• Title/Summary/Keyword: 고대문자

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A Study of the Sulmunhaejaikjing ("설문 해자익징" 연구)

  • Kim Soon-Hee
    • Journal of the Korean Society for Library and Information Science
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    • v.30 no.1
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    • pp.69-88
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    • 1996
  • This dissertation evaluate3 the Sulmunhaejaikjing, published in 1912, by Sun-Soo Park, an ideographic scholar of the late on Korean Chosun Dynasty. This study first explores the compilation, structure andmethodology of the Chinese written characters in Sulmunhaejaikjing. Second, it studies the Sulmunhaejaikjing's distinctive features by means of a comparison with some works of Sulmunhak of the Chung Period in China. Since the motivation of writing of his work was to correct the errors of Sulmunhaeja, Sun-Soo Park attempted several independent interpretations. The interpretive stucture of Sulmunhaejaikjing exactly follows the 14 Books and 540 Parts of Sulmunhaeja, but Park's work differs in interpretation methodology and content Huh Shin made Sojun characters the subject of the investigation, Sun-Soo Park corrected Huh Shin's errors by making the Pre-Sojun older Chinese characters the object of his investigation. Sulmunhaejaju by Tan Ok-Jae, the most distinguished work of spoken literature in the Chung period, adopted Huh Shin's interpretation and added notes, sothat. Tan Ok-Jae, like Huh Shit did not take into account the Pre-Sojun old Chinese character. Therefore, Sun-Soo Park's interpretation greatly differ from Tan Ok-Jae's. Among the scholars of Sulmunhak in the Chung Dynasty, it is Oh Dae-Jing, the writer of Sulmunhaejubo, that accomplished the most noticeable achievement in Sulmunhaeja, Oh Dae-Jing aimed to collect all the Chinese characters which were confirmable in the interpretation of Sulmunhaeja. This, Oh Dae-Jing in a nut neglected the independent interpretation of characters. Sun Soo Park however, demonstrated a pregressive character in basing his independent interpretation upon reliable resesources, even though he offered fewer character in number than did Oh Dae-Jing.

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Inscriptions on Bones and Tortoise Carapaces and Digital Age - The View of Digitalization of Ancient Scripts (Hieroglyphic Character) - (갑골(상형)문자의 디지털화 조망)

  • Lee, Joo-Eun
    • Journal of Digital Convergence
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    • v.14 no.10
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    • pp.17-23
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    • 2016
  • I think it is valuable to make Chinese ancient character 'Inscriptions on Bones and Tortoise Carapaces' hieroglyphics popular by combining with the digital. Because Chinese characters are ideograms, it has a huge visual effect. When it is thought over meanings with imaged data by using digital technology, it can be easier to conflate Chinese academia and humanities academia, moreover other academia that uses Chinese characters such as jurisprudence or business administration. I believe not only union of humanities and natural science in the global era can be the best example of the word 'consilience', which I mentioned before, but also people enjoy usability from educations, invention of learning contents or open learning to a cultural field by coming into wide use. Futhermore, it should contribute to changing the image of Chinese characteristics from existing difficult stereotype to positive image.

The Expression of Image Narrative of Dunhuang Wall Paintings & Animation (돈황 <구색록본생>벽화와 애니메이션 <구색록>의 도상적 서사)

  • Jo, Jeong-Rae
    • The Journal of the Korea Contents Association
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    • v.14 no.11
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    • pp.60-67
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    • 2014
  • In the history of ancient art, the form harmonizing Text and Image is founded in many genres of art. especially Buddhist art Image, which is used as important tool as the text to spread Buddhist ideas. This original literary form have switched the visual communication systems, patterns of speculation is another reason to have a symbolic system. The switch between Text and Image is very important on interpreting the aesthetic concept of the modern interpretation of visual media. Therefore, This research has investigated and compared the Wall paintings in Dunhuang to Animation 's Image Narrative. The original story of is based on the Buddhist Jataka tale of the same name, which were discovered as wall paintings made by unknown artists at the Dunhuang Mogao Caves.

"내경(內經)", "난경(難經)"중영위기혈관염적탐토(中榮衛氣血觀念的探討)-이문자고석위핵심관점(以文字考釋為核心觀點) - "내경(內經)", "난경(難經)"에 나타난 영위기혈(營衛氣血) 관념에 대한 고찰 - 문자학적 해석을 중심으로

