• The Journal of the Korea Contents Association
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• v.19 no.1
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• pp.413-420
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• 2019

The purpose of this study is to analyze the main character characters of the movie [THE HANDMAIDEN]. All four characters in the movie [THE HANDMAIDEN] have in common is that they all have seen 'the Existence' and have the factors behind the villainous figure. Kozuki and Hideko had clear and typical symptoms, have been diagnosed as a structural layer of perversion and neurosis by Lacan's psychoanalysis Methodology. On the other hand, since Sook-hee and Ko-pandol have the nature of being a criminal, they have long been faced up to the existence. It was difficult to approach to the structural layer of psychoanlysis Methodology. Therefore, the PCL-R diagnosis used to analyze the personality type of Sook-hee and Ko-pandol and add structural analysis again. As a result, Kouzuki had an Sadist, Hideko had an obsessive compulsive and Sook-hee had an anti-social lifestyle, but she was in a normal emotional category. It was noted that the Ko-pandol was a potential Sadist and part of a sociopath.

• Tribology and Lubricants
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• v.10 no.1
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• pp.1-9
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• 1994

어떤 유체는 전기장에서 순간적으로 고체화한다. 이러한 다변형의 물질은 더욱 신속하고 적절한 기계의 앞날을 약속하고 있다. T-1000 (영화 터미네이터2; 심판의 날에서 생동하는 거의 불멸의 로보트)는 능숙하게 액체에서 고체로 변환다. T-1000은 총탄으로 관통되었을 때, 로보트의 액체-금속 피부는 관통된 구멍으로 흘러 들어가고, 산산조각이 났을때 T-1000은 녹아버린 후에 다시 제원형으로 응결된다. 전기유변성 유체는 이 영화제작자의 상상력에 어느 정도 적용될 수 있을 것이다. 전기유변성 유체는 전기장이 있는 곳에서 변형을 일으키는 물질이다. 주어진 전기장의 세기에 따라 전기유변성 유체는 물처럼 자유롭게 흐르기도 하고, 꿀처럼 진득하게 흐르기도 하며 제라틴처럼 고체화하기도 한다. 참으로 물질이 수천분의 일초사이에 한상태에서 다른 상태로 변할 수 있는 것이다. 전기유변성 유체는 만들기 쉽다; 절연액체에 미시적 입자가 분산된 것이다. 그러나 아직은 상업용으로 쓰이지 못하고 있다. 여러가지 문제점 중의 하나가 고체로서는 구조적으로 약하고, 또, 액체로서는 마찰성이 문제이며, 특히 고온에서는 화학적으로 불안정하다는 것이다.

• The Journal of Natural Sciences
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• v.5 no.1
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• pp.15-28
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• 1992

토양에 20년간 3요소+생고를 처리하였을때 토양의 화학적 성분, 공극율, 입단구조가 잘 발달되었다. 또한 이 처리에 의하여 CGR은 영화분화기때 가장 높았으나 무처리구나 3요소단용구에서는 전생육기간을 통하여 계속 증가하는 경향을 띈 반면 3요소+생고처리구에서는 영화분화기이후 계속 감소 하는 추세을 나타내고 있다. 현미수량에 있어서는 3요소+생고처리에 의하여 11%의 증가효과가 있었으며 이것은 주로 이삭의 일.이차기경의 분화수가 증가하였기 때문이었다. 또한 미립형태에 있어서도 완전미의 비율이 높았는데 이것은 등숙속도와 매우 밀접한 관계가 있어서 등숙속도가 빠를수록 심백미, 복백미 및 동할미가 많았다. 3요소 + 생고속도는 40DAH이었다.

