most important issue was how to express the divinity as Son of God and the humanity as attribute of human in a balanced manner. The purpose of the study is to examine both formative and symbolic characters of divinity and humanity on the Christ's body and clothes in the Medieval paintings, Transfiguration of Christ. In the paintings, Christ's body is definite evidence to show both his divinity and humanity. In connection with the body, the clothes reveal Christ's humanity and divinity as well. Through this research, the study found that the divinity and humanity on the Christ's clothes in the Transfiguration of Christ were as follows: Blue, gold, purple, white and bleaching effect are the emblem of divinity, and red and color contrast effect with a high chroma stand for humanity of Christ. In addition, unstructured wrinkles of clothes reveal Christ's divinity, on the other hand, structured drapery shows his humanity through emphasizing volume of the body. Finally, divinity of Christ is shown on the gold clavus and red clavus intensify his humanity. Medieval Christian paintings are products planned out to express Christ's dual nature. There is a significance that the paintings represent the profession of painter's faith and the dogma of the era. Furthermore, they suggest the importance of the image to deliver the abstract concepts by visualizing.

• Journal of the Korean Society of Clothing and Textiles
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• v.33 no.6
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• pp.958-967
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• 2009

Just as various religions of the world have multiple systems based on their own belief system respectively, religious costumes, which are the expression of religion, are varied in forms according to different religions. Nonetheless, this research attempts to examine the universal features of the variety of religious costumes. Since the range of this research is broad and the limit of study is clear, this research confines the study objects into world's four high religions. The purposes of this research are as followings; first, the investigation of the world's high religions, second, the study of the figurative attributes of religious costume to study and discuss the universality of figurative beauty and aesthetic value. Figurative attributes are distinct in religious costume. First, the non structural feature of composition, and the manner in which the costume is worn. Second, the rich silhouette covering the body. Third, the restraint and inhibition of decoration, and fourth, the preference of achromatic color and monotones. 'The beauty of concealing', derived from the religious absolute and chastity, 'The beauty of chastity' influenced by the restraint of decoration and design, and 'The beauty of nature' as the drapery and non structural feature are the universal aesthetic values. Human beings tend to contact the divine beings by pursuing the essential thing and concealing the body through religion. The forms of concealment and chastity, mentioned above are reflected in the usual costumes, affected by religion as well as religious costume.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.27 no.10C
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• pp.902-911
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• 2002

A wireless ad-hoc network is a collection of wireless mobile hosts forming a temporary network without the aid of any centralized adminstration or standard support services. Wireless ad-hoc networks may be quite useful in that they can be instantly deployable and resilient to change. In this environment, for many crucial distributed applications, it is necessary to design robust virtual infrastructures that are fault-tolerant, self-stabilized, and resource-efficient. For this task this paper proposes a scheme of maintaining robust spanning trees which are little affected by topological changes. By maintaining such a spanning tree and adapting it to the environments with frequent topological changes, one can improve the reliability and efficiency of many applications that use the spanning tree.