• Journal of Korea Entertainment Industry Association
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• v.13 no.1
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• pp.89-98
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• 2019

Performing arts, for instance, theatre and dance that perform on the stage, should recognize the contemporary characters and also emphasize the trend of the times. Thus, the subject of those varies and provides the audience diversity contents and style. People who perform those try to put the contemporary characteristic and sociality into their stage by utilizing new technology for their stage to be more sophisticated in aesthetic and philosophic aspects. According to the trend of the times, science and technology have been making great progress. As a result, the stage technology continues to develop, contributing to enhance the aesthetic and philosophical completeness of the performing arts. Also, there are technical and formal researches or methods constantly that make the performing arts new and diverse. Therefore, it can be said that it is very important to widen a category of the performing arts that amplify the actor's acting and emotions on the stage and then give the audience an experience. This paper will analyze in the way which various image techniques utilize to widen the actor's technique in the performing arts and the actor's technique progresses in the era called the Fourth Industrial Revolution era that grafts the art onto new media. Through this paper, in the era of the Fourth Industrial Revolution, a new paradigm in actor's acting which is becoming a hot topic in performing arts is predicted and anticipated.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2015.07a
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• pp.125-128
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• 2015

본 연구는 실감미디어를 활용한 무대기술 적용을 위해 UWB 센서를 이용한 동적 피사체 추적 시스템을 제안하고자 한다. 최근 공연산업에서는 실감미디어를 활용하여 관객의 오감을 자극하여 극도의 몰입감을 제공하는 시도가 지속해서 증가하고 있다. 특히 배우와 무대장치의 움직임을 실시간으로 반영하여 디지털 미디어 연출 요소로 활용한다면 관객의 실재감과 몰입감을 효과적으로 증대시킬 수 있다. 하지만 대부분 위치추적 솔루션은 제조, 물류, 유비쿼터스 자동화 시스템으로 연구가 활발히 진행되고 있으며, 공연 무대기술과 관련하여 위치추적 솔루션 연구는 미진한 실정이다. 따라서 본 논문에서는 고속의 근거리 무선 통신망을 제공할 수 있는 해결책으로 최근 주목받고 있는 Ultra Wide Band 무선 센서를 사용하여 무대 공연기술 활용에 적합한 동적 피사체 위치추적 시스템을 개발하고, 그 성능을 실험하여 위치정보의 정확도를 분석하고자 한다.

• 한국HCI학회:학술대회논문집
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• 2009.02a
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• pp.851-854
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• 2009

This Research suggest that key features of lighting simulation and intuitive theaterical design method can unify single system. It can produce the virtual scene of stage which is able to predict the number of lighting box and design budget. the final goal of this research is unifying lighting and stage design into on single system.

• The Proceedings of the Korean Institute of Illuminating and Electrical Installation Engineers
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• v.23 no.6
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• pp.44-53
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• 2009

• The Korean Publising Journal, Monthly
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• s.94
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• pp.11-11
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• 1991

김문환은 연극평론을 포함하여 모든 평론은 기술.해석.평가의 과정을 총괄하는 것이라고 규정하고 그러한 규정을 공연평에 적용하려 한다. 그의 공연평의 또하나의 특징은 무대상의 공연을 평할 때 가능한 한 그것의 대본과 프로그램을 읽고 참고하고 있는 점이다.

• Trans-
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• v.5
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• pp.65-82
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• 2018

What distinguishes Impression Liu Sanjie, directed by Zhang yimou from other stage performances lies in its use of space. Firstly, it breaks the regular way of performing in a limited theater space but instead, impression Liu sanjie bases the stage activities on the real nature scenery. Secondly, it promotes the local culture by combining the unique color effect of the particular nature scenery with its use of the scenery's natural space, with an aesthetic precision. In another word, Impression Liu Sanjie is not a simple performance set on the natural scenery but more of a promotion to the local culture, through the concept of "environment friend" between human and nature, which is brought by mixing the unique color of natural scenery and its natural space. This research analyzes the Impression Liu Sanjie's use of space basing on Proxemics by Edward T Hall. Impression Liu Sanjie adapts its character from a folk tale, employs the form of natural scenery performance, and at the same time to the largest extent throughout its creating process respects the local culture and its natural space. As a result, the performance presents the idea of "environmentally friendly".

