A Study on Roots and Formative World of Minimalism Furniture Design -Focused on furniture design works of Minimal artists-

미니멀리즘 가구디자인의 근원과 조형세계에 관한 연구 -미니멀 아티스트의 가구디자인 사례를 중심으로-

  • Choi, Byung-Hoon (Dept. of Woodworking and Furniture Design, Hongik University) ;
  • Kim, Jin-Woo (Dept. of Woodworking and Furniture Design, Hongik University)
  • 최병훈 (홍익대학교 미술대학 목조형가구학과) ;
  • 김진우 (홍익대학교 미술대학 목조형가구학과)
  • Published : 2006.05.25

Abstract

Minimalism describes various movements in art and design, which flourished mainly in the USA in the 1960s. Its popularity, however, was cut short by post-modernism. In the mid-1990s, minimalism was given a second breath of life and became culturally popular, especially in areas such as design and art the minimalist movement launched some trends that supplanted post-modernism and whose influences still cast a heavy shadow on society today. From this point of view, in analyzing the form and characteristics of the artists and their work from the 1960s, which were the first generation of the minimalist furniture designers, it is necessary to understand and analyze contemporary artists and their art. In this study, four American minimal artists in the furniture design field, Donald Judd, Richard Tuttle, Scott Burton, and Richard Artschwager were studied along with their works. The results show the three distinct characteristics of minimalist furniture design featuring strict and simple geometric shapes: the form, which was influenced by early modernism variety and origin, which are formative of the materials and the way they are used as influenced by surrealism and a new concept of art such as aesthetics for the little things, which echoes influences of Dadaism, and especially of earlier artists such as Marcel Duchamp.

Keywords