• Journal of the Korean Geographical Society
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• v.35 no.3
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• pp.401-426
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• 2000

본 연구에서는 고향의 개념을 의미론적 측면과 지리학적 입장에서 정의하고, 한국 사람들이 고향이라고 지칭하는 고향의 공간적 대상, 고향에 대한 감정과 선호, 고향의 지리적 특징 및 이미지 등을 조사하여, 이를 중심으로 한국인의 고향에 대한 애착의 본질과 정서(ethos)를 밝히려 하였다. 그 결과는 다음과 같다. 첫째, 한국인의 고향에 대한 애착은 본질적으로 고향 의식과 회귀본능과 같은 고향에 대한 인류의 보편적 정서로부터 나온 것이다. 둘째. 이러한 보편적 정서 위에 한국의 사회적 배경에서 나오는 고유한 고향의식이 첨가되었다. 사회적 배경에서 발생된 고향에 대한 강한 애착은 효에 근본을 둔 유교적 전통, 남북분단, 도시화에 따른 광범위한 실향의 결과에 의해서 형성된 정서라고 볼수 있다. 섯째, 고향이미지는 이러한 한국의 정서를 반영하고 있으며, 자연환경적, 인문환경적, 감각적 요소가 모두 수렴된 전형적이며, 추상화된 유형으로 나타난다. 넛째, 한국인의 고향에 대한 정서는 인간의 본성으로부터 나오는 보편적 정서와 대체로는 일치하지만 개인이나 집단의 인구.사회적 배경과 공간적 체험에 따라 다른 것으로 나타났다.

• Proceedings of the KGS Conference
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• 1999.05a
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• pp.67-73
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• 1999

• Sijohaknonchong
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• v.30
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• pp.109-146
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• 2009

It is academically recognized that Jeong Wan-Young's sijo better represent Oriental ideas. The purpose of this study is to investigate Taoistic characteristics of Jeong Wan-Young's sijo. This is an effort to succeed and further deepen and extend previous relevant researches. For the purpose, this researcher categorized the poet's sijo in accordance with such characteristics as above mentioned. Findings of the study can be summarized as below. Pieces of Jeong Wan-Young's sijo which are based on Taoistic ideas are largely classified into three groups. First, some pieces of Jeong Wan-Young's sijo represents an orientation of return to hometown which is brought by the sense of loss. His sense of loss is attributed to the facts that his home is not what it was any longer and that he can't return to the old home. To overcome the sense, nevertheless, the poet is dreaming of return to home. The home found in Jeong Wan Young's sijo is something fundamental and original that he purposedly provided against the feeling of loss. It complies with the concept of 'Bokgwigigen(復歸基根)‘ a pursuit of Taoism. Second, other pieces of Jeong Wan-Young's sijo are seeking purity to retrieve childish innocence. Their subjects include the season of spring, dreams of childhood and longing for mother all of which represent the poet's strong desire for such retrieval as above mentioned. It may be said that pursued by that pieces are 'Purity, Feebleness and Smoothness' that are sought by Taoism. Third, other pieces of Jeong Wan-Young's sijo are considering human as a part of nature and seeking human life in harmony with nature. In other words, they are seeking union between human and nature which means going beyond discrimination between self and external objects, that is, 'Mulayangmang(物我兩忘)'. This may refer to return to nature which is the ultimate destination of Taoism.

• Sijohaknonchong
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• v.26
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• pp.7-24
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• 2007

The poetic world of Jeong Wan-yeong, Baeksu in pen name, is commonly said to be a mirror of the Oriental world of thoughts. However we haven't had any scientific article to support this point. My research is aimed to verify this point. The conclusions of my research are as follows : First, each persona in his sijo work complies to nature, revealing himself in harmony with the principles of nature, and lost in nature. Second. Baeksu, in his sijo works, regards two conflicting ideas as complementary ones, which was called the theory of 'Bangsaeng(方生)' by Chung-tze(莊子), and was called the theory of Origin(緣起說) by Buddhist philosophers. Third, Baeksu located his home town in a space of the supernatural world. which is similar to that of 'Muhayujihyang(無何有之鄕)'called by Chung-tze. From these points, it can be said that the ideas of Chung-tze and Buddhist philosophers are deeply permeated in his sijo works.

