• The Mathematical Education
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• v.49 no.2
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• pp.259-265
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• 2010

Even though Sanhak has a long history, it has disappeared from the stage of modern mathematics. What happened to Sanhak? This article tries to answer the question. In fact, the authors argue that the oriental perception toward to infinity has played an important role in such situation. The authors claim that actual infinity and virtual infinity have resulted in quite different types of mathematics, respectively.

• (The) Research of the performance art and culture
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• no.18
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• pp.5-46
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• 2009

The origin of Korean mime is traceable to sacred actions of prehistoric age. There are materials about mime of this age in the archeological materials of this age, oral literature/myth, and written literature about this age. There were traces of the most original form of mime in primitive ritual of tribal nation age. The mimes of Samkooksidae/Tree Nation Age of Korea were presented to forms of Kamoobekhee(歌舞百戱)/Sanakbekhee(散樂百戱). We can discover traces of mime of this age in Hosunmoo(胡旋舞), Gwangsumoo(廣袖舞), Kweraehee(傀儡戱), Keeak(伎樂), Kummoo(劍舞) Muaemoo(無㝵舞), and so forth. Especially, Keeak in Beckjae was mask mime of Buddhistic contents. We can recognize that secular theatres were more diversified and strengthened than sacred thaetres in Nambukgooksidae/South-north Nation Age. According to these changes, there were many changes in the mime of this age. We can concretely find traditions of mime of this age in Cheryongkamoo(處容歌舞), Hwangchanmoo(黃倡舞), Taemyun(大面), Wuljen(月顚), Sodok(束毒)', Sanyae (狻猊), and so forth. Mimes of Koreasidae/Korea Age take diverse forms of puppet play, mask play, dance play. Established traditional mimes as Cheryongkamoo(處容歌舞) were widely disseminated in society. And dance plays of mime form as Hunsundo(獻仙桃), Pokurak(抛毬樂), Yunhwadae(蓮花臺)' were imported from Song Nation of China. Mime of Chosundidae/Chosun Age were developed with changes of theatre that were divided into Kyusickjeehee[規式之戲] as Kwangdae(廣大), Ser-in(西人), Joojil(注叱), Rongryung(弄鈴), Kendoo(斤頭) and Sohakjihee[笑謔之戱] as Soochuk(水尺) Sengkwangdae(僧廣大). Styles of theatre in this age were specialized into mudangkuk, Pungmoolkut, Inhyunguk/Puppet play, Talnoree/Mask paly, Pansori, Kungjoong Kamuakguk. According to this changes, mime of this age were specialized into diverse aspects. Korean mime were specialized into Kutnorum-formed mime, Inhyungnorum-formed mime, Jabsaeknorum-formed mime, Talnorum-formed mime, Kungjoongmuyong-formed mime, Pansori-formed mime, and so forth.

• Korean Journal of Heritage: History & Science
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• v.38
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• pp.43-107
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• 2005

