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A Study on the Jo Hee-Ryong's work in Writing and Painting's Aesthetic - In relation to the term of banishment(1851~1853) on Imja Island-

조희룡(趙熙龍)의 집필활동(執筆活動)과 회화심미(繪畵審美) 고찰 - 임자도(荏子島) 유배기(流配期)(1851~1853)와 관련하여...-

  • Kim, Doyoung (Dept. of the faculty of liberal arts, Yewon Arts Univ)
  • Received : 2019.01.25
  • Accepted : 2019.04.15
  • Published : 2019.05.31

Abstract

Jo, Hee-ryong(1789-1866), who was given the title of "boss of the world handling a China inkt" in the late Joseon Dynasty, was from a noble family, but he claimed to be a yeohang-in himself. The byeoggyesa was formed based on Jong-in and they are engaged in literary activities. Hee-ryong Jo, "I do not follow people's back" is the art spirit of my life. The theory of the Holy Spirit has inspired emotion or inspiration as the essence of art. He pursued original aesthetics of painting with the true nature and personality as important. During his early 60s, the period of banishment for about three years had a profound impact on the identity and direction of his art world. During this period, he wrote four volumes, including "Hwaguamlanmug", "Uhaeagamgo", "Sugyeongjaehaeoejeogdog", "Hanwaheonjehwajabjon" and among his paintings with 19 paintings, eight paintings were produced, including "Hwangsannaengundo", "Bangunlimsansudo", "Maehwaseoogdo". These works reveal the Playful sokmi sprit, the grotesque of manual dexterity, and the aesthetic of painting through the natural divergence of natural nature.

조선 후기 묵장(墨場)의 영수(領岫)로 불리었던 조희룡(趙熙龍)(1789~1866)은 양반가문 출신이었지만 스스로 여항인(閭巷人)이라고 자처하였으며, 중인(中人)들을 중심으로 벽오사(碧梧社)를 결성하여 문예 활동을 하였다. 우봉(又峯)은 "불긍거후(不肯車後)"를 전 생애를 관통하는 예술정신으로 삼았으며, 성영론(性靈論)을 내세워 감성 내지 영감을 예술의 요체로 여겨 진정(眞正)과 개성(個性)을 중시한 독창적 회화심미를 추구하였다. 60대 초반에 약 3년간의 임자도 유배기간은 그의 예술세계에 대한 정체성과 방향성에 심대한 영향을 끼쳤다. 이 기간에 "화구암란묵(畵鷗??墨)", "우해악암고(又海岳庵稿)", "수경재해외적독(壽鏡齋海外赤牘)", "한와헌제화잡존(漢瓦軒題畵雜存)" 등 4권의 저술을 썼으며, 당호(堂號)가 있는 그의 회화 19점 중 "황산냉운도(荒山冷雲圖)", "방운임산수도(倣雲林山水圖)", "매화서옥도(梅花書屋圖)"등 8점이 이때 제작되었다. 이들 작품을 통해 유희적(遊戱的) 속미(俗美) 정신과 수예(手藝)의 기괴(奇怪)함, 그리고 천예(天倪)의 자연스러운 회화심미를 드러내고 있다.

Keywords

GJMGCK_2019_v5n2_279_f0001.png 이미지

(그림 1) 趙熙龍, 「荒山冷雲圖」, Fig. 1. Jo Hee-ryong, 「Hwangsannaengundo」

GJMGCK_2019_v5n2_279_f0002.png 이미지

(그림 2) 趙熙龍, 「倣雲林山水圖」, fig 2. Jo Hee-ryong, 「Bangunlimsansudo」

GJMGCK_2019_v5n2_279_f0003.png 이미지

(그림 3)] 趙熙龍, 「梅花書屋圖」 fig 3. Jo Hee-ryong, 「Maehwaseoogdo」

References

  1. HeeRyong Jo, Sugyeongjaehaeoejeogdog (壽鏡齋海外赤牘)
  2. HeeRyong Jo, Uhaeagamgo (又海岳庵稿)
  3. HeeRyong Jo, Hanwaheonjehwajabjon (漢瓦軒題畵雜存)
  4. HeeRyong Jo, Hwaguamlanmug (畵鷗盦讕墨)
  5. KyoungJa Lee(2009), A Study on the asog aesthetic of Hosan Jo, HeeRyong's Literary Artists' Paintings, A doctoral dissertation of Graduate School of Sungkyunkwan University.