• Journal of Korean Philosophical Society
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• v.126
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• pp.403-422
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• 2013

유사배(劉師培)는 '반청(反淸)'에서 반전통의 '무정부주의'로, 그리고 '친청(親淸)'으로 변절하는 파란만장한 삶을 살았다. "중국민약정의(中國民約精義)"는 유사배(劉師培)가 무정부운동을 하기 전, 즉 1903년에 완성한 저서다. 1903년은 유사배(劉師培)가 고향을 떠나 상해(上海)에서 반만(反滿) 운동을 시작했던 시기이고, 1907년 일본으로 유학가기 전 4년 여 동안 유사배(劉師培)는 반청(反淸) 운동에 적극적이었다. 따라서 "중국민약정의(中國民約精義)"는 무정부주의자들의 이념인 '반전통(反傳統)'의 관점에서 저술된 것이 아님을 알 수 있다. "중국민약정의(中國民約精義)" 서문은 다음과 같은 중요한 의미를 내포하고 있다. 첫째, 유사배(劉師培)가 참조한 루소의 "민약론"은 양정동(楊廷棟)이 일본어판을 보고 중국어로 번역한 "민약론"이다. 둘째, "민약론"의 내용은 널리 알려지지 않았다. 셋째, 원고는 1903년 이전에 완성되었고, 책은 1904년에 출판되었다. 유사배(劉師培)는 "주역"을 통해서는 '군민(君民)의 일체(一體)'를, "상서"를 통해서는 '군민(君民)이 국가의 공동주인'임을 밝혔다. "시"는 '민의(民意)의 표현'이라고 했으며, "춘추"를 통해 군주세습제와 민권(民權) 그리고 민의(民意)에 의해 관료 등용 등을 주장했다. "논어"를 통해서는 군신(君臣)의 대등 관계와 군민의 일체를 다시 강조하고, "맹자"와 "순자"를 통해 군주가 신성불가침의 영역이 아니기 때문에 민의(民意)를 근거로 군주도 바꿀 수 있다고 했다. 유사배(劉師培)의 이러한 주장만 놓고 보면, 중국은 비록 전제군주체제에 있었지만, 사람들은(人民) 민주제도를 향유한 것 같다. 그러나 실제로는 이와는 정반대의 길을 걸었던 것이 중국이다. 문제는 유사배(劉師培)의 주장처럼 루소의 "민약론"에 버금가는 사상과 역사적 사실이 있었음에도 불구하고, 그것을 제도화된 적이 없다는 점이다. 유사배(劉師培)가 "중국민약정의(中國民約精義)"에서 서술한 '민약(民約)'은 치도(治道) 방면과 비슷하다. 그러나 정도(政道) 방면에 대해서는 거의 언급이 없다. 게다가 서술된 '민약'의 내용이 한 번도 제도화된 적이 없다는 점에 대해 아무런 언급이 없다. 결국 비록 "중국민약정의(中國民約精義)"가 중국 전통사상에서 서구의 '민주' 개념을 모색했다는 점에서 높이 평가할 수 있으나, 그것을 제도화하지 못하고 또 치도(治道)에만 치중해 서술한 점이 "중국민약정의(中國民約精義)"의 약점이다.

• Korean Journal of Childcare and Education
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• v.8 no.1
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• pp.85-107
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• 2012

The movie WALL-E shows the Earth which has been overrun with garbage and devoid of plant and animal life, and humans who try to restore the ecosystem. The aim of this study is to find the implications of children's education with a detailed analysis of the movie's theme. The analysis method is the interpretive analysis model that is one of the qualitative methods of data analysis based on the concept of Wolcott. First, the Earth is an abandoned planet covered in trash: the Axiom is a haven for morbidly obese and indolent people. The main area of the earth's destruction, and the captain's cabin is the place to find a clue to awakening and change. Second, with the lapse of time, the Axiom becomes a ship allowing their return to earth. The Earth, recognized as their homeland, turns in to the land of hope when people return. Third, the cleaning robot Wall-E, as a main agent of change, has changed humans as well as itself. The results showed that we found nature-friendly development, destruction of nature, the criticism of modern civilization, the sanctity of life, ecological consciousness, coexistence, symbiosis and a win-win principle in our research.

