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http://dx.doi.org/10.17703/JCCT.2019.5.2.279

A Study on the Jo Hee-Ryong's work in Writing and Painting's Aesthetic - In relation to the term of banishment(1851~1853) on Imja Island-  

Kim, Doyoung (Dept. of the faculty of liberal arts, Yewon Arts Univ)
Publication Information
The Journal of the Convergence on Culture Technology / v.5, no.2, 2019 , pp. 279-286 More about this Journal
Abstract
Jo, Hee-ryong(1789-1866), who was given the title of "boss of the world handling a China inkt" in the late Joseon Dynasty, was from a noble family, but he claimed to be a yeohang-in himself. The byeoggyesa was formed based on Jong-in and they are engaged in literary activities. Hee-ryong Jo, "I do not follow people's back" is the art spirit of my life. The theory of the Holy Spirit has inspired emotion or inspiration as the essence of art. He pursued original aesthetics of painting with the true nature and personality as important. During his early 60s, the period of banishment for about three years had a profound impact on the identity and direction of his art world. During this period, he wrote four volumes, including "Hwaguamlanmug", "Uhaeagamgo", "Sugyeongjaehaeoejeogdog", "Hanwaheonjehwajabjon" and among his paintings with 19 paintings, eight paintings were produced, including "Hwangsannaengundo", "Bangunlimsansudo", "Maehwaseoogdo". These works reveal the Playful sokmi sprit, the grotesque of manual dexterity, and the aesthetic of painting through the natural divergence of natural nature.
Keywords
Jo Hee-ryong; Imja Island; banishment; the Middle Class Painter; manual dexterity; Maehwaseoogdo;
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  • Reference
1 HeeRyong Jo, Hwaguamlanmug (畵鷗盦讕墨)
2 KyoungJa Lee(2009), A Study on the asog aesthetic of Hosan Jo, HeeRyong's Literary Artists' Paintings, A doctoral dissertation of Graduate School of Sungkyunkwan University.
3 HeeRyong Jo, Sugyeongjaehaeoejeogdog (壽鏡齋海外赤牘)
4 HeeRyong Jo, Uhaeagamgo (又海岳庵稿)
5 HeeRyong Jo, Hanwaheonjehwajabjon (漢瓦軒題畵雜存)