• Proceedings of the Korea Information Processing Society Conference
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• 2011.11a
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• pp.373-375
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• 2011

최근 많은 연구가 되고 있는 오피니언 마이닝은 의견어 사전의 구축이 가장 기본적으로 선행되어야 하는 연구이다. 오피니언 마이닝의 의견어 사전 구축 연구는 영어를 중심으로 많은 연구가 진행 되었다. 하지만 형용사 위주의 의견어 사전 구축으로 많은 부분의 문제들이 해결되는 영어에 비해서 한국어는 여러 가지 품사와 문장구조를 고려하여 의견어 사전을 구축해야한다. 이것을 실험으로 밝히기 위하여 형용사로만 구성되어진 의견어 사전을 구축하고 영화평에 적용하여 분석해 봄으로써 형용사로만 구성되어진 의견어 사전의 한계점을 확인한다. 실험은 세종계획 말뭉치에서 나타나는 형용사로 구성된 의견어 사전을 구축하고 네이버 랩에서 제공하는 영화평을 형용사로 구성된 의견어 사전으로 의견 분석하여 시행하였다. 분석 결과 재현율 약 50%, 정확률 약 60%정도의 성능을 보였다.

• Cross-Cultural Studies
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• v.48
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• pp.289-323
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• 2017

L'Espoir, a novel by Andre Malraux, contains traits of the genre of literacy reportage that depicts the full account of the Spanish Civil War as non-fiction based on his personal experience of participating in war; the novel has been dramatized into a semi-documentary film that corresponds to reportage literature. A semi-documentary film is the genre of film that pursues realistic illustration of social incidents or phenomenon. Despite difference in types of genre of the novel and the film L'Espoir, such creative activities deserve close relevance and considerable narrative connectivity. Therefore, $G{\acute{e}}rard$ Genette's narrative discourse of novel and film based on narrative theory carries value of research. Every kind of story, in a narrative message, has duplicate times in which story time and discourse time are different. This is because, in a narrative message, one event may occur before or later than another, told lengthily or concisely, and aroused once or repeatedly. Accordingly, analyzing differing timeliness of the actual event occurring and of recording that event is in terms of order, duration, and frequency. Since timeliness of order, duration, and frequency indicates dramatic pace that controls the passage of a story, it appears as an editorial notion in the novel and the film L'Espoir. It is an aesthetic discourse raising curiosity and shock, the correspondence of time in arranging, summarizing, deleting the story. In addition, Genette mentions notions of speech and voice to clearly distinguish position and focalization of a narrator or a speaker in text. The necessity to discriminate 'who speaks' and 'who sees' comes from difference in views of the narrator of text and the text. The matter of 'who speaks' is about who portrays narrator of the story. However, 'who sees' is related to from whose stance the story is being narrated. In the novel L'Espoir, change of focalization was ushered through zero focalization and internal focalization, and pertains to the multicamera in the film. Also, the frame story was commonly taken as metadiegetic type of voice in both film and novel of L'Espoir. In sum, narrative discourse in the novel and the film L'Espoir is the dimension of story communication among text, the narrator, and recipient.

• Journal of Korea Entertainment Industry Association
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• v.14 no.1
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• pp.97-106
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• 2020

The mainstream of cinema animated film in today's world is the animated film produced by film companies such as Disney, DreamWorks, and 20th Century Fox. These animated films are influenced by Hollywood blockbusters, high cost, and big-budget, which have brought a gorgeous and splendid audio-visual feast to the global audience. DreamWorks Studios founded in 1994 has become noted in just over ten years. It has produced many high-quality animated works which are well-known all over the world. This achievement is no doubt inseparable from its superior external animation industry environment, and benefited from the American animation industry which commercially operated for almost 100 years. However, in addition to these external environmental factors, DreamWorks' achievements have also come from the extraordinary and superior creation of the animated film scripts, strong narrative script ensures the logic and appeal of animated films. This article takes Kung Fu Panda series, Shrek series, The Prince of Egypt, The Croods, Chicken Run, Megamind and other representative films produced by DreamWorks as key analysis object, using Jean Baudrillard's simulation and imaging theory, Syd Field's screenwriting skills, and Hegel's aesthetic point of view, explores the Creative Style of DreamWorks' Animated Film Script which contains the following four aspects. The script is exaggerated and novel, and the subject matter is rich and targeted. The script creation is very imaginative and can fully express the visual beauty. The structure of the story is well controlled, the space comes from reality but full of imagination. The characters have distinctive personality and the dialogue is moderated but forceful.