A ritual ceremony accompanied by a song and dance is called as Kagura in Japan. The word Kagura is originally derived from Kamukura, which means the place where spirits reside. However, later it came to refer to the whole process of the ritual ceremony itself. Through the field studies, this paper examines Takachiho-kagura, helded in Takachiho, known as the village of myths, located in northern Miyazaki-ken in Japan. Kagura takes place all night through in each and every village in Takachiho and it normally runs from the end of November when the harvest season ends until early February the next year. One ordinary house is especially chosen for this ceremony, in which Kagura performs 33 repertoires. Takachiho-kagura is sometimes called as Yokagura, since the performance takes place over-night. A song and dance is performed by ordinary village people called hoshyadong, who inherited Takachiho-kagura. Currently, the ceremony is held in more than 20 villages and designated by the government as "Important Intangible Folk Cultural Property" in Japan. Takachiho-kagura follows the example of rituals held in Sada shrine in Izumo, which is now eastern Hiroshima-ken. It is the dance using a bell, a sword, a fan, which signify Norimono and is usually combined with mask-play called as Shinno. From the shrine of village, itwelcomes the gods who defense their village, called Ujikami and other 8 million gods, called Yaoyorozunokami, in Kagurayado, where Kagura of 33 repertoires is played in order. Kagura starts from dances for attendance of the gods, Hikomai, Daidono, Kamioroshi, performs dances of Amanoiwato, the gate of heaven's cave in Japanese myths, Dazikara, Uzume, Dotori, and continues dances for the old ghosts Shibahiki, Yatsubachi mixed with acrobatics. Finally, this performance ends with dances to send off the gods, Hinomae, Gurioroshi, Gumooroshi, until the dawn the next morning. This paper explores Takachiho-kagura from the perspective of folk performance with ethnography. These days, ecstasy and oracle do not happen in Takachiho-kagura. However, it kept the old form of folk performance as Kagura held in ordinary house. Especially, in Takachiho, remarkable venue of the Japanese myths, Takachiho-kagura is developed artistically. The first field study was held in Gokamura, Iwato-zone and Ashakabe, Mitai-zone between December 6th and December 12th 1997. Afterwards, the second field study was conducted in the area of Shiba and Ashakabe from December 17th until December 19th 1997 and from December 1st until December 10th 2000.

• Korean Journal of Fisheries and Aquatic Sciences
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• v.2 no.1
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• pp.33-40
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• 1969

1. Physicochemical properties of sea water and soil of Korean tidal flats densely populated with species of Mactra veneriformis, Cyclina sinensis, Meretrix lusoria, and Tapes philippinarum, were investigated in order to find out the index of environmental factors in marine bivalve culture. 2. The turbidity varied with the change in concentrations of organic matter, silicate, and the exchangeable copper in sea water. All of these concentrations in Inchon, Kunsan, and Hansando were higher than those in Yusoo. In the 5 areas investigated the lowest were ditected at Kangnung. 3. The minerals and organic matter content in sea water dia not vary significantly among the different bivalve beds. And it was presumed that the soil texture was one of the most important environmental factors for the density of the bivalves in tidelands. 4. The soil texture index of the different bivalve beds was obtained as follow: 5. There were no significant differences of pH, the exchangeable calcium, and the exchangeable copper contents of bottom soils in the 4 different bivalve beds. As important factors in these areas, it seems that the amount of chemical properties might not affect the distribution of bivalve species. 6. Among the 4 beds the soil organic matter content was highest at the T. philippinarum bed and varied with the total nitrogen content. 7. Among the different bivalve beds, it was significant that the water holding capacity and available phosphorus content were highest at the M. veneriformis bed.

• Parasites, Hosts and Diseases
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• v.29 no.2
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• pp.181-188
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• 1991

Epidemiological studies on host rodents of tsutsugamushi disease were carried out during the period of July∼September 1990 at nine localities of central Korea. Among total 111 wild rodents trapped by the modified Sherman live traps, 103 were Apodemus agrarius (92.8%), seven were Crocidura lasiura (6.3%) and one was Microtus fortis (0.9%) , showing 24.0% of trapping rate in winter, 11.7% in spring, 11,2% in summer and 12.0% in autumn. Out of 103 A. agrarius 84 were parasitized by chiggers, showing 81.6% of the infestation rate and 43.0 of the chigger index. The antibody positive rate of A. agrarius sera to Rickettsia tsutsugamushi was significantly variable by locality, being in the range of 0∼78.6%. The seasonal change of the antibody positive rate at Dorai 5-ri, Goyang-gun was 75.8% in average during November∼March, decreased to 30.3% in April and further decreased to 13.3% in average during May∼August. Among 33 antibody positives, 31 were Karp strain and two were Gilliam. Seven Crocidura lasiura sera showed all negative. R. tsutsugamushi organisms were isolated from three A. ngrarius out of 94 mice tested, showing 3.2% of the infection rate.

