• 디자인학연구
• /
• 제11권2호
• /
• pp.17-28
• /
• 1998

오피스의 개념이 바뀌면서 그 기능과 역할이 축소되고, 가정이 곧 사무실 화하는 업무형태가 주목을 받고 있다. SOHO(Small Office Home Ofice)라고 불리우고 있는 '가정내의 사무실' 즉 '홈 오피스'는 정보통신기술의 발달로 인해 가능해졌고, 기업의 리스트럭처링(Restructuring)붐을 타고 날로 확산 추세에 있다. 재택 근무 형태는 직원에게 여유 있는 시간과 집중력을 배가시킨 업무효율을, 기업에는 고정비용의 감소와 생산성 향상을 제공한다. 또한 교통문제나 환경문제를 해소할 수 있고, 여성이나 고령자, 장애자 등의 잠재 노동력을 활용할 수 있는 장점도 있다. 향후 업무형태의 주종을 이룰 것으로 예상되는 홈 오피스의 공간계획, 가구배치 등 디자인상의 문제를 연구하여 재택 근무자 들에게 효율적인 업무수행을 높이고 창조적인 환경을 제공하는 것이 무엇보다도 중요하다. 또한 합리적인 홈 오피스 가구디자인을 위해서는 건축, 인테리어 디자이너는 물론 정보통신 전문가, 고용문제 전문가 등 관련 분야의 전문가들이 공동으로 연구 추진되어야 할 것이다.

• 한국실내디자인학회논문집
• /
• 제16권2호
• /
• pp.278-286
• /
• 2007

Postmodernism, the theory and philosophy that swayed the world in the late 20th century, can be interpreted in various ways as a critical reaction against modernism as well as, in one way, the logical extension of modernism itself. Thus, an extensive understanding of the social and temporal background of the birth of postmodernism and a macroscopic and correlative approach toward the related artistic circles, especially art, were carried out before a formative discussion on the furniture design of postmodernism. Postmodemism in the field of furniture design shares the history of birth and spirit with Memphis, the progressive design group established by Ettore Sottsass in Milan, 1980. This study identifies the formative features of pestrnodernistic furniture design around those works that express the trend of postmodernism, in particular, chairs, as well as the designers who participated in the first Memphis exhibition at the Milan Furniture Fair. By identifying such features, the correlation between postmodemism and those features expressed in the works of postmodernism paintings were examined. The works of Anselm Kiefer, a German nee-expressionist who became famous through the Venice Biennale 1980, and five young Italian trans-avant garde authors were selected as the scope of this case study. The characteristics of postmodernism in modern art were analyzed in terms of themes, shape, and content and were derived as follows; Firstly, borrowed and past-oriented themes, secondly, deconstructive, atypical, plural, emotional, and intuitional shapes, and thirdly, basic, metaphorical, and abstract content, The formative characteristics of chair design in postmodemism furniture design are as follows; Firstly, deconstructive, symbolic, and abstract shapes, past-oriented, reactionary, and primitive colors and closing, as well as the characteristic of delivering commercial and metaphorical messages. The subjects and motives of art have been succeeded by the characteristics of color and closing in furniture, the shape and techniques of fine arts by the characteristics of furniture shape, and the content of art by that of furniture. They share key words and characteristics.

• 한국디자인학회:학술대회논문집
• /
• 한국디자인학회 2005년도 추계 학술발표대회 논문집
• /
• pp.8-9
• /
• 2005

• 한국가구학회지
• /
• 제17권2호
• /
• pp.35-47
• /
• 2006

In 1990s, with the rapid development of the design part and the change of perception, various design competitions in a way to encourage the design industry have repeatedly implemented and abolished. They played positive roles of developing designs and nurturing talents. On the contrary, they caused a lot of problems of standardization of design, loss of identification of competitions, deterioration of the quality of design. Especially, though too many competitions are holding, the level of quality cannot catch up with the quantity, resulting in numerous side-effects. In the field of Furniture Design, many competitions are just an one time events and disappeared. Therefore, it is very difficult to keep the tradition of prestigious competition, playing the adverse role in the development of furniture design and lowering the will of creativeness of designers. In this study, I compared and analyzed the current issues and problems of Gyeonggi Furniture Good Design Contest, one of the representative competition as the national scale competition as of 2006, with examples from home and abroad to find out the positive and developmental methods. At the same time, I provided the ways that can be helpful in the design through the ways to facilitate competition and proposals of desirable competitions.

• 한국가구학회지
• /
• 제17권2호
• /
• pp.89-100
• /
• 2006

Minimalism describes various movements in art and design, which flourished mainly in the USA in the 1960s. Its popularity, however, was cut short by post-modernism. In the mid-1990s, minimalism was given a second breath of life and became culturally popular, especially in areas such as design and art the minimalist movement launched some trends that supplanted post-modernism and whose influences still cast a heavy shadow on society today. From this point of view, in analyzing the form and characteristics of the artists and their work from the 1960s, which were the first generation of the minimalist furniture designers, it is necessary to understand and analyze contemporary artists and their art. In this study, four American minimal artists in the furniture design field, Donald Judd, Richard Tuttle, Scott Burton, and Richard Artschwager were studied along with their works. The results show the three distinct characteristics of minimalist furniture design featuring strict and simple geometric shapes: the form, which was influenced by early modernism variety and origin, which are formative of the materials and the way they are used as influenced by surrealism and a new concept of art such as aesthetics for the little things, which echoes influences of Dadaism, and especially of earlier artists such as Marcel Duchamp.

