• Title/Summary/Keyword: 공연장진동

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Safety Evaluation of Concert Hall Floor Vibration Using Numerical Analysis Model (수치해석모델을 이용한 콘서트 홀 바닥진동 안전성 평가)

  • Roh, Ji-Eun;Heo, Seok-Jae;Moon, Dae-Ho;Lee, Sang-Hyun;Rha, Chang-Soon
    • Journal of the Computational Structural Engineering Institute of Korea
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    • v.30 no.6
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    • pp.469-477
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    • 2017
  • In this paper, the floor vibration of an example concert hall building was measured and floor safety criteria were analytically checked through comparison between experimental and analytical results. The floor bottom plate model was constructed considering the composite effect and the analytical model was modified to have the natural frequency identical to the measured one. Also, time history analysis was conducted using the dynamic loads induced by human rhythmic movement during a musical performance, and the analytically calculated floor accelerations were similar to the measured one. Based on this model, the floor vibration level due to the group activities of about 400 persons, maximum available persons for the concert hall, was estimated. It was confirmed that the human induced dynamic loads applied to the column and beam would be much lower than the design strength. In addition, the horizontal acceleration level is just 2% of the design seismic load, so the concert hall is safe in both vertical and horizontal excitations by human rhythmic movements.

Dynamic Load Factor for Floor Vibration due to Lively Concerts (공연하중에 의한 바닥진동 설계용 동하중계수)

  • Hong, Kap Pyo;Yoon, Kwang Sup
    • Journal of Korean Society of Steel Construction
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    • v.14 no.6
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    • pp.721-728
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    • 2002
  • Modern structrues are being built using high-strength and light-weight construction materials resulting in decreased structural mass and damping properties. Rhythmic activities such as jumping, dancing and clapping during lively concerts can produce excessive vibration of steel structures. In this study, dynamic load factors that occur during lively concerts were presented through vibration test and real-time monitoring of an existing concert hall. The vibration test included modal analysis and jumping test according to the forcing frequencies and the number of participants. Dynamic load foactors were acquired directly from peak acceleration responses of each harmonics. Comparing NBCC 1995, the 3rd harmonic must be included in the design of concert halls. Dynamic load factors must be increased as a result of the vibration test.

Noise and Rooms Acoustic Control in Multi-Purpose Space (다목적 공간의 소음 및 실내음향 제어)

  • Jeong, Jeong-Ho;Kim, Jung-Joong;Cho, Chang-Geun
    • Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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    • 2008.04a
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    • pp.42-45
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    • 2008
  • 다목적 공간 및 공연장은 공연 또는 강연을 위한 공간뿐만 아니라 상점, 식당 및 체육 공간 등 다양한 용도의 공간이 인접되고 있다. 다양한 공간이 인접할 경우 기존의 다목적 공연장에서는 발생하지 않았던 다양한 소음 진동 문제들이 발생한다. 본 연구는 강연 및 공연을 위한 다목적 공간 상부에 식당 및 체육 시설로 활용되는 공간이 배치되어 바닥충격음 문제가 발생할 가능성이 있었다. 바닥충격음의 강당으로의 전달을 차단하기 위하여 기본 구조체에 대한 바닥충격음 차단성능을 측정하여 적절한 저감 대책을 수립하였다. 저감대책으로는 상층부 철골 슬래브와 강당의 철골 구조의 구조적 분리, 유연한 마감재 적용, 슬래브로의 충격진동 차단을 위한 제진재 적용, 이중천장 구조 및 천장내부 흡음구조 형성 등의 종합적인 대책을 수립하였다. 이를 통해 경량충격음 및 중량충격음을 효율적으로 차단하였다. 또한 강당 공간은 강연 및 집회의 공간으로 활용될 수 있도록 하기 위하여 적절한 잔향시간 및 음성 명료도 확보가 필요하다. 플러터 에코, 과도한 잔향시간, 음의 사각지대 등을 최소화하기 위하여 측벽 형태 개선, 천장 반사판 형태를 개선하였다. 또한 측벽에서 진동 등의 영향으로 발생되는 떨림현상을 억제하기 위하여 측벽 내부를 흡음재로 충전하는 등의 대책을 수립하여 적용하였다.

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Sound Absorption Characteristics of Audience Seats (공연장 의자의 흡음성능 평가)

  • Jeong, Jeong-Ho;Seo, Chun-Gi;Jeon, Jin-Yong
    • Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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    • 2008.11a
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    • pp.589-590
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    • 2008
  • Sound absorption characteristics of audience seating is very important when design and simulate room acoustics of concert halls or multi-purpose auditoriums. Sound absorption characteristics of audience seats were measured in reverberation chamber by varying the row to row spacing and number of audiences. By the increment of the row to row spacing, sound absorption characteristics in mid frequency band was increased. Also, sound absorption was proportionated to the number of audience.

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