DOI QR코드

DOI QR Code

A Study on the Figurative Universality of Religious Costume -Centering on the Religious Costume of High Religions-

종교복식의 조형적 보편성에 관한 연구 -고등종교의 종교복식을 중심으로-

  • 서봉하 (용인송담대학 스타일리스트과)
  • Published : 2009.06.30

Abstract

Just as various religions of the world have multiple systems based on their own belief system respectively, religious costumes, which are the expression of religion, are varied in forms according to different religions. Nonetheless, this research attempts to examine the universal features of the variety of religious costumes. Since the range of this research is broad and the limit of study is clear, this research confines the study objects into world's four high religions. The purposes of this research are as followings; first, the investigation of the world's high religions, second, the study of the figurative attributes of religious costume to study and discuss the universality of figurative beauty and aesthetic value. Figurative attributes are distinct in religious costume. First, the non structural feature of composition, and the manner in which the costume is worn. Second, the rich silhouette covering the body. Third, the restraint and inhibition of decoration, and fourth, the preference of achromatic color and monotones. 'The beauty of concealing', derived from the religious absolute and chastity, 'The beauty of chastity' influenced by the restraint of decoration and design, and 'The beauty of nature' as the drapery and non structural feature are the universal aesthetic values. Human beings tend to contact the divine beings by pursuing the essential thing and concealing the body through religion. The forms of concealment and chastity, mentioned above are reflected in the usual costumes, affected by religion as well as religious costume.

세계의 여러 종교들은 각기 다른 믿음체계를 바탕으로 다양한 체계를 갖추고 있으며, 종교적 의미의 표현인 종교복식 역시 종교별로 각기 다른 형식을 띠고 있다. 그러나 본 연구는 인류의 다양한 종교복식에서 나타나는 보편적 특징을 연구하는데 목적이 있다. 종교는 그 범위가 불분명하고, 연구의 한계성이 분명하므로 본 연구에서는 세계 4대 고등종교를 대상으로 연구한다. 본 연구의 목적은 첫째, 세계 고등종교에 대한 고찰, 둘째, 종교복식에 나타난 조형적 특징 연구, 셋째, 종교복식에 나타난 보편적 조형미와 미적가치에 대한 연구 및 논의 등이다. 세계 4대 고등종교의 종교복식에는 조형적 보편성이 존재한다. 첫째, 구성과 형태, 착장법 등에서의 비구조적 특징, 둘째, 인체를 감싸는 풍성한 실루엣, 셋째, 장식의 절제와 억제, 넷째, 무채색계열의 선호와 모노톤의 특징 등이다. 종교복식의 보편적 미적가치로는 종교적 절대성과 정숙성 등으로 인한 '감춤의 미', 장식이나 문양 등의 억제와 단조로운 색상 등에서 '절제의 미' 그리고 드레이퍼리와 비구조적인 특징에서는 '자연의 미'가 나타난다. 인간은 종교를 통해 본질적인 것을 추구하고 인체를 은폐함으로써 신성한 것과 접촉하려고 한다. 종교복식은 초자연적 타계와 믿음에 대한 표현이며, 의식의례 행위이다. 각 종교의 종교복식은 물론 종교의 영향을 받은 복식에도 이러한 감춤과 절제의 형식들이 고스란히 반영되어 있다.

Keywords

References

  1. Bellett, G. (2006, June 3). Five heed the call. The Vancouver Sun. Retrieved April 12, 2009, from http://www.canada. com/
  2. Bhandari, V. (2004). Costume, textiles and Jewellert of India. New Delhi: Prakash Book Depot
  3. Bhandari, V., & Dhingra, S. (1998). Textiles and craft of India. New Delhi: Prakash Book Depot
  4. Burton, R. F. (2004). Personal narrative of a pilgrimage to Al Madinah and Meccah. Wikisource. Retrieved March 17, 2009, from http://www.en.wikisource.org/
  5. Cho, S. Y. (2005). Religion and culture, encountering in India. Seoul: Minsokwon
  6. Datta, J. G. (2006, June 3). Shani puja on shani trayodashi day 22 July 2006. Datta Peetham Welcomes You. Retrieved April 12, 2009, from http://www.dattapeetham.com/
  7. Ethiopian Orthodox Priest. (2008). Flickr. Retrieved March 23, 2009, from http://www.flickr.com/
  8. Fallding, H. (1974). The sociology of religion. New York: McGraw-Hill
  9. Kim, H. S. (1993). A study on the symbols of ritual dress in Korean catholic church. Journal of Costume Culture. 1(1), 69-80
  10. Kim, K. K., Cho, J. M., & Nam, M. W. (1999). The impression of on Korean catholic priest's ritual dress. Journal of the Korean Society of Clothing and Textiles, 23(5), 703−714
  11. Kim, Y. D. (2002). The ecological study in buddhism, folk customs, and environment. In Asian comparative folkore society (Ed.), Folk costumes and environment (pp. 139-164). Seoul: Minsokwon
  12. Kwon, Y. S., & Cho, W. H. (1997). A study on the symbolism of religious costume of India. Journal of the Korean Society of Clothing and Textiles, 21(4), 677−688
  13. Leslie, J. (1992). The significance of dress for the orthodox Hindu woman. In R. Barnes & J. B. Eicher (Eds.), Dress and gender making and meaning in cultural context (pp. 198-213). Oxford: Berg Publishers
  14. Lim, Y. J. (1990). A study on the religious costume in Korea. Costume, 14, 63−73
  15. Park, E. M. (2008). What is religion?: The philosophy of religion. Seoul: Arumnamu
  16. Razi, S. (2006, November 13). Clearing up misconceptions of Islam. Muslim Unity. Retrieved April 12, 2009, from http://www.smma59.wordpress.com/
  17. Religion. (2008). Cambodia. Retrieved April 12, 2009, from http://www.angkor-wat-net.com/
  18. Ross, H. C. (1985). The art of Arabian costume: A Saudi Arabian profile. Fribourg, Switzerland: Arabesque
  19. Seo, B. H., & Kim, M. J. (2007). A study on the mechanism of religious symbol, manifested in costume-Focusing on the rites of high religion-. Journal of the Korean Society of Clothing and Textiles, 32(6), 935−946
  20. Smart, N. (1983). Worldviews: Cross-cultural explorations of human beliefs. New York: Scribner's
  21. Smith, H., Tickle, P., Armstrong, K., & Gattuso, J. (2006). Talking to God: Portrait of a world at prayer. Milford, NJ: Stone Creek Publications
  22. Tea making ritual to the memory of a deceased monk. (2007, November 27). Bulgyo Today. Retrieved March 25, 2009, from http://www.bulgyotoday.com/
  23. The Korea church history institute. (2001). Kim Su Hwan. Seoul: Jungmunsa
  24. Yamaori, T. (2004). The world's religions (G. S. Lee, Trans.). Seoul: Seoul Munhwasa. (Original work published 2000)
  25. Yang, C. S. (2008). World religion and christianity. Paju: Korea Academic Information
  26. Yun, J. G. (1993). Yun, J. G.. Seoul: Dungji