• Journal of Digital Convergence
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• v.19 no.5
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• pp.375-381
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• 2021

This study aimed to examine the dilemma of rural China under rapid urbanization process after economic reform, by paying attention to the problem of the order of village community and the expression of individual desires depicted in the film with a rural background. To this end, the narrative analysis, which is suitable for exploring the story structure and expression style of the text, was conducted to examine the community order and ethics, patriarchy and paternity, and the expression of desires of subject. In the film, closed space and villagers, who are disciplined by community customs, local culture, and formality of the rule of manners, are depicted. The film is covered in a form of mystery movie dealing with the deaths of members of the village community. However, the film talks about the rise of the Imaginary desire of subject against the symbolic rules of community order and ethics through the puzzle pieces story according to the perspectives of the characters. In conclusion, through the narrative analysis, it was possible to examine the implications of weakened communal discipline and paternity of the countryside by the rapid urbanization of China, and implications of the lethargy and neurosis of the subjects.

• The Journal of the Convergence on Culture Technology
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• v.8 no.5
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• pp.561-568
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• 2022

The purpose of this study is to explore the narrative of VR disaster and safety Education introduced by disaster film narrative. VR(Virtual Reality) is be suitable technology for disaster and safety Education due to media characteristics as 'immersion', 'presence', 'interactivity', 'pleasure'. Disaster film narrative is able to be worth VR disaster and safety education as a variety of stories and educational effect. For this study, examine a theoretical study and a visiting research of 'Busan 119 Safety & Experience Center'. This study concludes that Firstly need to introduce catharsis effect, Secondly, build 'interactive narratives' that ensure active participation of users, Thirdly, introduce an 'adventure game' narrative element, Fourthly, introduce a hero-shaped narrative in which the user becomes a one-man hero, And lastly, need education as use user's multiple access and group experience learning. Therefore, This thesis is of academic value in that it suggest a desirable new direction of narrative in VR disaster and safety education.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2007.02a
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• pp.35-40
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• 2007

본 논문에서는 사운드디자이너가 주어진 영상조건 속에서 음원(sound source)을 어떻게 구성하고, 디자인하고, 믹싱하는가 에 따라 수용자의 그 감응도(감정적변화:sympathy response)와 인지도(이해와 기억도:acknowl-edgment)가 달라질 수 있는가를 분석하고자 한 것이다. 그 방법으로 영상음향의 구조에서 음악, 음향, 대사의 상호크기, 연결, 편집, 강조, 등을 달리한 영상 내에서 사운드디자인과 믹싱을 달리하여 실험하였으며 주관적평가방법과 뇌파변화측정방법 2가지로 하여 비교, 평가 분석하고자 했다. 사운드의 디자인구조가 수용자에게 미치는 영향도를 알아보는 이러한 연구는 영화, 방송 등 미디어사운드에서 사운드디자인 구조를 어떻게 만들어야 하는가? 에 대한 방법론적 정리에 기여할 것으로 기대된다.

• The Magazine of the IEIE
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• v.30 no.2
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• pp.50-50
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• 2003

광교환 및 광라우팅 기술은 광인터넷에 접속되는 이용자가 원하는 인터넷 서비스를 실시간으로 제공받을 수 있도록 대상 목적지를 찾아 최단 시간내에 접속시켜 주기 위해 광인터넷 제어평면을 이용한다 GMPLS기반 광인터넷 제어평면은 노드간 신호 유형 및 신호속도, 그리고 전송 프레임 구조 등과 무관한 호/연결 접속 능력을 제공하기 위해 기존의 계층 2.5 스위칭 구조인 MPLS개념에 계층 1스위칭 구조로까지 확장된 개념이다. 이 확장된 개념을 기능 구조화하고 시스템화하기 위해서는 표준화 상황 및 기술개발 동향을 분석하고, 노드간 상호연동성을 보장할 수 있는 현실적인 시나리오와 기능 구조를 우선 결정해야한다. 본 논문에서는 시스템 엔지니어링 관점에서 광인터넷 제어평면의 개념 단계에서부터 시스템 단계에 이르기까지 표준화 상황, 제어평면 기능, 그리고 시스템 적용 등을 단계적으로 기술함으로서, 제어평면 관련 광인터넷 시스템에 좀더 가까이 다가서고자 한다.