• Journal of Korean Classical Literature and Education
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• no.38
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• pp.103-138
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• 2018

This study examines the modern succession, transformation and significance of enjoyment methods of classical literature (art) with a focus on the characteristics of those methods that appeared when the performances of the traditional era began to be displayed on the stage of the theaters in modern Seoul. The clues to the reasons for this type of enjoyment can be found in newspapers, magazine articles, and advertisements from the early 20th century. The emergence of stage theaters at the beginning of the modern era caused a sweeping change in the performance environment, including the fact that it was possible for all kinds of people to enjoy art beyond the existing socioeconomic hierarchies or barriers of status, that the performers were given employment through the theater, and that the audience had the tendency of the general public of an unspecified number because the audience was able to see the performances only by paying the viewing fee. The way of enjoying traditional performances also changed based on these new adaptations: the performances were sequential, show-oriented, and re-contextualized as public performances. It is significant that in the traditional era, performers and audiences had been segregated according to their status and a strict hierarchy; now, such cultural norms were breaking down in favor of a kind of equality. In addition, it was possible for the audience to experience sensory enjoyment, and theater brought about a new kind of popular consumer enjoyment of an artistic product. Of course, though, it is possible to look back and find problems related to the contemporary context, but the traditional performances, which were the main performances for the lower class, took the first place on the modern theater stage, and as a result, no one can deny that it became possible to move forward in the first phase of an era of public performance.

• The Journal of the Convergence on Culture Technology
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• v.9 no.3
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• pp.391-398
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• 2023

This study focuses on the potential for creating spatial and atmospheric effects in small theaters using mobile stage equipment, without being constrained by physical space or theater facilities, for mega musical productions. With the continuous growth of mega musicals in the domestic market, the study analyzes the distribution and sales of musical works in Korea and proposes methods for creating spatial effects in university musical education to facilitate the production of mega musicals in small theaters. The mobile stage equipment is designed based on the principle of the periaktoi, a stage mechanism used in ancient Greek theater and the characteristics of mobile stage equipment used in musicals such as <Notre Dame de Paris> and <Laundry>. The mobile stage equipment is a four-sided column-shaped device, which is applied to the musical <Les Misérables> to derive the potential for creating spatial effects, representing the inner state of characters, and forming the mood of the drama. The study is expected to provide opportunities for performing mega musical productions in university musical education and to contribute to the development of the musical industry and education. The utilization of mobile stage equipment demonstrates the possibility of producing mega musical productions in small theaters.

• The Safety technology
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• no.200
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• pp.26-28
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• 2014

성남문화재단은 성남시의 문화예술 창작과 보급, 조사, 교류, 성남아트센터와 성남시민회관의 운영관리 등을 위해 지난 2004년 12월 창립됐다. 특히 재단 창립 이듬해인 2005년 성남아트센터에는 오페라하우스, 콘서트홀, 앙상블시어터 등 극장과 문화강좌를 위한 강의실이 개관돼 많은 사람들이 찾게 되면서 안전 문제에 대한 관심이 더욱 커졌다. 연중 공연이 끊이지 않는 이곳에서 유일하게 비수기라 할 수 있는 기간은 하계 휴가철이다. 많은 사람들이 바다와 산으로 여름휴가를 떠나면 공연장을 상대적으로 덜 찾게 되는 까닭이다. 이 때문에 성남아트센터의 안전점검도 7월과 8월에 집중 진행된다. 푹푹 찌는 여름철 어두운 무대 뒤편에서 안전점검이 한창인 성남아트센터를 직접 찾아가 공연무대시설의 안전은 평소 어떻게 관리되고 있는지 이야기를 들어봤다.

• Journal of Broadcast Engineering
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• v.25 no.4
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• pp.518-527
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• 2020

360 VR technology is used not only in movies, but also in performing arts such as music, theater, dance, and so on due to the characteristics of immersion and presence. The technology allows the audience can be perceived a feel of participation in a story. This study is conducted an analysis of the techniques of 360 video shooting in order to find the answers of the following questionaries: how to make viewers enhance to a better understanding of a space, how to make the viewer feel comfortable ceding control of the experience, how to generate greater empathy with a 360 video. Thirty cases were analysed 360-degree videos of live performances performed on stage among 360-degree images of music performance content shared on Youtube from 2015 to 2020. The result shows that live performances are performed with the audience, so the stage shape and the layout of the audience seats are preferred to the characteristics of the performance. It was also shown that directing using a 360 VR camera was also greatly affected by the stage and audience placement. The stage is manly classified into three types, and the camera layout and characteristics mainly used are organized according to the number of 360 VR cameras, whether fixed or mobile cameras are used.