• 주택과사람들
• /
• s.196
• /
• pp.8-13
• /
• 2006

헤이리 아트 밸리는 이제껏 볼 수 없었던 새로운 문화, 예술의 공간이자 일반인들에게는 삶의 휴식처로 급부상하고 있는 곳이다. 편안하면서도 환경 친화적인 마을을 만들고자 뜻 있는 예술인들이 모여 만든 이곳은 마치 건출물과 그림, 공연을 한꺼번에 볼 수 있는 커다란 갤러리 같다.

• 주택과사람들
• /
• s.190
• /
• pp.82-85
• /
• 2006

동네 자체가 하나의 커다란 갤러리로 형성된 이곳은 골목골목이 작품이고 길거리 풍경이 그대로 그림이 된다. 산책을 하는 동안 마주하는 공기에서조차 은은한 예술가들의 향기가 묻어나는 곳, 삼청동. 정겨움을 만끽할 수 있는 동네 삼청동에 다녀왔다.

• 주택과사람들
• /
• s.199
• /
• pp.14-14
• /
• 2006

영국의 수많은 젊은 아티스트를 탄생시킨 화이트 큐브가 세 번째 갤러리를 오픈했다. 이 사실만으로도 당장 런던행 비행기 티켓을 수배할 충분한 이유가 될 것이다. 12월에는 런던에서만 경험할 수 있는 전통적인 크리스마스 무드까지 덤으로 만끽할 수 있다

• Korean Architects
• /
• s.612
• /
• pp.26-35
• /
• 2020

• KIPS Transactions on Computer and Communication Systems
• /
• v.6 no.1
• /
• pp.31-42
• /
• 2017

Thumbnail, the small sized graphic file such as JPEG or GIF, serves to help the users to be recognized as a rapidly helps to make it easier recognize while browsing the large sized graphic file. Gallery application, which is installed in a later version of the 4.4.x(Kitkat) Android smartphone records the generated time of graphic file in thumbnail metadata. Thumbnail can be used to draw up the timeline of user action about user's action such as creation, modification, deletion with original graphic file analysis. Also, take advantage of the features thumbnails are stored sequentially in a single thumbcache file, even if the thumbcache is deleted, we can restore the thumbnails. This paper illustrates the feature of thumbnail created by Android OS basic gallery app and methods for utilization in digital forensics.

• Korean Association of Arts Management
• /
• no.57
• /
• pp.33-58
• /
• 2021

The purpose of this study is to understand the impact of the subscription economy on the contemporary art market in terms of creation, consumption and distribution of artwork. To accomplish the aim of this study, we conducted a case study of Artnomic Gallery K borrowing the theoretical perspective from Alexander(2003)'s Modified Cultural Diamond model. In this paper, we collected data through reviewing the secondary document and conducting in-depth interviews with 10 experts and consumers in the art market. As a result, the subscription economy eases the traditional art trade, which is heavily focused on a small number of market arts, by encouraging artists to create various works. The transition to subscription in the purchase of art contributes to lowering the barriers to entry into the art market by reducing the financial burden on consumers in terms of consumption. In terms of distribution, this founding of this article shows that the experts of Gallery K are the main actors in selecting the works that consumers subscribe to. Therefore, in this study, it is of academic significance to discuss that the filtering effect of the distribution system emphasized by Alexander(2003) is effective even in the art trading system to which a new form of economic activity - the subscription economy - is applied.

• Korean Association of Arts Management
• /
• no.50
• /
• pp.177-212
• /
• 2019

In an effort to understand the global standing of artists from Japan, China, and Korea, this article presents an analytic study of data from auctions, notable international contemporary art galleries, notable international art museums, contemporary art biennials, and the Venice Biennales' award. We also look at select art exhibitions as they have been covered by international art magazines to analyze the geography of international contemporary art. Our analysis of international art magazines shows that the global position of the three Asian countries we consider is low in comparison with select Western countries. Auction data, on the other hand, reveals that Chinese and Japanese artists are highly regarded in economic terms, while the visibility of Japanese artists is emphasized in the data we consider from art biennials. In the permanent exhibitions and contemporary art biennales we look at, we note that the visibility of Chinese artists is much higher than that of Japanese and Korean artists, who also demonstrate remarkable visibility. We find that Korean artists represent an important presence in our analysis of the Venice Biennale awards, with Japanese and Chinese artists holding noteworthy positions. Through these myriad criteria, we develop a clear idea of the nature of the global position of artists from Japan, China, and Korea. The Asian art world can profit from these findings by considering them when developing strategies for managing the growth of its artists on the international contemporary art scene.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
• /
• 2010.10a
• /
• pp.281-282
• /
• 2010

• Proceedings of the Optical Society of Korea Conference
• /
• 2009.02a
• /
• pp.177-178
• /
• 2009

• Proceedings of the Korea Society of Design Studies Conference
• /
• 2004.05a
• /
• pp.32-33
• /
• 2004