• Proceedings of the Korean Institute of Communication Sciences Conference
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• 2006.07a
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• pp.318-318
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• 2006

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2010.05a
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• pp.465-466
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• 2010

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2011.04a
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• pp.177-178
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• 2011

• 프린팅코리아
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• v.12 no.10
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• pp.104-105
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• 2013

'타이포잔치 2013: 서울 국제 타이포그래피 비엔날레'가 8월 30일 개막식을 시작으로 10월 11일까지 문화역서울284(구 서울역사)에서 열린다. 이 행사는 문화체육관광부(장관 유진룡)가 주최하고 (재)한국공예디자인문화진흥원과 한국타이포그라피학회 공동 주관으로 진행된다. 특히 10월 8일에는 '한글날 전야제'가 문화역서울 284, RTO 공연장에서 열린다.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2017.06a
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• pp.207-208
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• 2017

최근 보급되는 스마트 디바이스들은 실외뿐만 아니라 실내의 위치를 측정할 수 있는 기술들을 제공하고 있다. 실외 위치 측위 같은 경우는 기존의 GPS(Global Positioning System)를 사용하는 것이 일반적이지만, 실내 위치 측위는 기존의 GPS 방법으로는 한계가 있어 다양한 새로운 방법들이 연구 중에 있다. 그 중 가장 대표적인 방법은 BLE(Bluetooth Low Energy) 기반의 비콘(beacon)을 활용하는 것이다. 그러나 이 또한 추가적인 하드웨어가 필요할 뿐만 아니라 충전이 필요하다는 단점이 존재한다. 따라서 본 논문은 상기 단점들을 극할 수 있는 OCC(Optical Camera Communication)를 활용한 실내 위치 측위 기술을 고려한다. 특별히 공연장 내에서 관객들이 소지하고 있는 스마트 디바이스 카메라의 상대적인 위치정보를 획득하는 시스템을 제안한다. 이는 추가적인 하드웨어를 필요로 하지 않고 비동기식 접근이 가능하다는 장점이 있다. 본 논문에서 제안한 시스템을 통해 획득된 위치정보들은 촬영한 영상과 함께 저장되어 다양한 시점을 제공하는 응용데이터로 활용될 수 있을 것으로 기대한다.

• The Journal of the Acoustical Society of Korea
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• v.34 no.4
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• pp.282-287
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• 2015

This paper examines the combinations of factors influencing the absorption characteristics of theatre chairs. One-tenth scale model chairs and listeners that closely approximated the absorption characteristics of full scale theatre chairs were used to measure the interactive effects of the test variables on the chairs absorption characteristics. The test variables were the type of chairs, the row spacing, as well as the presence of people and carpet. The variations of absorption increments with varied row spacing tended to be smallest when the chairs were less absorptive, i.e. with less carpet or occupants. The incremental effects of adding occupants or carpet averaged over three row spacings varied over frequency.

• Korean Institute of Interior Design Journal
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• no.29
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• pp.195-202
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• 2001

The stage facilities in the western culture originates in the scientifically planned Open Air Theater built in BC 3C and magnificent theaters built in the era of Rome. These buildings are the remains that reveal popularization of the play. Furthermore, the facilities continued to flourish in the medieval to the Industrial Revolution as stage art actualizing designers' imagination. Diverse systems developed in industrial technology have been transferred to the stage, and the balance between industrial and cultural art has been endeavored to be achieved. The conversion methods of the stage has been developing in various forms. Domestic stage setting arrangement techniques and material exploitation have also been developing. Therefore, in reality, it is very difficult to grasp the definite trend. Additionally, as for the stage system in Korea, plays are dependently directed by directors and stage artists. It is concluded that the current state should be understood based on actual examples to meet solve these problems. The purpose of the study is to provide basic data for stage facilities planning. To do this, how the stage system of large performance halls can be used in accordance with performance condition of the grounds in Korea and frequent scene changes is given a special attention. With this background, the surroundings of the stage and conversion system are examined.

• Korean Institute of Interior Design Journal
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• v.15 no.1 s.54
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• pp.121-130
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• 2006

The key role of performance facilities is to provide the stage shape and stage system suitable for the purpose and the property of public performance. The purpose of this study is to draw comparison analysis about the stage construction and stage machine system of the specialty theater or the multiple purpose performance facilities. The progress of the research is as followings. 1. Investigation into literature and catching on physical composition in the performing facilities, 2. Analysis of the stage organization, items of performance, construction form of stage machine systems, conversion system of the analysis samples, 3. A suggestion of the standard model of stage by each scales, through the such continuous analysis. And it was founded that the relation of stage composition, production type, stage system and distribution, and also the basic data between each elements. On the basis of the results, this study proposes the data and the application methods in domestic performance space when we are setting up the plan of performance facilities.

• The Journal of the Korea Contents Association
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• v.11 no.2
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• pp.287-302
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• 2011

In this paper, we analyzed audience satisfaction procedures in performing art, specifically in musical, in terms of Expectation Disconfirmation Theory. We analyzed one's expectations and outcomes over time; we first classified audience expectations and outcomes about environmental elements as 'the first expectation'/'the first outcome' and about watching situation & content itself as 'the second expectation'/'the second outcome', then analyzed by comparing those two. Through surveying and analyzing the result, this paper serves that the ultimate fact which affects on the final audience satisfaction is 'the second outcome', which is the outcome about watching situation & content itself. This paper also shows that audience expectation toward physical quality of environment affects to 'the second expectation', then 'the second expectation' affects to 'the second outcome', so then affects to the final satisfaction. However, 'the first outcome' doesn't affect to 'the second expectation'; in other words, the physical environment does not affect much to the audience final satisfaction. We expect that our study provides clues for venue management in performing arts.

• The Journal of the Korea Contents Association
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• v.11 no.12
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• pp.504-510
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• 2011

In the culture performance field, device technologies for public performances with new concept is on the rise with the advancement of science. Most designers make use of the performance devices to achieve powerful and dramatic effect in their performances. It increases the perfection of performance. Most of all, applying high technology to performances' stage leads to enhance the space efficiency of the limited stage as well as to enable us to run a fully unmanned performance. This paper proposes a reconstructible electric block system for public performances' stage to heighten the fantastic stage effect variously.