  • 옹의덕;임소경
    • Journal of Korean Medical classics
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    • v.21 no.4
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    • pp.243-247
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    • 2008
  • 본 논문은 "난경(難經)"과 "내경(內經)"에 나타난 영위기혈(營衛氣血)의 관념에 관한 연구로서 문자의 훈석(訓釋)을 중심관점으로 삼아 전문적 문자학(文字學) 서적 및 고대경전원저(古代經典原著)를 인용하여 그에 근거해 해설하였다. 문자적(文字的) 근원(根源)을 연구하는 과정에서, 문자학적(文字學的) 관점을 이용하여 여러 전적(典籍)들에서 서술된 관념들을 한층 더 깊이 있게 이해할 수 있다는 점을 발견하였다. 예컨대 본문(本文)에서 논술한 '영'(榮)자에는 "무성하며 밝고 윤택(潤澤)하여 일정한 규칙에 따라 온몸을 순환한다(번무광윤(繁茂光潤), 규도환주(規度環周))"는 의미가 있으며, '위'(衛)자에는 "온몸을 순환하면서 지키고 방어한다(환요어주(環繞於周), 수위방호(守衛防護))"는 의미가 있는데, 중의경전(中醫經典)에서는 영(營)과 위(衛)라고 명명(命名)하여, "온몸을 순환하면서 영양(營養)을 공급하고 몸을 보호하는 작용"을 나타내었다. 문자는 이치를 담고 있으며, 의학의 이치는 글로써 전해진다. 중의(中醫)의 사상(思想)은 모두 이러한 경전고적(經典古籍) 속에 기록되어 있으며, 이러한 경전저작을 학습할 때에는 그것이 표현하는 형식을 분명히 이해해야 하는데, 특히 그 가운데 문자(文字)에 대한 분명한 인지는 매우 중요하다.

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"삼국시대의 한자음" 펴낸 유창균 교수

  • Gang, Cheol-Ju
    • The Korean Publising Journal, Monthly
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    • s.80
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    • pp.4-5
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    • 1991
  • 훈민정음 창제 이전 우리 문자생활의 주요한 도구였던 한자가 우리나라에 언제쯤 도입됐으며, 한자음이 우리말로 토착음화하는 과정으 어떠했는가에 논의의 초점을 두고 있는 이 책은, 고대한자음에 관련된 이제까지의 학계 통설에 대한 가장 본격적인 비판을 담은 성실한 연구성과라는 점에서 특히 주목을 끈다.

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Logic Expression for Information Retrieval of Natural Language (자연언어 정보 검색을 위한 논리적 표현)

  • 김길준
    • Proceedings of the Korea Database Society Conference
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    • 2000.11a
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    • pp.261-268
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    • 2000
  • 고대 아시리아의 도서관에서는 점토판에 새겨진 계행 문자로 된 문서가 항아리에 주제별로 분류되어 담겨져 있었다고 한다. 수없이 쏟아져 나오는 문서 정보를 관리하기 위하여 이와 같은 분류기술이 발달 된 것이라고 추측된다. (중략)

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A Historical Survey of Literacy and Library Users in Korea (한국사회의 문자.도서관 이용자에 관한 연구)

  • 전명숙
    • Journal of Korean Library and Information Science Society
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    • v.34 no.4
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    • pp.271-289
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    • 2003
  • To understand the literacy and library users of Korean society, various historical data and statistics were gathered and analyzed. The findings are: 1) lineage, commerce, and religion in ancient Korean society and the social class in Koryo and Lee Dynasty were related to the literacy, and 2) the size of collection, increase of books, library budgets and the policy of national library are also somewhat related to the library hem at present.

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Method for Efficient Character Input Mechanism based on Smart UI/UX (스마트 UI/UX 기반의 효율적인 문자 입력 메커니즘)

  • Kim, Hyun-Woo;Kim, Jun-Ho;Ko, DaeJin;Song, Eun-Ha;Jeong, Young-Sik
    • Proceedings of the Korea Information Processing Society Conference
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    • 2013.11a
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    • pp.406-408
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    • 2013
  • 최근 스마트폰이 급격하게 발달함에 따라 많은 사람들에게 보급화 되었다. 스마트폰의 다양한 기능과 휴대성은 대중화의 시발점으로 많은 사람들에게 편리함을 제공해주고 있다. 이에 사용자들이 가장 기초적으로 사용하는 문자 입력을 보다 편리하고 신속하게 입력하기 위한 방법들에 대한 많은 연구 및 응용 프로그램 개발이 활발히 진행되고 있다. 하지만, 많은 키패드가 만들어졌음에도 불구하고, 사용자가 습득하기 위한 지연시간이 발생될 뿐만 아니라, 오타가 빈번하게 나타나고 있다. 본 논문에서는 스마트 UI/UX를 통해 최소 한 번의 누름으로 문자 및 문장을 완성할 수 있는 SUI-K를 제안한다.

Visualization of Khitan Scripts in Ancient Documents using Active Infrared Thermography (고문서 거란문자의 능동형 적외선 열영상 가시화)

  • Kim, Nohyu;Chung, Jaeyoung
    • The Journal of the Convergence on Culture Technology
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    • v.8 no.2
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    • pp.329-336
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    • 2022
  • Unreadable Khitan scripts of ancient documents written by indian ink on parchment(sheepskin) are visualized by active infrared thermography without contacting and damaging the document which are deteriorated and aged presumably over many years. Sinusoidal infrared thermal wave using Halogen lamp is applied to the surface of the document in order to selectively magnify and record the thermal response of indian ink. The infrared image of the document captured in real time by infrared camera under the active external excitation shows the better sharpness and readability of Khitan characters than the optical image, from which many Khitan letters like ' ' and ' ' sounding as 'd' and 'ri' in English alphabet are detected and deciphered. It is concluded from the experiment that the active infrared thermography can be used as a promising method for digital reconstruction and preservation of ancient documents in the future.