DOI QR코드

DOI QR Code

Characteristics of Semiotics in Menswear Illustrations - Focusing on Morris's theory of Semiotics -

남성 패션 일러스트레이션에 나타나는 기호학적 특성 - 모리스의 기호학을 중심으로 -

  • Yeonghoon Kang (Dept. of Fashion and Textiles, Seoul National University) ;
  • Jongsun Kim (Dept. of Fashion Design, Suwon Women's University)
  • 강영훈 (서울대학교 의류학과) ;
  • 김종선 (수원여자대학교 패션디자인과)
  • Received : 2024.03.11
  • Accepted : 2024.05.27
  • Published : 2024.08.31

Abstract

Fashion illustrations capture the artistic essence of fashion, going beyond simply conveying information about the clothing. Therefore, semiotic interpretations and approaches are quite essential to fully understand the meaning of fashion illustrations. However, studies on men's fashion illustrations are limited despite the significance of men's fashion in the market. This study aimed to address this gap by proposing a semiotic analysis method specifically for men's fashion illustrations by building on Morris's theory of semiotics and previous research. The study examined the visual aspects and structural meanings of these illustrations by analyzing aesthetic expressions at the syntactic level. At the semantic level, it explored the conceptual meanings tied to the representation of the human body and the symbolic meanings that reflect the cultural background of male society. At the pragmatic level, the study investigated the intended message of the author, considering both aesthetic and symbolic content values. The study confirmed that men's fashion illustrations not only convey information about clothing but they have also evolved into a form of visual art that conveys diverse meanings related to fashion, society, and culture through semiotic symbols. Men's fashion illustration has emerged as a unique domain that influences fashion consumption, shapes new lifestyles, and embodies socio-cultural interactions.

