• Conservation Science in Museum
• /
• v.6
• /
• pp.11-16
• /
• 2005

We conduct the conservation treatment for the plate armour excavated from No. 321 of Tumulus Group of Yangdong-ri, Gimhae and examine its structure in detail. In terms of the treatment of plate armour, we strengthen the quality of material of weakened remains by disassembling the packed plate armour in urethane form and focus on restoring their original form.

• Conservation Science in Museum
• /
• v.4
• /
• pp.41-46
• /
• 2003

Remarkable features, such as neck guard and plate designed the shape of a duck, are identified in the process of conservation for the plate armour excavated from the No. 2 tomb, Daeseong-dong, Gimhae. We considered that should be careful for treating this kind of artifacts, especially when restoring to its original. For this purpose, we thoroughly studied the endurance of materials for restoration and applied the techniques in reference to the traditional method.

• Journal of the Korean Society of Costume
• /
• v.65 no.3
• /
• pp.76-90
• /
• 2015

This is a basic study of the two remaining armors (artifacts number K2366, K2368) from the late Joseon dynasty that is part of the Korean costume collection, which is preserved in the Mission Museum of Saint Ottilien in Germany. The armor No. 1 (artifacts number K2366) is a coat-styled armor with brass studs. It has a U-shaped neckline with the non-overlapping collars and sleeve straight-lined inseam. The armor No. 1 has the Mu to the sides and is not back slit. Both its inner and outer material are padded with cotton. Leather mails are attached on the inner lining, and studs are attached on the outer lining to match the leather mails. For this reason, the armor No. 1 can be named MyeonPiGab (brass studded armor consisting of a cotton coat with internal leather mails). The outer material is faded to have the natural white, or antique white look and the patterns on it are indigo blue. The inner material is blue, but the original color is unknown since it is faded. The lotus blossoms and vine patterns are dyed on the surface of the outer material and a name is written on the inner material. The armor No. 1 was worn between the late 17th century and the 19th century. It is estimated that it was worn by military officers who were above the mid-rank in the end of the Joseon dynasty. The armor No. 2 (artifacts number K2368) is a coat-styled armor with brass studs and a low-cut U-shaped neckline. The armor No. 2 has a slit on the left armpit and a string around it. Studs are evenly attached on the armor. The iron mails are attached to the left chest area on its inner lining. It seems that it was designed with both formality and functionality in mind. The outer material is red flannel, the inner material is blue satin and the pads are cheesecloth. The side of its collars, cuffs, front lines, sidelines, back slit, and bottom lines are trimmed with fur. There are armors called "JeonCheolGap (brass studded armor consisting of a felt coat with internal iron mails)," which is similar to the armor No. 2, however, the similarities are limited because they are not made of the same material nor do they follow the same principle of nomenclature.

• Korean journal of applied entomology
• /
• v.33 no.1
• /
• pp.39-50
• /
• 1994

In the course of the taxonomic study on onbatid mites from Korea, the author obtained one nau genus, 5 new species, 1 new subspecies, and 5 species unrecorded in Korea for th first time. They are Koreonbates foliatus gen. n, sp. n., Hermannio neotricha sp. n., Xyiobates geonjiensis sp. n., Defectamems sungohi sp. n., Protoripoda flagellato sp. n., Liocarus gommatus coreanus ssp. n., Liocarus polychoihomus Wen, 1991, Tectodamoeus armatus Aok, 1984, T striatus Enami et Aoki, 1988. Oripoda trilabiata Hammer, 1961, and Dometorino tuberculata Aoki, 1984. And keys to the species and subspec~es of genera Liacorus, Defectamems, and Protoripoda are present All the specimens are deposited at the Lab of Plant Protection, Coli, ot Agr, Won Kwang Univ., hi, Korea. KEY WORDS Taxonomic, Acari, Oribatei, Korea.

• Journal of the Korean Society of Costume
• /
• v.54 no.4
• /
• pp.27-40
• /
• 2004

In this thesis, the connectivity between the military culture in the Middle Ages and costumes by researching the effect on the clothing in the Middle Ages of the culture of knight from the 11th century to middle of the 15th century was tried to be recognized. The culture of knight was widely divided into 4 articles - Chivalry, Tournamemt, The equipment of knight, Heraldry - and then researched. The conclusion after researching the influence of the culture of knight upon the clothing in the Middle Age in the above is as follows. Regarding the clothing, the military culture such as the crusader war, armor, and heraldry was popularized over the entire Middle Ages as the military-look style, and regarding the ornament the result of the crusader war caused the introduction of the Eastern civilization and development of the commerce and industry, and also trade, and consequently the ornament became luxurious. Regarding the footwear, when seeing the Gothic shoes, it can be found that it is similar with the knight's shoes made of the metal. As seen in the above, it can be recognized that the culture of knight caused the huge influence upon the whole politics, culture, and society in the Middle Ages as well as upon the costumes.