• 한국가구학회지
• /
• 제18권1호
• /
• pp.56-69
• /
• 2007

As exchange and cooperation have increased in each country or region and a variety of NGOs are getting increasingly active in the 21st century, environments for the industry of international conventions have continued to improve. However, since the industry is in the starting stage, facilities for international conventions and professional management personnel are deficient. In this study, furniture design that shows the cultural identity of Korea from the invention facilities is focused and efforts are made in order to make the shape that has functionality and meaning based on the analysis of space. Participants of diverse nationalities, who use international convention facilities, feel Korea through furniture and remember its image; thus, this study focuses on the furniture design that has the identity of Korea. The concept of furniture design has been derived based on the traditional aesthetic consciousness in the symbolic, cultural, and emotional light. The identity of design does not depend on the partial characteristics of the traditional society but modernity and internationality shall coexist along with traditionality. Modernity and globalism are reflected along with the traditional elements in furniture.

• 한국가구학회지
• /
• 제21권6호
• /
• pp.439-448
• /
• 2010

가구분야는 인간과 밀접한 제품으로 많은 발전을 해왔지만, 근대화 이후 전통가구는 거의 자취를 감추었다. 이는 생활양식이 바뀌었다기보다 편의와 형태를 추구한 서양식 가구의 다양성을 중시했기 때문이다. 그러나 이러한 다양성은 한계에 도달했으며 가구뿐만 아니라 디자인분야 전반에 걸쳐 한 단계 나아갈 새로운 역할의 필요성이 대두되었으며, 이를 위한 문제해결방법으로 건축을 비롯한 디자인전반에서 동양의 정신계에 근거를 두고 있는 유심적 가치가 제시되었다. 이는 사라졌던 전통가구가 내포한 유심성에 주목하려는 것이며, 보다 자연적이고 인간과 친숙한 전통가구의 감성적이고 심리적인 영향이 가치를 인정 받은 것이라 할 수 있다. 전통가구가 오랜 시간을 사용되었던 것은 가구가 갖는 기능성보다 주변공간과 유기적으로 연계하는 유심적 성향을 지니고 있기 때문이다. 이를 위해 본 연구는 조선시대 한옥에서 사용된 전통가구를 중심으로 기본적 기능 이외의 역할을 귀납적으로 분석하여 사용자에게 나타난 추가적인 효과를 규명하고자 하였다. 이러한 유심적 역할은 사용자에게 기능 이외의 역할을 제공하고, 가구의 공간지배가 가능하게 하였다. 이러한 역할의 근거로 전통가구가 유물적 관점에서는 추출할 수 없는 사용성 확장, 공간변이, 공간형성과 이동, 위계형성에서 나아가 사용자와 상호작용이 가능한 단계에 이르는 많은 역할을 해왔음을 규명하였다. 이를 통해 전통가구의 유심적 역할이 적용된 현대 공간에서 나타날 기대효과와 가능성의 사례를 통해 지속 가능한 디자인은 물론 상호작용이 가능한 가구의 발전방향을 제시하였다.

• 디자인학연구
• /
• 제15권2호
• /
• pp.197-204
• /
• 2002

본 연구는 실업계 고등학교에서 실내디자인 전공교육을 담당하고 있는 교사들과의 심층 면접을 통해 앞으로 실내디자인 전공교육을 담당할 교원의 신규 임용 및 기존교원의 재교육프로그램을 개발하는 목적으로 연구되었으며 그 결론은 다음과 같다. \circled1실업계 고등학교에서 실내디자인을 담당할 신임교원은 반드시 실내디자인 관련학과를 졸업하고 실무경험 1년이상, 또는 관련 자격증을 소지하거나 소정의 실기시험을 통과한 전문교사를 임용하여야 한다. \circled2재교육의 과목은 총 9과목으로 현직 교원들이 필요로 하는 재교육의 내용과 활성화 방안에서 제시된 특화분야 및 자격증 관련 과목을 중심으로 편성하였는데 제도, 투시도, 건축 및 실내재료, 건축 및 실내 구조, 공간디자인, 가구디자인 및 제작, CAD, 실내시공, 주거 및 실내디자인일반이 그것이다. \circled3각 과목에 대한 시간 수는 같은 과목의 내용을 학생들에게 가르칠 때 필요한 시간의 약 2/3를 배정하였고 전과목을 택했을 때 총 25i시간이 소요된다. 그러나 재교육을 받을 교원의 대부분은 디자인이나 미술을 전공하였으므로 60시간의 일반연수, 또는 180시간의 자격 열수를 정하고 필요한 과목에 따른 시간을 선택하게 될 것이다.

• 한국실내디자인학회논문집
• /
• 제34호
• /
• pp.78-85
• /
• 2002

This study aims at alalyzing the circulation process, merchandising system of Mosi(Korean traditional garment material), and accessing the way of interior design of Mosi market. There are three kinds of garment material of Mosi such as Pilmosi, Gootmosi, Taemosi classified by manufacturing process. At Mosi market, these three materials are sold in due sequence. Mosi market needs three space zones such as Mosi market space, inspecting space of Mosi and resting place, and these three spaces have strong interrelationship, so designer should plan not to disterb the moving flow. In the Mosi market space there should be divided by three zones such as Pilmosi marketing place, Gootmosi marketing place, and Taemosi marketing place in due sequence. The furniture of Mosi market place divided two kinds such as furniture for Pilmosi and that of Gootmosi or Taemosi. The proper form of furniture for Pilmosi is circular arc bar counter and that for Gootmosi or Taemosi is low rectangular table.

• 한국디자인학회:학술대회논문집
• /
• 한국디자인학회 2002년도 가을학술발표대회 디자인학 연구
• /
• pp.138-139
• /
• 2002