Keywords

References

  1. '1972 Journal'. (2017, November 21). google. Retrieved April, 04 2024, from http://jack-hughes.com/
  2. 'Alber Elbaz'. (2015, August 28). pinterest. Retrieved February, 16 2024, from https://www.jphdelhomme.com
  3. An, H. (2006). The characteristics of sexuality expressed in the contemporary men's fashion. Journal of Korean Traditional Costume, 9(2), 77-91.
  4. An, M. H., & Jang, A. R. (2020). The semiotic analysis of drama costume of the TV drama : a focus on Morris's semiotics. Korean Journal of Human Ecology, 29(5), 681-694. doi:10.5934/kjhe.2020.29.5.681
  5. 'Aquarius'. (2015, April 20). behance. Retrieved February, 16 2024, from https://www.behance.net/michaelsanderson
  6. 'Around the city'. (2015, August 15). instagram. Retrieved February, 16 2024, from https://www.instagram.com/p/6Pv48qkKc4/
  7. 'AT-AT Pilot/Chewbacca'. (2010, June 10). google. Retrieved February, 16 2024, from http://www.wooszoo.com
  8. Blackman, C. (2007). 100 Years of Fashion Illustration. London: Laurence King Publishers.
  9. Carhartt WIP. (2009, February 10). google. Retrieved February, 16 2024, from https://www.carhartt-wip.com/de/journal/news/2009/10/marco-klefisch
  10. Choi, J. H., & Yoo, Y. S. (2004). The expression of metaphor and metonymy in fashion illustration by three components of visual sign. Journal of the Korean Society of Costume, 54(3), 13-25.
  11. Choi, J. H. (2009). The expression of fantastic body in fashion illustration. The Korean Fashion and Textile Research Journal, 11(6), 867-877.
  12. 'Collage inspired by Morris Men'. (2014, July 28). google. Retrieved February, 16 2024, from https://www.vice.com/en/article/xd385q/folk-ceremony-exhibition-184
  13. 'D&G 2013 F/W'. (2013, January 21). google. Retrieved February, 16 2024, from http://dashmagazine.net/?p=12129
  14. 'Fiongal4'. (2017, August 03). instagram. Retrieved February, 16 2024, from https://fiongal.com/project/royal-college-of-art/
  15. Go, K. Y. (2008). Semiotical analysis about poster design of the three representative international movie festival in Korea. Journal of the Korean Society of Design Culture, 14(3), 12-23.
  16. Go, K. Y. (2017). Research on M.I design for applying local cultural identity - with focus on symbol mark of domestic museum -. Journal of the Korea Entertainment Industry Association, 11(7), 415-426. doi:10.21184/jkeia.2017.10.11.7.415
  17. Heo, S. (2019). A study of fashion illustration applying grotesque characteristics. Journal of the Korea Fashion & Costume Design Association, 21(1), 35-45. doi:10.30751/kfcda.2019.21.1.35
  18. Jang, J. I., & Lee, Y. H. (2008). Playful expression in contemporary fashion illustration. The Research Journal of the Costume Culture, 16(6), 1142-1155.
  19. Jung, J. (2024). A study on the patterns of parody change in fashion. The Korean Fashion and Textile Research Journal, 26(2), 151-165. doi:10.5805/SFTI.2024.26.2.151
  20. Kang, B. K., & Joo, Y. Y. (2006). A study on analysis of planted floral art & design on the viewpoint of semiotic -from syntactic of C. W. Morris-. Journal of The Korean Society of Floral Art & Design, 14, 159-182.
  21. Kilroy, R. (2016). Menswear illustration (S. M. Lee, Trans.). Seoul: Sigmapress. (Original work published 2015)
  22. Kim, C. S., Kim, S. D., Park, I. C., & Park, I. W. (2002). 현대 기호학의 발전[Development of modern semiotics]. Seoul: Snupress.
  23. Kim, H. J., & Lee, H. M. (2015). A study on visual perception symbol mark on system the municipality - focus on Yin-Yang 5- haeng and semiotics -. Journal of Digital Design, 15(4), 237-246.
  24. Kim, K. I. (2006). Feminizing trends on men's knitwear in the 21st century - focusing on the Metrosexual and Crossexual -. The Korean Fashion and Textile Research Journal, 8(4), 382-390.
  25. Kim, M. H. (2008). A study on fashion illustration based on pop art technique. Journal of the Korean Society of Clothing and Textiles, 32(4), 659-668.
  26. Lee, K. Y., & Kang, B. S. (2012). A study on the characteristics of symbol expressed in modern fashion. Bulletin of Korean Society of Basic Design & Art, 13(4), 233-242.
  27. Lee, M. E., & Lim, J. Y. (2011). A system for semiotic analysis of fashion illustration. Journal of the Korean Society Design Culture, 17(4), 385-398.
  28. Lee, Y. J. (2012). Semiotic characteristics in Smoky makeup -focused on Morris' theory of signs-. Journal of Korean Beauty Society, 18(1), 245-252
  29. 'Man on a motorcycle'. (2013, February 10). google. Retrieved February, 16 2024, from https://www.jphdelhomme.com
  30. Morris, C. (1946). Signs, language and behavior. New York: Prentice-Hall.
  31. Morris, C., & Hamilton, D. J. (1965). Aesthetics, signs, and icons. Philosophy and phenomenological research, 25(3), 356-364.
  32. Nam, T. O. (2003). A semiotic approach to modern visual arts. Journal of Korea Contents Association, 3(2), 1-10.
  33. Nam, Y. H. (2008). On the contemporary conceptions of illustration. Journal of the Korean Society of Illustration Research, 17, 15-28.
  34. Park, E. K. (2009). Expression of body in contemporary fashion illustrations. Journal of the Korean Society of Costume, 59(5), 53-70.
  35. Park, I. W. (1993). La smiotique esthtique de C. Morris. Revue d'Etudes francaises, 19, 65-77.
  36. 'Tom Ford Men's SS 2013 to FHM magazine'. (2014, January 5). instagram. Retrieved February, 16 2024, from https://www.instagram.com/p/iwnZlohEKL/
  37. Yoo, Y. H., & Lee, Y. Y. (2017). Analysis of Korean image in Lie Sang Bongs fashion collection - application of the iconology of Erwin Panofsky and the semiotics of Charles W. Morris. Journal of the Korean Society Design Culture, 23(4), 337-349. doi:10.18208/ksdc.2017.23.4.337