• The Research Journal of the Costume Culture
• /
• v.9 no.3
• /
• pp.458-484
• /
• 2001

The costume originated from the idea that it could protect human beings from ferocious beasts. The military costume was from protection against an enemy equipped with weapons. Furthermore, the makers of the costume were afraid of supernatural powers and it made them devise an armour and decorate it by the concept of superstition for the purpose of overcoming it. The function of military uniform was important for increasing the protection against any enemies while they join in battle. However in harmonious time, it represented artwork of peace, dignity, and order. Since the uniform was a king of symbol to show their position, and their role. They could feel proud as a member of a military group they belong to and they gain honor, courage, patriotic sentiment through their military costume. The purpose of this study was to investigate the originality the military costume as it changed and developed continuously from ancient Egypt, Greece and Rome to modern times. This study was performed to show the comparison and characteristic marks of the past, and the influence of them on the modern military uniform. The method used in this study was using past manuscripts of the early times, information attained from domestic and foreign military documents and previously written reports. As a result, the military costume was one of many means of expression of their natural and social environment. It can be said that the most epoche-marking and powerful changes to the social environment are revolution or war. War absolutely has influenced on the changes of the changes of costume and the military armour according to the type of war and the development of weapons. Especially using the amour, the main purpose that of protecting the body has changed into distinguishing our forces from the enemy and instilling fear into enemy, Furthermore, the class who has the power has used it in order to express their power and dignity. Therefore, armour had required two rules to not only protect the body but also discriminating between classes.

• Journal of the Korean Society of Costume
• /
• v.58 no.5
• /
• pp.166-177
• /
• 2008

This is a basic study of the remaining armors and helmets of the Joseon period for our better understanding and better maintenance of them. For the purpose, this paper shall try to show the present situations of the remaining armor and helmets of the period in Korea, and their typical classification for periodization, and the nomenclature about them. First, to oversee the present situations of the remaining armor and helmets of the period, study was done about the kinds of armors and helmets, their users, and their possessors today. It was found that the exact dates and users were unclear for many cases of the armors and helmets under our consideration. It is understandable when we consider many of them were exported to foreign countries, instead of being well-preserved in Korea upon excavations. Secondly, for their typical classifications for periodization, types were delineated from the pictures and drawings in reference to the periodical changes of them from Korean historical records. The result was that we can find out 4 types of armors, and 3 types of helmets, with their combinations. This shall be usefully applied for the better periodization of the remaining items. Thirdly, we come to the problem of naming of the remaining armors and helmets. For better nomenclature of the remains all the names of the armors and helmets for the Joseon period are collected from historical literature, to figure out some principles of nomenclature for them. I found some discrepancies with the present names of them, and my propositions are suggested to replace them.

• Journal of Digital Convergence
• /
• v.13 no.2
• /
• pp.343-349
• /
• 2015

This paper aims to propose the typology suitable for games by analyzing the fashion styles of game characters and define the characteristics by type. The data collected was classified into the style groups with similarities, and the game character styles were named using representative terms. Then, five styles were identified and analyzed with the focus on clothing, hairstyle, and accessories: Creative Style, Attractive Style, Grotesque Style, Usual Style, and Suit Style. Creative Style was the unique style with partial addition or removal as the creative design. Attractive Style expressed the sexual attraction by design with significant exposure of body parts and skintight design. Grotesque Style showed grotesque, eerie, and dreary design. Usual Style was a plain and practical style. Finally, Suit Style was a kind of armor covering the whole body. The analysis results in this paper will bridge the difference of opinions between gamers and developers related to fashion style and, finally, help to enhance the competitiveness of game design.

• Conservation Science in Museum
• /
• v.7
• /
• pp.11-24
• /
• 2006

Plate armour is an important cultural property that reflects the ancient weaponry and the manufacturing technology of ironware as they are. Among the kinds of iron armour, horizontal plate armour has been very rarely excavated, and there are a few artifacts in their unimpaired shape like the plate armour excavated from Mangisanseong. This report reviews the manufacturing technology of ancient plate armour through its radiograph using appliable nondestructive irradiation and scientific conservation treatment. The seven-tiered plate armour excavated from Mangisanseong has ring hinge to open and shut the right side neck guard. The readout result of radiograph proved iron safety guard of Godaepan (a plate that links neck plate and horizontal plate) and leather safety guard of the right armpit with plate overlap and perforation interval; perforations that seem to have linked shoulder strap on wearing the armour are also observed. In particular, it is identified that the perforation and riveting technique avoided the connection of more than three plates with a rivet. This is an important material to illustrate the best use of function of plate armour overcoming its limit.

• Journal of the Korea Fashion and Costume Design Association
• /
• v.15 no.1
• /
• pp.139-153
• /
• 2013

The purpose of this study was to consider the kinds and features of costume and fabrics of the early Koryo period which are mentioned in the records of costume system, royal presents and diplomatic articles at that time ranging from the reigns of king Gwangjong to king Gyeongjong and to king Seongjong. Findings of the study can be summarized as follows. In the 11th year of king Gwangjong's reign, the official costume system was established, which reflected the royal will to independence as an imperial nation. That system also became the basis of the official wage system in king Gyeongjong's reign. In the reigns of king Gwangjong and king Gyeongjong, the monarch granted official uniforms to persons who passed the state examination, directly connecting with new bureaucrats and strengthening the royal authority. Those uniforms were usually worn at a banquet where the monarch and subjects participate together in the early Koryo period. In the reign of king Seongjong, costume and fabrics were positive means of realizing political Confucianism as they were used for bureaucrats who advanced to official position through the state examination. Records issued at that time explain that the monarch presented costume and fabrics in an effort to getting along with officials and civilians of different classes as the state and the royal authority stabilized. Found in the records released in the reigns of king Gwangjong to king Seongjong, the kinds of costume or fabrics at that time include jikseongeuio, gap, yongeui, seupeui, gyegeum baekcheop, geumeunseon gyegeumpoyok and po. The techniques of manufacturing armors in the early Koryo period were probably advanced since the item was a craftwork presented to the court in the reigns of kings Gwangjong and Gyeongjong. Presumedly, baekcheop was a kind of hemp and po. Koryo's native hemp cloth.