• The Korean Journal of Zoology
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• v.34 no.2
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• pp.257-264
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• 1991

Studies on the geographical distribution and the seasonal prevalence of chigger mites, with particular reference to L. paflidum, a vector species of tsutsugamushi disease were carried out during the period of July 1989-October 1990. From total 111 field rodents collected during the study period, 4,498 chiggers were obtained and 12 species of 4 genera were identified. L. paflidum, the vector species was the dorninant species, showing 65.6% of the total chiggers. L. scutellare, known as the important vector species of tsutsugamushi disease in Japan was not found in the study area, except Yesan-gun, Chungcheong-namdo where only one specimen was collected. The distribution of chigger mites was clearly localized by species, showing the different dominant species by locality. The population density of L. paflidum was high at two study areas, moderate at one area and very low at six other areas, compared to the other species. The study on seasonal prevalence of L. paflidum population density resulted that they started appearing in September (9.8%), showed the peak in October (45.4%) and November (30.6%), almost disappeared during the period of December-March (1.3-0%), reappeared in April (12.7%) showing a small peak, and again almost disappeared until September. L. palpafe was appeared only in winter and spring (December-April).

• Journal of Korea Game Society
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• v.5 no.1
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• pp.45-52
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• 2005

This paper is re-lighting(reputation) that Ki-saeng is a artist in Chosun age to concern with history, social lives, role, art school of Ki-saeng and Ki-saeng and also is re-light and analysis educate system, rules, curriculum, time table of teaching, graduated album, photos of art school of Pyongyang Ki-saeng. And the using these traditional culture materials of Ki-saeng can create various digital contents of game contents, animation, drama, film and characters. Specially, it is propose to use culture contents that creation and pick out of beauty, talent, social system and art school of Ki-saeng in Chosun age willing to use concept design, scenario of game, animation, drama and film etc.

• Journal of agricultural medicine and community health
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• v.17 no.2
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• pp.93-102
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• 1992

The epidemic of tsutsugamushi disease, along with hemorrhagic fever with renal syndrome(HFRS) and leptospirosis, has been ingrowing concern as it occupies a considerable proportion of the so-called seasonal febrile illnesses in autumn in Korea. This study was conducted to describe certain epidemiologic characteristics of the reported cases of the tsutsugamushi epidemic in Chollanamdo province in 1991. The findings could be summarized as follows: 1. Among three seasonal febrile illnesses in Autumn, tsutsugamushi disease occupied 91.9 percent of whole serologically confirmed cases. 2. Male-female sex ratio was 1 : 1.8. Majority of cases (77.4% in men, 65.1% in female) were in older age group (>=50 year of age). 3. Date of disease onset were distributed between late September and November. The 67.4% of cases were developed from October 21 to November 10, 1991. 4. The 41.5% of cases were reported from southern maritime districts. Reported dates of index cases and median cases were earliest in inland districts followed by southern maritime and latest in western maritime districts. 5. Most frequently reported clinical symptoms were chill (100%), high fever (100%), headache (81.7%), and skin eruption (70.4%).

• Tuberculosis and Respiratory Diseases
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• v.63 no.4
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• pp.378-381
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• 2007

Tsutsugamushi disease (Scrub typhus) is an acute, febrile illness caused by Orientia tsutsugamushi, which is transmitted to humans through chigger bites. Leptospirosis, a febrile disease caused by various pathogenic Leptospira, and is acquired by exposure to contaminated water and soil. Both diseases have been the most common acute febrile diseases in the autumn in Korea for many years. Concomitant leptospirosis and scrub typhus is quite rare. We report a case of a coinfection with leptospirosis and scrub typhus in a 51-year-old male who presented with fever, abdominal pain and acute dyspnea. The patient was diagnosed with as acalculous cholecystitis, acute respiratory distress syndrome, and septic shock caused by the infection. This is the first case report of a coinfection with leptospirosis and scrub typhus in Korea.

• KOMUNHWA
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• no.65
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• pp.57-80
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• 2005

Mogari is an ancient Japanese ritual ceremony, part of a series of ceremonies which are conducted from people's death to the time that they are buried in the tomb. Mogari has been recorded in a number of historic documents, including ${\ulcorner}$