• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2012.05a
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• pp.405-408
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• 2012

Recently, Smartphone takes center stage as the next generation game platform, so there's fierce competition between various companies which enter the mobile market. According to Smartphone market is wide, Smart phone App game sound is more widely. This study attempts to analyse the role of sound effects and BGM(background music) during game play or game development, and make a comparison between game play with and without Sound effects, so that to suggest the direction of development of the App game sound for Smartphone and to remind the importance of sound effects and emphasize the necessity of development of the professional game sound.

• Journal of the Korea Convergence Society
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• v.4 no.4
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• pp.7-12
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• 2013

Presence of music in the modern game is getting bigger and bigger, and storytelling in the area of game play a leading role in many cases. Platform game is one type of action game genre. In its nature, the character and the object in a game are closely coupled, thus they have intermate relation with reactive sound system. In this study, we tried to build a effective and reactive sound system which is suitable for the storytelling of platform game. In addition, we speculated various aspects of game including psychological, musical and social aspects, finally investigating the future aspects of the game music.

• The Journal of the Korea Contents Association
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• v.10 no.3
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• pp.149-156
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• 2010

There are elements for the game user get into the emotion of flow (the mental state of operation in which the person is fully immersed in what he or she is doing by a feeling of energized focus, full involvement, and success in the process of the activity). In game contents, for example, a considerable sophisticated application of 'sound' is one of the important elements must be considered for a qualified game development process. If a proper audio condition is satisfied, a game user is intrinsically solving problems by auditorial sense and the participant get into immersing into the game spontaneously. There are elements in game contents storytelling for the user to be in flow condition, this study will be analyzing a game user's flowing, especially with repetitive usage of sound. To be accurate, 'flow analysis' of Csikszentmihalyi. M, and 'flow factors' of Donna L. Hoffman & Thomas P. Novak, in addition, would be proper references in the research. comparing to a precedent study that analyzed a game and flow focused on visual elements. Ponpoko(Sigma Enterprise Inc., 1981) and Bio Hazard 4(Capcom, 2007) will be given as the main texts. To achieve the desired proposition in the study, user's reaction is monitored by listening repeatable and ordinary sound. Questionnaires are including Frequency Analysis, MANOVA(multivariate analysis of variance).

• Digital Contents
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• no.9 s.124
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• pp.97-99
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• 2003

초기의 컴퓨터 게임은 하드웨어, 그래픽, 사운드 등의 제약때문에 인공지능에 있어서는 거의 전부가 게임 프로그래머의 단순한 하드코딩에 의존해 단순하게 처리됐다. 그러나 그래픽이나 사운드의 기능이 일정한 수준에 도달하자 게이머들은 보다 자연스럽고 재미있는 게임을 요구하게 됐으며, 이로 인해 1990년대 후반부터 인공지능 기술이 게임에서 중요한 역할을 하기 시작했다.'게임 인공지능'이란 고전적인 의미에서는 게임 내에서 컴퓨터에 의해 제어되는 캐릭터나 에이전트로 정의하기도 하지만 최근에는 좀더 구체적으로 스스로 생각할 수 있고 주변 환경이나 과거의 경험 등에 따라서 지능적으로 행동할 수 있는 자율성을 가진 캐릭터나 에이전트라고 정의하기도 한다.

• Proceedings of the Korean Information Science Society Conference
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• 2007.06c
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• pp.233-236
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• 2007

본 논문은 BCI 시스템을 이용하여 동물의 뇌 신호를 분석하고 온라인 상에서 인간과 동물이 상호 게임이 가능하도록 사운드 윈도우 시스템을 설계한다. 게임에 참여하기 위하여 컴퓨터 모니터를 이용한 인간의 시각적인 참여와는 달리 동물은 시각적 방법이 아닌 다른 방법을 제안해야 한다. 동물이 게임과 상호작용을 하기 위해서 사운드 윈도우 시스템은 게임에 사용될 지형의 크기에 따른 위치 정보와 게임 상황에 따른 소리를 각각 사상하여 소리를 이용한 가상공간을 구축하고, 게임에 참여할 동물이 공간에 제약을 받지 않도록 동물의 목에 헤드셋을 착용하여 블루투스로 신호를 전달하여 소리를 출력하는 방법을 사용한다. 본 논문은 사운드 윈도우 시스템을 이용하여 인간 대 인간, 인간 대 컴퓨터 간의 기존의 게임방식을 동물이 참여하는 새로운 컨텐츠를 제공한다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2014.07a
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• pp.489-491
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• 2014

본 논문에서는 청강문화산업대학교 게임전공 2014학년도 졸업 작품인 '사이코메트리(Psychometry)' 게임 내에서 등장하는 연출용 이펙트 사운드에 따른 플레이어의 반응을 테스트하고 그 결과를 도출한다. 이 테스트 결과에 따라 플레이어가 게임을 플레이하면서 가장 자극을 받는 이펙트 사운드가 무엇이며, 그 이유를 연구하고 추후 개발에 적용하여 게임 내에서 플레이어에게 사운드를 가장 효과적으로, 영향력 있게 전달할 수 있도록 게임을 설계하는 것을 목표로 한다.

• 한국HCI학회:학술대회논문집
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• 2008.02a
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• pp.184-189
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• 2008

In this paper, the sound data either from the sampled or streamed source are utilized for generating a map in the video game play for the dynamiccal use of sound data and synesthesia to users. When users can generate sound in real-time or put the sampled source, it is analyzed and re-processed through Fourier transformation to show the 3D map in dynamic shape over time. We interpolate the generated data to enable the game agents and objects to move.

• Journal of Korea Game Society
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• v.2 no.2
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• pp.72-77
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• 2002

Sound contents of these days are in the trend of 3D surround audio which has much higher quality then CD audio with the aid of DVD, Development environments of sound contents should be advanced and the efficient application of this system is quite necessary. In this paper, we proposed an improving method for utilizing sound/audio card systems which are necessory for developing game and multimedia sound contents as well as relate know-hows of producing 3D sounds with sound production tools for their efficient usages and applications.

• Journal of Korea Multimedia Society
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• v.7 no.10
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• pp.1464-1477
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• 2004

Recently, there is a growing consideration that game authoring tools can play an important role in producing 3D games. In this paper, we introduce our 3D game authoring tool. The tool consists of a map editor, a sound editor, a game data exporter/previewer, and a special effect editor. This tool can help a game designer Produce game data such as game maps, sound effects, and special effects, and so on. In this paper, we implemented a prototype game content to verify the effectiveness of the developed authoring tool.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2012.10a
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• pp.454-457
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• 2012

Recently, Smartphone takes center stage as the next generation platform, so there's fierce competition between various companies which enter the mobile market. According to Smartphone market is wide, Smart phone sound is more widely. in this paper, we analyze the necessity of sound desing tailored to the characteristics of mobile sources of sound that can be optimized for the iphone mobile production and mobile sources to meet the need for a sound design and the development direction of the sound, professional sound production suggest the need for.