• Journal of Korean Philosophical Society
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• v.142
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• pp.51-74
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• 2017

As the phrase 'solitude death' implies, solitude generally has a negative characteristic as an object to avoid. But on the contrary, Nietzsche attempts to accept solitude and even affirms it in his overall philosophy. This study is about the authentic meaning of Nietzsche's solitude concept, aiming to clarify what true meaning solitude has to Nietzsche. This study will examine the 'external situation that humans face today' first. To do this, the study will consider the situation that humans who lost the earth and homeland faced in the period when God is dead. This study will then look at 'memory' and 'oblivion', as human's internal situations. And following that, this study will examine what meaning 'creativity' has to Nietzsche, which has a close relationship with those internal situations. Lastly, the meaning that 'body' and 'dance' imply to Nietzsche and what relationship these have with true solitude will be presented. Human is the being who can not avoid solitude whether they want it or not. Even though we make whatever effort we can to run away, solitude is unavoidable. The smart phone that makes me feel emptiness when I don't hold it on my hands, the hobbies which attract and force us to do, and new products which make us feel lonely if we don't buy them, don't they prove these efforts? What meaning does solitude have to humans that we have no other way but to run away from it like this? By understanding the authentic meaning of Nietzsche's solitude concept, we can change our view point on solitude so we can eventually accept 'solitude' as something that we must truly embrace and affirm, instead of something we must run away from.

• (The)Study of the Eastern Classic
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• no.41
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• pp.37-59
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• 2010

This thesis is for clarifying a few aspects of 'Kyung(敬)' ideology and figures appearing in Yeheon(旅軒)'s poem. This ideology and figures is a kind of a imaginative thing that a poet designed. This feature is a very important subject of Yeheon(旅軒)'s poem world, so that we are going to make it clear. First, we focused his aspirations of virtual uncontaminated areas and found out his big store of life wisdom and knowledge. The second is we thought about a displaying a emphasis of proud spirit[氣像] in his own poem world, and we found that he saw things from an unworldly point of view. Finally we talked about several features of Yeheon(旅軒)'s poem world. Now we have to compare Yeheon(旅軒)'s poem and any other Dohakpa(道學派) poets for example Toegye(退溪), Hwejae(晦齋) etc. And we must clarify the whole poem world of Dohakpa(道學派). In the end, I'm so sure that we will get a prospect of their literature.

• The Korean Journal of Archival Studies
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• no.60
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• pp.123-159
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• 2019

Given that the concept of reproducing landscape is similar to that of recording historical sights, places can become special space where memories are archived through meaningful activities. Therefore, place and landscape are the important concepts for understanding the Home of Roh Moo-hyun. This research was initiated when Roh Moo-hyun Foundation's decided to return the Home of Roh Moo-hyun to the public. A research report was published as the first result of this initiative. Then an archive book was recently published based on the first research report. The research report was about philosophical and aesthetic meanings and contents, the layers of accumulated memories, the records based on the accumulated memories, and the attributes of the place, and the possibility of archiving, whereas the purpose of the archive book is to restore and to curate the original meaning of the Home of Roh Moo hyun through cultural events. There are 'three memories' of layers in the Home of Roh Moo-hyun. The first memory is about 'life and dreams' that President Roh Moo-hyun dreamed about after his retirement to the hometown. The second memory is about 'the loss of time' for 10 years of time after the decrease of the President Roh Moo-hyun. The third memory is 'the memory of citizens', which started with the public opening of the Home of Roh Moo-hyun. 'Low Roof House of President Roh Moo-hyun' is the archive book that comprises the three memories which are accumulated in the home of Roh Moo-hyun and 'record language' full of meanings.